AKA City of Steel
Starring Yasunori Matsumoto, Youko Asagami, Masayoshi Sogabe, Yukiko Ishida
Directed by Shinji Aramaki
This is a short little sci-fi adventure that doesn’t try to do anything special. I’m afraid I don’t have much to say, but with a runtime of less than one hour there’s not a whole lot to talk about. It’s just a lighthearted romp around town with a cool sci-fi armor suit that sits halfway between insightful speculation and face-palming stupidity. As such, it has some aspects that are pretty good, and other aspects that, well, aren’t.
The premise is that the military somehow loses its cool new prototype super armor during transit, and it somehow winds up in the hands of Koji, a young mechanic, who obviously thinks it’s the coolest thing he’s ever laid eyes on. Of course, he then acts like a complete idiot and decides to try it out for himself. Then he can’t figure out how to get out of the armor, and he is forced to clamber about town to meet his girlfriend at 8:00.
I found the deadpan delivery for this segment worked rather well at keeping the scenes entertaining. Of course I am generally of the opinion that comedic exaggeration usually works against humor, so if you have different feelings on the matter, these moments may strike you as drab and monotonous.
The part of the film that shows us what everyday life would be like if you were stuck in a high-tech super armor doesn’t last very long, though. Soon enough, the military tracks down their wayward secret weapon, and the real action begins. Koji must take down secret service agents, military helicopters, another prototype robot, and even a miniature tank that was, for some strange reason, designed to drive up stairways and equipped with grappling hooks.
The action is pretty solid, though it’s nothing amazing. The animation is also solid, and actually pretty damn good for the ’80s. Until I saw the release date I had assumed it was an early ’90s creation. None of it is truly amazing, but it all holds together well enough at making some satisfying action sequences.
The biggest problem in the second half is that nothing really feels important. This isn’t some epic struggle for the fate of the world or anything, it’s just some moron out for a joyride. There’s a lot of action, but it all feels too inconsequential to make the story compelling.
It never does anything superb, but mecha action fans will surely be able to find something of value here. And if you’re willing to avoid taking it seriously, MADOX can be a fun little show, although it’s more of a snack than a meal.