Starring Zhang Han-Yu, Masaharu Fukuyama, Ha Ji-Won, Stephy Qi Wei, Jun Kunimura, Nanami Sakuraba, Angeles Woo, Yasuaki Kurata, Hiroyuki Ikeuchi, Tao Okamoto, Naoto Takenaka
Directed by John Woo
Expectations: A new John Woo action movie… I love these! But I have very little expectation to love this one, honestly.
John Woo has made over 30 films in various genres, but he is best known for his heroic bloodshed films set in the dangerous world of cops and criminals. His last film to fit the category is 1997’s Face/Off, so calling Manhunt a highly anticipated film would still undersell the considerable excitement of action fans worldwide. There is virtually no film that can stand up to 20 years of pent-up desires, though, and Manhunt is no different. It is not the next Hard Boiled, and it will never achieve such widespread classic status as The Killer or A Better Tomorrow. Regardless of this, Manhunt is a very enjoyable film in its own right, and a nice return for John Woo to the style that made him an international sensation. The focus on the overall style is particularly key, as the film itself hardly resembles Woo’s masterworks in any literal sense.
Du Qiu (Zhang Han-Yu) is a Chinese lawyer working in Japan for Tenjin Pharmaceuticals, a powerful corporation developing cutting-edge drugs. After a company party, Du Qiu is found in his apartment with the corpse of a woman beside him. Charged with murder, Du Qiu escapes the arresting cops and runs for his life. Japanese policeman Yamura (Masaharu Fukuyama) suspects a set-up, and with his recruit sidekick Rika (Nanami Sakuraba) he begins investigating beyond what the initial facts indicate. These threads converge and overlap throughout the film in clever ways, developing the bond between Du Qiu and Yamura, just as you would expect in a heroic bloodshed film from John Woo. The relationship feels undercooked compared to the perfectly executed ones in The Killer or Hard Boiled, though.
Within this context, Manhunt is a respectable film that overcomes its modernity and delivers its nostalgia with style. It won’t please everyone, but it is bursting with entertainment and intrigue if you can overlook some CG foibles and the odd choice to include a fair amount of stilted, often-dubbed English dialogue. Instead of calling it a return to heroic bloodshed, it’s more accurately John Woo looking back on genre action films of the past and paying homage. It definitely ain’t a resounding success, but it’s fun and that counts for a lot.