Directed by Kim Jee-Woon
Expectations: Extremely high.
It’s Sheriff Ray Owens’ day off, and he’s hoping for a quiet one. Y’know the kind, you hit the town diner for a quick bite and then just sorta mosey around doing whatever it is that feels right at the time. What he doesn’t know is that Gabriel Cortez, a reckless drug lord, has just broken free from FBI custody and is now speeding down the highway directly towards Ray’s town. But what Cortez doesn’t know is that Arnold is a bad motherfucker.
Check your logical mind at the door and get ready for an old school throwback featuring the king of ’80s action movies himself, Arnold Schwarzenegger. The Last Stand is not a perfect film, but if you dig real cars exploding and doing stunts (not necessarily at the same time) then this will entertain. The film also features a healthy amount of gun violence and even some interesting hand-to-hand. I wouldn’t go so far as to call it “a movie with it all” but as an ’80s action throwback/western/comedy it definitely throws a lot at you. Believability never mattered in the ’80s and it also doesn’t matter in The Last Stand. Whatever it takes to get a bazooka and a mini-gun on-screen, I’m completely fine with in this type of movie.
The Last Stand does take a little while to get moving, though. The film’s pace has something of a snowball effect, quickening over time, and I found it mirrored the aging Arnold rather well. He doesn’t spring out of bed, guns blazin’, he slowly puts one foot down at a time before shuffling himself to the bathroom to start his day. Perhaps saying that the film’s pace reminded me of an aging man isn’t the best selling point for the film, but it is what it is, and once that old man gets going he unleashes a hellish fury on these unsuspecting evil bastards that is an absolute joy to watch. Never before have I smiled so much at something as simple as a guy getting run over, but as this moment signaled Arnold’s return to on-screen action, it was special. Just know that it does takes a while to build towards this moment.
The Last Stand also has quite the sense of humor. It balances the brutal violence and the laughs well, even throwing in a few one-liners for Arnold, something I honestly never expected to make it into the modern Arnold films. These aren’t as classic as something like “Stick around!” or “Knock, knock,” but they get the job done and serve the film very well. ’80s movies had a wonderful sense of humor, and while this one doesn’t necessarily capture that same spirit, it does feel like something of a modern take on it.
We’ll have to wait and see if future Arnold films surpass this one, but even if they don’t, The Last Stand is a fun addition to the overall Arnold filmography. It could definitely be much, much worse, and frankly I imagine the films that follow will be closer to that bottom end. Hopefully I’m wrong, but I have to set my expectations pretty low or else I may find myself crying in the corner in a fetal position, devastated that the return of one of my favorites went so horribly wrong. Please prove me wrong, Everyone That’s Involved With Anything Arnold is Working On. If nothing else, it’s an exciting time to be an Arnold fan, with no less than five new movies in the works. Welcome back, Arnold… I’ve missed you!