The New Shaolin Boxers (1976)

The New Shaolin Boxers [蔡李佛小子] (1976)
AKA The Choy Lay Fat Kid, Demon Fists of Kung Fu, Grand Master of Kung Fu, Grand Master of Death, Silly Kid

Starring Alexander Fu Sheng, Jenny Tseng, Johnny Wang Lung-Wei, Lo Dik, Leung Kar-Yan, Jamie Luk Kim-Ming, Chan Wai-Lau, Shan Mao, Phillip Kwok Chun-Fung, Wong Yiu, Wu Hsiao-Hui, Stephan Yip Tin-Hang, Wong Fei, Lee Ying, Wong Cheong-Chi

Directed by Chang Cheh (with Wu Ma)

Expectations: Excited for another Shaolin Cycle movie.


The New Shaolin Boxers is something of an anomaly in Chang Cheh’s informal Shaolin Cycle. It most resembles Disciples of Shaolin, with both films featuring a resonant dramatic core about practitioners of Shaolin martial arts far down the lineage from the folk heroes who survived the burning of the Shaolin temple. The New Shaolin Boxers isn’t nearly as effective or finely crafted as Disciples of Shaolin, but I must admit that it is a film that is growing in stature the more I think about it. The key to this blossoming love is how Chang Cheh and Ni Kuang wrote the film to reflect the dual nature of its featured martial art: Choy Li Fut.

Choy Li Fut is an interesting branch of kung fu developed by Chan Heung in the 1800s. He combined two of the five main Southern styles, Choy Gar and Li Gar, with Fut Gar (also known as Buddhist Fist, itself a combination of Choy Gar and Hung Gar), resulting in a well-rounded system that enriches all aspects of the artist’s life. Philosophy and similar non-physical teachings are not unique to Choy Li Fut, but it is my understanding that it is more of a focus here than elsewhere. The film opens with Fu Sheng demonstrating Choy Li Fut, while the narrator tells us of its history and the art’s lineage to contextualizes the movie’s timeline. After this intro, though, the film seems to dive into a standard martial plot without a lot of thought or care paid to representing Choy Li Fut. In thinking this, I was quite wrong; the teachings of Choy Li Fut influence every aspect of the film and its plot.

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The Fearless Hyena (1979)

fearlesshyena_1The Fearless Hyena [笑拳怪招] (1979)
AKA Crazy Monkey, Revenge of the Dragon, Superfighter 3, The Shadowman

Starring Jackie Chan, James Tin Jun, Yen Shi-Kwan, Lee Kwan, Chan Wai-Lau, Cheng Fu-Hung, Ma Cheung, Wong Chi-Sang, Wong Yiu, Eagle Han Ying, Ricky Cheng Tien-Chi, Dean Shek Tin

Directed by Jackie Chan

Expectations: High.

threehalfstar


The Fearless Hyena was chronologically the next movie that Jackie Chan made after the smash hit Drunken Master. Jackie left the Lo Wei studio a struggling performer and returned a mega-star, Hong Kong’s latest screen obsession. This gave him a good amount of room to bargain with Lo Wei, and even though the stubborn Lo didn’t like relinquishing control, after some cajoling he allowed Jackie to direct his first film, also the final film of Jackie’s original contract with Lo Wei.

The Fearless Hyena follows the same basic structure as Jackie’s Seasonal films, Snake in the Eagle’s Shadow and Drunken Master. The film opens with the requisite “bad guy killing a good guy” scene that serves as a reminder that there is a plot, even though the first hour of the film largely avoids actively engaging it. But like Drunken Master, The Fearless Hyena has enough going for it that the lack of a strong narrative is only a minor issue. I’m hesitant to even call it an issue, as the film works fine as is. What holds everything together are the amazing, tightly choreographed, hilarious fights. They aren’t up to Drunken Master standards, but they’re quite impressive.

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