Directed by Robert Rodriguez
Expectations: Moderate. I expect to have fun. No more, no less.
I don’t review a lot of kids movies here at Silver Emulsion and that’s because most of them aren’t very good. OK, OK, the same could be said of many horror films, but the truth is: I’m not a kid, nor do I have kids, so I just don’t see a lot of them. They also don’t really appeal to me either, which is probably a good thing as I’m now in my thirties and it gets a little creepy to be saying “One for Agent Cody Banks, please” once you’re old enough to drive yourself around. There are always exceptions to the rule though, and Robert Rodriguez’s films for children always seem to fit into that category for me. As I mentioned in my lengthy and ridiculously wordy review of the original Spy Kids, it was a viewing of his Shorts that led me to revisit his kid-friendly work, and I’m glad that I did. I enjoyed the first film quite a bit, and I think the second one is even better.
Story isn’t really the strongpoint of this film, but here’s the gist: Our spy kid heroes are no longer the only game in town, as seemingly every agent this side of a Madagascar alleyway has inducted their own children into the program. Juni and Carmen’s main rivals are Gary and Gerti Giggles, spawn of
Dr. Giggles Donnagon Giggles, the new head of the OSS. Anyway, the president’s daughter starts the ball rolling by stealing a device known as the Transmooker, and, of course, every one wants it. This leads our heroes and their devious enemies down a wonderful thrill ride of a spy picture, complete with more insane gadgets than you could ever hope to see in the entire James Bond series.
But that’s the thing. This is Robert Rodriguez and this is a low-budget film (at least in Hollywood terms). His “10 Minute Film School” features on his DVDs are always a must-watch for me, and the one on Spy Kids 2 makes me appreciate the film so much more. It’s so impressive in fact that I think it could win over a Rodriguez naysayer. This low-budget spirit is exactly why I love Rodriguez, even while actively thinking that most of his movies are just OK. He’s a guy that plays by his own rules and remains true to the spirit of filmmaking, even though he’s completely embracing the digital revolution. It took me a while to get over myself about that fact, but once I realized exactly what he was doing, I knew the only option for me was to respect him completely. It’s easy to watch the movie and criticize how most of it is done in post, but I dare anyone to watch that 10 Minute Film School and not be at least somewhat more respectful of Rodriguez’s ability to ingeniously think around filmmaking problems.
Now, if we put aside respect and just look at the facts, there’s just as much to laugh at in Spy Kids 2 as there is to be amazed by. And I’m not talking about clever jokes. No, I’m talking about shitty 2003 low-budget CG, and man does this movie have a lot of it. Some of the CG backgrounds do look great, but some of them look more like they were ripped directly out of a late 90s FMV adventure game. I kept expecting the screen to pause at any moment and a pixellated mouse cursor to emerge so I could direct Juni to LOOK, GRAB or EXAMINE the things around him. There are a couple of moments where the CG characters have something of the jerky nature of stop-motion, and while some might call this sloppy, I’m sure it was intentional. The creature design and a few specific moments pay direct homage to the classic work of legend Ray Harryhausen. I’m a big fan of his work, so this made me smile.
For the most part, I greatly enjoyed watching Spy Kids 2. It has a fun, adventurous spirit that makes it hard not to get excited while watching it. Add in some great supporting roles by Steve Buscemi and Ricardo Montalban (two of my favorites) and we’ve got a great kids movie that everyone can enjoy, so long as you still like ridiculous fantasies involving giant monsters, spy gadgets and underwater getaways. Sure, it’s pretty dumb, but if you have kids, I’d definitely recommend checking both this and the original film out.