Starring Jiang Wen, Chow Yun-Fat, Ge You, Shao Bing, Liao Fan, Du Yi-Heng, Li Jing, Zhang Mo, Wei Xiao, Carina Lau, Zhou Yun, Yao Lu, Jiang Wu
Directed by Jiang Wen
Expectations: Moderate. I’ve heard good and bad things.
Let the Bullets Fly is a very interesting multi-genre movie, but if you go in with expectations that Chow Yun-Fat will resurrect his past with John Woo by letting some heroic bullets fly, you might as well not watch it. It’s nothing like that at all. At its heart it’s a comedy, one which may or may not make it through the translation depending on your sense of humor, but it’s a comedy built on the framework of a town western with sprinkles of action mixed in very frugally. It’s also a drama, with some excellent back-and-forth dialogue scenes between the great actors. But none of these elements make the film great individually, it’s how they all work together to create a cohesive narrative that takes the film and makes it fly like the titular bullets.
A group of bandits led by Pocky Zhang (Jiang Wen, and also our director) hijacks a horse-drawn train transporting the new governor of Goose Town. He hopes to find a bounty of silver inside the cabin, but instead he only finds the snivelling governor and his wife. They tell Zhang that the money he seeks can be found in Goose Town, so the bandits, with the governor and his wife in tow, travel there and Zhang poses as the new governor. This raises the ire of local mob boss Huang (Chow Yun-Fat), and before we know it we’re locked into an intense, and hilarious, battle of wills between the two.
That being said, there’s a lot of fantastic moments of dialogue that resonate on a number of levels. Most of it is funny, but some is touching or thought-provoking. And sometimes it’s all three. When a character close to the governor dies, he genuinely laments the death and screams out words of confusion and frustration at the event. It’s heart-wrenching, but just moments later in order to fool Huang, Zhang uses the exact same words to comic perfection. It’s brilliant and just one example of how the script deftly transitions between comedy and drama flawlessly. A lot of the dialogue is blasted out like rapid-fire bullets, giving the film something of a His Girl Friday feel where the audience simply sits back in amazement at the witty repartee occurring for their enjoyment.
Any foreign comedy is going to have its share of translation problems, and your love of Asian cinema will dictate how much you “get” Let the Bullets Fly. Where the stomach-cutting scene reminded me of the absurdity of Chinese humor, I think a lot of people unaccustomed to this would be turned off immediately. Gore in comedies is something that rarely gets play in Western culture, unfortunately. Troma films have always walked that line, as have a lot of horror comedies, but those are usually gunning for a horror/gore-friendly audience so it’s more easily accepted. I’d have to point to James Gunn’s Super as being one of the few examples of gore in a non-horror movie that also successfully manages to be funny and capable of many different tones (sometimes all at once). I’m sure this is the influence of Asian cinema on Gunn coming through.
Let the Bullets Fly is a great multi-genre film that remains funny throughout and intensely watchable. It does feature some rather obvious uses of poor Chinese CG, but these moments work better than they should because of the comedic, absurd tone to a lot of the scenes. The character dynamics between Jiang Wen, Chow Yun-Fat and Ge You are outstanding, and this is a real winner of a script. Let the Bullets Fly is the highest grossing film in Chinese history, and while this is no barometer of quality, it is a damn fine film. And you’ll never see a better example of wire-work aided air-juggling of a person in a movie, something that I thought I’d only see in the heated battles of Marvel vs. Capcom at the local arcade.