AKA Bushido
Starring Toshiro Mifune, Koji Tsuruta, Kaoru Yachigusa, Mariko Okada, Michiko Saga, Takashi Shimura, Minoru Chiaki, Daisuke Kato, Haruo Tanaka, Kichijiro Ueda, Kokuten Kodo
Directed by Hiroshi Inagaki
Expectations: High. Can’t wait to finish the trilogy.
[Editor’s Note: There will be spoilers, although I don’t know how much spoilers come into play on this film, as it’s pretty clear from the get-go what the end result will be.]
Early on in Samurai III: Duel at Ganryu Island, Musashi Miyamoto bests a fighter dominated by physical strength by using his own strength as tempered by his calm spirit. This tells us that the journey shown in Part 2 of the trilogy was a success; Musashi has indeed become the complete swordsman he set out to become. This is reinforced throughout the film through the encounters that Musahi has, such as moments when he settles a dispute simply by catching flies with chopsticks, or his increased focus on the arts (specifically woodworking). My favorite of these clues that Musashi has attained his goal was the subtle changes in the trilogy’s bombastic theme, which takes on a more reserved and calm tempo in this film.
As the title suggests, Samurai III: Duel at Ganryu Island is mostly focused on the duel between Sasaki and Miyamoto. While the actual duel doesn’t take place until the closing minutes of the film, its shadow looms over the entire film and creates a sense of impending tragedy for the two men. We are led to believe that Musashi will handily defeat Sasaki, but Sasaki has also proven to be quite the formidable samurai. Even in the final moments, the duel is anyone’s game, and this is what makes the duel so thrilling to watch.
And while this battle represents the pinnacle of Musashi’s journey on the way of the sword, it also represents the beginning of the end. With this battle complete, there is no more left to achieve; he has reached the uppermost heights of swordsmanship and will never be challenged in any real way again. One hopes that upon returning to Otsu, Musashi was able to continue growing along the alternate path of love, but I imagine he wouldn’t abandon the way of the sword. Even still, I like to think that he found some peace with Otsu after the final fade to black. And since this tale is a fairly fictionalized version of reality, I think I’m entitled to imagining this great character doing just that, instead of the reality of the situation where there never was an Otsu and Musashi died alone in a cave of what is thought to be thoracic cancer.
Samurai III: Duel at Ganryu Island is a worthy finale to a very strong trilogy detailing a samurai’s path to achieving true peace of spirit. I highly recommend the whole trilogy to anyone that enjoys Japanese film and 1950s cinema. There is a quality about these films that make them seem almost Western-produced; they feel like John Ford movies set in feudal Japan. So if that sounds interesting, then check them out!
YouTube has no trailer but I found one on IMDB, I just can’t embed it here. So click here if you wanna see the trailer!