AKA Tiger’s Courage
Starring Cheng Pei Pei, Yueh Hua, Ng Fung, Lo Wei, Tien Feng, Poon Oi-Lun, Yeung Chi Hing, Ou-Yang Sha-Fei, Lee Kwan, Tong Jing, Lee Sau Kei, Go Ming, Goo Man-Chung, Hung Lau, Yee Kwan
Directed by Lo Wei
Expectations: Moderate. I have a bad feeling about this one.
My bad feelings were all for naught, as Lo Wei’s Raw Courage is a fun, rollicking little wuxia film. It’s not something that will create genre fans, nor is it anything truly substantial, but it is fantastic entertainment. Raw Courage tells the story of an emperor besieged by an army who entrusts his child to Lo Wei and his Black Dragon Clan. In virtually every other Shaw Brothers film from this period involving a baby, there’d be a twenty year jump in time and we’d pick up the story with the young martial artist out looking to find their destiny or avenge their fallen parents/master. In Raw Courage, the baby actually stays a baby as Cheng Pei-Pei and Ng Fung quickly find themselves in charge of taking the infant prince across the country to meet up with the White Dragon Clan. If trying to transport a baby through enemy checkpoints sounds like a good time, then Raw Courage is your barrel of monkeys.
There’s nothing too special about Raw Courage, other than its ability to rise above the standard wuxia storytelling and remain exciting and interesting throughout. There are loads of problems that contribute to the film being less than it should be, but honestly I only noticed after the film was over because I was having such a fun time with it. One of the major flaws is that the villains, while plentiful, aren’t nearly well-defined enough to make for compelling adversaries to our heroes. Tien Feng plays their leader, but basically sleepwalks through a role where his primary task is to walk from one place to another and say, “After them!” It’s hard to blame him. The villain introduced later in the film, a man with a blue-gray face known only as Old Monster, is awesome and really deserved more screen time too. It’s crazy villains like this that would later populate all kinds of wild and fantastic Hong Kong films, so I’m willing to forgive this one a bit just for including him.
Our heroes are rather charismatic though, which makes up for the villains lack of definition. Cheng Pei-Pei has had much better and meatier roles, but she’s clearly having fun swinging that sword around in her attempts to protect the child from the clutches of evil. This is the first film I’ve seen Ng Fung in—this looks to be his only martial arts film—and he does surprisingly well for a newcomer. There’s a noticeable lack of close-ups of him during the fights, so perhaps a stunt double did all of his fighting, but he (or the double) performs well and is a great counterpart to Cheng Pei-Pei. The film really gets interesting when these two meet up with Yueh Hua, the actor with the effervescent smile that lights up every film he’s in. Yueh plays a goat farmer who helps the heroic duo, before getting drawn into their story and the duo becomes a heroic trio.
Speaking of The Heroic Trio, Raw Courage‘s plot also features a eunuch, but much to my chagrin he is only mentioned a couple of times and never shown on-screen. I’m going to just imagine that Old Monster and the eunuch are one in the same (even though I know they’re not), and call it a day. Old Monster is similar to later film eunuchs in that he’s more powerful than everyone else and he’s somewhat supernatural, so it works for me. But for those that have seen The Heroic Trio, don’t get all excited thinking that Old Monster is anywhere close to the eunuch featured in that film. They’re about as far as two eunuchs can get from each other, and let me tell you from experience, that’s pretty far.
Raw Courage is nothing more than a standard wuxia film, but it’s one that’s very well done and entertaining. The storyline and the settings are different enough to intrigue stalwart genre fans, reminding me a lot of a lighthearted 50s Western before everything turned dark and gritty, which is fairly true of the kung fu genre as well. The film ends on something of a possible sequel note, without any real resolution, but don’t bother searching for it because it doesn’t exist. This is all you get, and for what it is, it’s pretty fun.
Next up in this chronological jaunt through the Shaw Brothers Martial Arts catalog is The Swordmates, from directors Chang Ying & Pan Fan. Let’s hope for a good one.