Starring Rhys Pugh, De’Prise Grossman, Mark Hamilton, Charles Schneider, Ron Barnes, Dileen Nesson, Torie Lynch, John Paul Fedele, Mike Terner, Robert J. Ferrelli
Directed by Aaron Osborne (with kaiju SFX scenes directed by Michael Deak)
Expectations: I have a bad feeling, but I want it to be good.
On the general scale:
On the B-movie scale:
What happens when noted low-budget studio Full Moon puts together a kaiju film? Pure
Grade A Grade B entertainment! Don’t believe me? Take the film’s first two scenes as an example. The film opens with a mountain exploding and a giant dinosaur kaiju bursting out from it. As if that’s not enough to launch the film, the monster then stands in front of the gaping hole he made, emitting his Godzilla-like scream while giant balls of fire erupt around him. It reminded me of the ridiculous intros that wrestlers have, and I wished — even before seeing more than two minutes of the movie — that there was a Zarkorr! sequel so this horned behemoth could go claw-to-claw with another fearsome giant (who could have a similar ridiculous intro).
But many B-Movies kick off with a bang, and then leave viewers in the lurch. Not Zarkorr! the Invader! The next scene is a complete change of pace, as we meet our hero: a lowly postal worker. He’s just minding his own business in his apartment when a teenage girl about three inches high materializes onto his kitchen table out of a ball of light. She informs him that he’s been chosen to defeat the beast, the invader from another realm… Zarkorr! the Invader! She leaves him with a few truths about the monster — such as he cannot be harmed by any weapon known to man — and then disappears just as quickly as she appeared. You’re probably wondering why this meek postal worker was chosen and not someone brawny like Arnold Schwarzenegger. Here’s where the logic gets a little fuzzy. This guy was picked specifically because he’s the median human; 50% of the world is better suited to the job, and 50% of the world is less well-equipped for the job. So if you were wondering: yes, mediocrity does have its benefits.
From here the film only gets more ludicrous as it goes along, and by ludicrous I mean hilarious. Imagine if you were a postal worker who had no resources and were tasked with defeating a monster roughly 180 feet tall. You’d be ludicrous too. In this way, Zarkorr! the Invader offers a hyper-realistic take on the kaiju genre, asking the big question of “How does an average man deal with insurmountable odds?” In this situation, we’d all be grasping at straws, but through the struggle of Tommy the postal worker we are reassured in the power of humanity’s survival instinct. Now that I think of it, Zarkorr! the Invader just might be the high-point of ’90s philosophical filmmaking.
There are moments of acting in this film that defy words. It’s almost like acting in this film was some sort of sick Saw-like game, where if the actors didn’t express all their emotions with every facial muscle possible, their children would be ripped apart by rabid wolves before their eyes. The people in this movie act their faces off; there was so much raw emotion flying around that no amount of Botox injections could hope to freeze these expressive faces.
Much to my surprise, Tommy does end up convincing others to join his noble cause, and about the time they reach the hacker (it’s a ’90s movie… of course there’s a hacker), I started to think that Zarkorr! the Invader felt more like the pilot episode to a kaiju TV show than an actual movie. I mean we’re 45 minutes into a 78-minute movie and everyone’s still completely clueless as to what to do. Don’t worry, we’ll get Zarkorr! the Invader on the next episode of Zarkorr! the Invader. But no! This is a movie! The postal worker must save the Earth from total annihilation within the next 30 minutes!
But enough about how hilarious and exciting and philosophical and emotional Zarkorr! the Invader is; Let’s talk about the monster FX work. I’m just going to cut to the chase: it’s a dude in a suit crunching and stomping miniature sets and shooting laser beams out of his eyes into every radio tower, farmhouse and tenement building he comes into contact with. Which is to say: AWESOME AWESOME BOOM! AWESOME AWESOME AWESOME LASER BEAMS! AWESOME ZARKORR! AWESOME! The scenes don’t really have much to do with the plot of the film — they are cut in-between scenes of Tommy “gathering his followers” — but who am I to argue with explosions and laser beams? A better man than I once said, “You take the bad with the good, but laser beams and explosions are always fucking awesome,” and it’s never served me wrong yet.
Zarkorr! the Invader may not excite and delight you like it did me, and I’m sorry for you. Like a Christian who wishes for a heathen to one day find a place in their heart for Christ! the Almighty, I too wish for each and every resident of this great planet of ours to be able to find a place in their hearts for Zarkorr! the Invader! Highly recommended.
Next time on Full Moon Tuesday, I’ll be checking out the second Full Moon kaiju film, Kraa! the Sea Monster! See ya then!