Starring Billy Parish, Walter Jones, Jason Adelman, Ilinca Goia, Constantin Barbulescu, Oana Stefanescu, Claudiu Trandafir
Directed by David DeCoteau
On the general scale:
On the B-movie scale:
Like a lot of B-Movies, the logic employed in Talisman is shaky at best. What separates Talisman from the pack, though, is how well-realized and enjoyable it is; multiple times while watching it, I thought, “Wow, this is legitimately a good movie!” I don’t think it’s quite there for straight-up mainstream people, but Talisman is far better than your average late-period Full Moon film. I’ve held off on watching this one because, for reasons I’ve forgotten, I thought it would be dumb, so it’s a nice surprise to find it’s actually a competently made picture from underrated low-budget maestro David DeCoteau.
Elias (Billy Parish) is a new student at the Gornek International School for Boys, a boarding school where troubled kids are sent when they’ve exhausted their last traditional option. Apparently, there’s only seven kids who fit this description, and judging by the dominance of Burke (Jason Adelman) over the “student body,” the school isn’t all that strict. They might have some strong disciplinary measures, like locking everyone inside their rooms at night, but the rehabilitation of these delinquent youths is obviously far from the minds of the staff. But whatever, this isn’t called Boys School, it’s called Talisman, so I don’t care if the fictional school makes sense, or is “doing the right thing for these kids.”
When Elias was a child, his parents pulled a talisman out of his grandfather’s grave and then resurrected said grandfather with the talisman, a couple locks of hair, a few spices, some magic words, and the blood of a three-month-old virgin. So in other words: a perfectly normal family outing! But before you get excited for Elias to get his grandfather back, know that Gramps isn’t the kind of guy to sit on the porch sucking on a Werther’s Original, he’s the “harbinger of the end of the world and literally rip your heart out” kind of guy. Oh, and after he rips out your heart, he sets it on fire in his hand. What a guy! I loved him, in part because all he does is walk ominously across the screen or rip hearts out and set them ablaze. He’s a man who knows what he wants! I also got a kick out of how much he resembles the unmasked Darth Vader at the end of Return of the Jedi.
Talisman is so effective because its script perfectly paces the reveal of information about the characters and their past. Thanks to this, we are intrigued to listen to the dialogue and take in the story. This level of story engagement is kind of rare in low-budget films, and especially in later period Full Moon stuff (to me, anything from the late ’90s on is “late period”). A couple of the big reveals are too obvious well before they’re meant to be, but it’s not anything that hinders the film from being enjoyable. We may know where the story is heading, but the journey there goes places that only B-Movies can, so there’s always something to keep your interest. I’m having a hard time explaining why I liked this movie so much; I keep wanting to say it’s fun and leave it at that. But to that point, it is fun and because it’s barely 70 minutes, it moves fast and incredibly well.
I must also admit to liking this one a lot because of the talisman itself. It’s a weird-looking thing, but it’s really well designed and constructed. I have no idea what it’s actually made of, but it looks evil and heavy as fuck. To make sure you know it’s evil, it’s a pentagram with an upside down cross on top of it, and as a dark cherry on top: a snarling gargoyle whose face is hidden by his wing. Sometimes. Yes, because this evil talisman is so evil, the gargoyle sometimes peeks above his wing when he’s preparing to do some unspeakable evil. He’s gotta make sure the coast is clear! Little things such as this are what made me love Talisman, but these are also the types of things that might fly past other viewers (like a little gargoyle perhaps? 🙂 ).
Sometimes I have concrete reasons and explanations for feeling the way I do about a film, and then there are times like this when I’m at a loss for words to properly convey my love. It’s like there’s not much about Talisman that stands out as great, but added all together it’s a perfect piece of low-budget filmmaking. If you like this sort of thing, definitely give it a shot!
Next time I get around to a Full Moon movie I’ll be watching a non-Full Moon David DeCoteau movie that Charles Band executive produced: The Brotherhood! See ya then!