Directed by John Lechago
Expectations: Moderate to high.
On the general scale:
On the B-movie scale:
John Lechago’s Killjoy films have been the shining star of Full Moon’s modern efforts, easily outpacing just about every one of the studio’s other recent efforts. I was so taken with Killjoy 3: Killjoy’s Revenge (and to a lesser extent Killjoy Goes to Hell), that I made it a point to check out all of Lechago’s other films. I really enjoyed them all — especially Blood Gnome — and they exhibit the same low-budget ingenuity and ambition apparent in his Killjoy films. So I definitely went into his latest film, Killjoy’s Psycho Circus, with an expectation to enjoy it. Instead I came away hoping it’s the end of the Killjoy series (although I know it won’t be).
Killjoy’s Psycho Circus sees the clown (Trent Haaga) in his new semi-mortal state achieved at the end of Killjoy Goes to Hell. He’s hosting his own talk show called Killjoy’s Psycho Circus, and Batty Boop (Victoria De Mare) has tired of his antics and left him. Meanwhile, Beelzebub (Stephen F. Cardwell) is put on trial for losing Killjoy in the last film, and now he’s tasked with bringing Killjoy’s soul back to hell. He simply requests one thing to do this job: a massive space ship! Why? Who cares? Killjoy’s going to space!
One bit of filler was pretty interesting, though. On the talk show, Killjoy interviews the actor that plays him, Trent Haaga. As a scene, the interview isn’t much more than a dumb joke, but it does allow the audience a side-by-side comparison of “normal” Trent Haaga and “Killjoy” Trent Haaga. His performance as Killjoy fills the character with a distinct personality that transcends the performance. Who played Killjoy? Uh, Killjoy played himself, duh! It’s an impressive transformation, and the scene allows a great look into the depth of creativity involved with assuming a character’s identity. It’s more than simply donning the costume and the mask, you must breathe life into him, too!
Neither film is truly in the horror genre, so the opportunity for great make-up FX is somewhat limited, but Killjoy’s Psycho Circus has some distinct instances that would have been insanely better with practical FX. There are a pair of head explosions and both are achieved digitally. They still look OK, but there’s nothing like a live, practical head explosion. I’m sure most of the FX budget went towards making the CG better and more plentiful, and the film does benefit from this, but I can’t help but want a couple of good ol’ fashioned head explosions. I guess I’m just a traditional kind of guy.
As much as I didn’t particularly care for Killjoy’s Psycho Circus, it is still far more inventive and imaginative than most modern Full Moon films. It’ll probably please the rabid Killjoy fans who have waited patiently during the four years between sequels, but I don’t see much of anyone beyond that caring much for this one. The film sets up future Killjoy films (including a possible Killjoy/Evil Bong crossover), but I’m more interested in whatever Lechago makes outside the Full Moon brand.
Next time I get around to a Full Moon movie I’ll be posting the review I bumped for the new Killjoy: The Horrible Dr. Bones! See ya then!