Starring Yueh Hua, Connie Chan Po-Chu, Lo Lieh, Yeung Chi-Hing, Goo Man-Chung, Lydia Shum, Cheng Kang-Yeh, Chan Ho, Ou-Yang Sha-Fei, Wu Ma, Choi Yuen-Ping, Ma Chien-Tang, Chung Wa
Directed by Chor Yuen
Director Chor Yuen’s previous film in this review series was the multi-genre masterpiece Intimate Confessions of a Chinese Courtesan, and with The Lizard he applies the same principles to different genres. The Lizard is a simple film on the surface, but once it gets rolling it reveals itself as a fairly dense hybrid film, mainly mashing kung fu together with comedy. There were Shaw Bros martial arts films that had some laughs prior to this, but none that go directly for the laughs throughout like The Lizard. So, at least in terms of the Shaw output, this is most likely the first attempt at a true kung fu comedy.
For this alone, The Lizard is notable and actually kind of subversive for its day; as Chang Cheh was pushing the martial arts genre forward into dramatic, male-dominated bashers with each subsequent film, Chor Yuen dared to go in a completely different direction. The Lizard takes a well-worn wuxia storyline (the tale of a Robin Hood-like masked figure) and transports it to the modern era. Chor Yuen then adds a couple tablespoons of romance, a pinch of thriller, a dollop of the casino film (actually outright stealing the ability to accurately hear dice rolling from The Casino‘s main character, who was also played by Yueh Hua), and a few sprinkles of wuxia so that his characters can leap around the wonderfully constructed Shaw Bros. sets.
But while The Lizard falls a bit short in its comedy, it does deliver some great action. There’s not a bunch of it, but when action comes to you courtesy of the fearsome duo of Yuen Cheung-Yan and Yuen Woo-Ping you better be ready! The Yuen brothers pull off some great work, crafting fights that are exciting and that play quicker and seemingly much more realistic than a lot of other fights from this era of the Shaw studio. I can’t say that there’s any real standout moments, though, it’s just across the board great quality stuff (but still rather subtle).
I liked The Lizard pretty well, but it failed to capture me completely. It’s very lighthearted for a kung fu film, which definitely threw me for a loop. Perhaps I’ll enjoy it more on a re-watch. Also of note is that The Lizard was the final film of Connie Chan Po-Chu, a huge star in the Hong Kong opera films of the 1960s. She plays the lead female role in the film and gets to show off some great martial skills throughout. In any case, if you’re a fan of Chor Yuen, Yueh Hua, Connie Chan Po-Chu, multi-genre films — you get the idea — The Lizard is definitely worthy of your time.
Next up in this chronological jaunt through the Shaw Brothers Martial Arts catalog is Chang Tseng-Chai’s The Fugitive! Chang’s previous film in this series, The Casino, was quite the unsung, quick-moving gem so I’m hopeful this one will be similarly good! See ya then!