Starring Chris Makepeace, Sandy Baron, Robert Rusler, Dedee Pfeiffer, Gedde Watanabe, Grace Jones, Billy Drago
Directed By Richard Wenk
Let me get this out of the way. Vamp is a fucking hoot. It’s a genuinely superb horror comedy in the same vein as Fright Night and Night of the Creeps, but it oozes enough style and a quirky tongue-in-cheek swagger to really set itself apart from the pack. There are a lot of vampire films out there, and a lot of those were made in the 80s, but only one of them features the 9 foot tall, Manute Bol lookalike Grace Jones as a freaky vampire stripper who partakes in jugular snacks from young frat boys and rips the hearts out from insolent servants.
Indeed, Vamp strikes its campy tone right off the bat and runs with it. From the clever first scene you know exactly what you’re getting into. The action follows Keith and AJ, a couple of college dregs doing what they can to enter some freaky, high-brow fraternity. With their hope almost lost, they pledge to bring in booze and strippers in a last ditch attempt to gain acceptance. With the help of uber-prep Duncan (played by Gedde Watanabe of Sixteen Candles fame) the trio embark on a trip to the big city in search of the alluring “After Hours Club”. Yeah yeah, I know what you’re thinking… this is no different from the goofy college boy antics I’ve seen before in Animal House and Revenge of the Nerds. Can’t argue with that, but it’s during Vamp’s second act that things take a turn for the better.
After the show, she requests the presence of frat wannabe AJ, who comes up to her room and is seduced before she goes full-bore into vampire mode, baring her fangs and taking a mean chunk out of his neck.
From start to finish this movie is just crazy fun, I forgot to even mention that genre honcho Billy Drago is in here as well, playing a street punk gang leader palling around with some punk rocker soul sisters who simulate oral sex with licorice sticks (yeah, lots of blowjob innuendo in this film). Also somewhere in the mix is a ravenous, six-year-old little girl vampire who latches onto flailing limbs like a drooling Doberman with a bloodlust.
A point also has to be made of Vamp’s killer lighting scheme. The transition between bland daylight scenes and the eerie, supernatural night sequences are punctuated by multicolored lights which look like somebody had spilled acrylic paints onto the workprint. Rain slicked alleyways and dark dressing rooms are filled with pools of lavenders, dark greens, and deep reds. This really is some of the most creative lighting I have ever seen… Not to get all Extreme Makeover: Home Edition on your asses, but something has to be said for a film that has the ballsy fortitude to light a scene taking place in a sewer with bright pink floodlights.
Making a good horror / comedy is not an easy thing to do. Most films fail to tread that thin line between being genuinely funny while at the same time remaining genuinely scary. Vamp is a film that seemingly blends both effortlessly. Just give it a go, your entertainment is practically guaranteed here.