The Super Inframan (1975)

The Super Inframan [中國超人] (1975)
AKA Infra-Man

Starring Danny Lee, Wang Hsieh, Yuan Man-Tzu, Terry Lau Wai-Yue, Dana, Lin Wen-Wei, Kong Yeung, Bruce Le, Fanny Leung Maan-Yee, Ting Tung

Directed by Hua Shan

Expectations: High. I love this one.

On the general scale:
I don’t think it matters.

On the B-movie scale:


There are many different types of great movies, and to call The Super Inframan anything less than great is selling it short. It may lack the depth of more traditionally great movies, but it makes up for this with some of the most fun and relentless entertainment I’ve ever laid my eyes on. Simply put, The Super Inframan is pure fun from start to finish. This is entertainment of the highest order, and to look at it critically, picking apart its flaws for the sake of proving why its unable to sit alongside cinema’s great films is completely wrong-minded. The film sets out to hammer home thunder-fisted thrills and it does not disappoint.

Written by the prolific and talented Ni Kuang, The Super Inframan introduces us to a world in chaos. Natural disasters are occurring all across Hong Kong: earthquakes split roads in two, fire bursts forth from the ground, and a previously dormant volcano has suddenly become very active. Soon after, a local science center is contacted by Demon Princess Elzebub AKA the wonderfully named Princess Dragon Mom in the English dub (Terry Lau Wai-Yue). She informs the scientists that she is the Earth’s new master; our only choice to surrender or be destroyed.

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Blood Money (1975)

Blood Money [龍虎走天涯, Là dove non batte il sole] (1975)
AKA The Stranger and the Gunfighter, La brute, Le Colt et le Karaté

Starring Lee Van Cleef, Lo Lieh, Patty Shepard, Femi Benussi, Karen Yip Leng-Chi, Julián Ugarte, Erika Blanc, Wang Hsieh, Chan Shen, Cheng Miu

Directed by Antonio Margheriti

Expectations: High. I love Spaghetti Westerns and Kung Fu! This sould be a slam dunk, right?


On paper, Blood Money is the kind of movie I should love. A Spaghetti Western starring Lee Van Cleef, co-produced by Shaw Brothers and co-starring Lo Lieh. When I first heard about this movie a few years back, I imagined it as something similar to My Name is Shanghai Joe, only better since it had a great cast and the power of the Shaw Studio’s martial arts behind it. But man… that honestly couldn’t be further from the truth. Blood Money isn’t a horrible movie, but it’s definitely not taking full advantage of all the greatness at its disposal.

Dakota (Lee Van Cleef) comes to town with one thing on his mind: cracking the safe of Wang, a man said to have his fortune stored within. Dakota gets right to work, finding a sequence of locked doors within, each containing a picture of a prostitute who works for Wang. The safe’s final door requires some dynamite, and the blast not only opens the door but mistakenly kills Wang. Dakota retrieves the contents (another photo… and a fortune cookie), but he is arrested before he can get away. Word of Wang’s death reaches China, so Wang’s nephew Wang Ho Chien (Lo Lieh) is sent to investigate and find the missing fortune. His first stop is to question Dakota in jail, but this is just the beginning of the hunt for Wang’s treasure!

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Kidnap (1974)

kidnap_1Kidnap [天網] (1974)

Starring Lo Lieh, Fan Mei-Sheng, Woo Gam, Tung Lam, Liu Wu-Chi, Lam Wai-Tiu, Cheng Miu, Yeung Chi-Hing, Li Min-Lang, Fung Ging-Man, Chiang Tao, Wang Hsieh, Chiang Nan, Wang Lai

Directed by Cheng Kang

Expectations: Very high. Been lookin’ forward to this one for a while.

threehalfstar


Kidnap opens by stating that it is a work of fiction, and that any resemblance to real persons is purely coincidental. But this is not the case at all. The film is based on a series of crimes that occurred in Hong Kong between 1959-1962, and came to be collectively known as “The Strange Case of the Three Wolves.” The general points of this true story make up the framework of Kidnap (and its 1989 remake Sentenced to Death — one of the earliest Category III Hong Kong films), so I imagine the disclaimer is merely there to allow the filmmakers to embellish certain elements to make a complete and satisfying film tragedy.

Lo Lieh plays Lung Wei, a soldier struggling to get by as a gas station attendant. He’s sick of his place in life and the constant humiliation from his boss and others. His friends are in similar situations. Chao Hai-Chuan (Fan Mei-Sheng) is a make-up artist for the film industry, but it doesn’t pay enough to cover all of his family’s bills so he has a second job doing make-up at a strip club. He becomes known as Hair-Sticking Chao because he is often asked to glue pubic hair onto the girls. Niu Ta Keng (Tung Lam) is a truck driver, but he can’t hold down a job because of his volatile temper. Finally, Tong Hsiao-Chiang (Lam Wai-Tiu) is a gambling addict who is in deep debt, with no way out in sight. No word on what he does for a living, but I got the impression that gambling was pretty much all he did.

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Spirit of the Raped (1976)

spiritoftheraped_1Spirit of the Raped [索命] (1976)

Starring Liu Wu-Chi, Tung Lam, Wong Yu, Wong Chung, Wang Hsieh, Teresa Ha Ping, Tin Ching, Lau Wai-Ling, Chan Lap-Ban, Lam Wai-Tiu

Directed by Kuei Chih-Hung

Expectations: Kuei Chih-Hung! I hope it’s great.

threehalfstar


Spirit of the Raped couldn’t be a more perfect contrast to last week’s Shaw film, Night of the Devil Bride. The two films share a ton of broad similarities, but where Devil Bride was disappointing and unfocused, Spirit of the Raped made good on all of its promises and puts the sympathetic character front and center to heighten our emotional engagement. Not that movies can’t experiment with their object of focus, it’s just that some films need a certain something to stand on their own. In any case, Spirit of the Raped is a great film from Kuei Chih-Hung, and one that foreshadows the gooey, gross-out territory he would later explore and define in Bewitched and The Boxer’s Omen.

Liu Miao-Li (Liu Wu-Chi) and Chen Liang (Lam Wai-Tiu) are a young couple riding in the back of a minibus. They’re excited to be married soon, and Liu has just informed Chen that they’re also expecting a child! Their whole lives are ahead of them, until just a few minutes later when a trio of thugs rob the minibus. One of the criminals (Wong Chung) finds a stash of money the couple were trying to hide, so he kills Chen with a heartless blow to his neck. Unfortunately, this is only the beginning of Liu’s horrendous misfortune.

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Virgins of the Seven Seas (1974)

VirginsoftheSevenSeas_1Virgins of the Seven Seas [洋妓, Karate, Küsse, blonde Katzen] (1974)
AKA The Bod Squad, Enter the Seven Virgins, Foreign Prostitutes

Starring Sonja Jeannine, Diana Drube, Gillian Bray, Tamara Elliot, Deborah Ralls, Yueh Hua, Lau Wai-Ling, Wang Hsieh, Helen Ko, Li Min-Lang, Kong Yeung, Wang Han-Chen, Law Hon, Chan Lap-Ban, Chu Yau-Ko, Sai Gwa-Pau, Aai Dung-Gwa

Directed by Ernst Hofbauer & Kuei Chih-Hung

Expectations: Low. I’m expecting something trashy.

On the general scale:
twostar

On the B-movie scale:
threehalfstar


In addition to being the year of newfound freedom, 1974 was the year that the Shaw Brothers invested heavily in partnering up with other international studios to co-produce films. They had done a few films like this scattered throughout the years (their first being the 1961 comedy The Three Ladies of Hong Kong, produced with Toho), but there were seven co-productions in 1974 alone! I imagine they had hopes of reaching new markets with these films, perhaps in an attempt to replicate what Golden Harvest & Warner Bros. had done with Enter the Dragon. Virgins of the Seven Seas is the second Shaw co-production I’ve seen, and it also holds the distinction of being the trashiest Shaw Brothers film I’ve seen yet. And to be honest, I don’t know that I expect any future film to unseat it!

The film features a simple tale of human trafficking and revenge, but mostly it features a lot of nudity. These poor actresses spend almost the entire film topless, tied up or having simulated attempted rapes inflicted upon them; I can’t imagine it was a great filmmaking experience for them. But these are the sacrifices you have to make when filming a movie about five German women kidnapped by pirates who learn kung fu and take revenge on their captors. The film is not shy about being as trashy as it wants to be, but I must admit that the nearly non-stop nudity does give the film a quality of reality that it would not otherwise have. Is it gratuitous? Of course, but because of the gratuity and the relentless aggression of the villains, the women’s fear and vulnerability never left my mind. The film is an exploitation sex comedy with kung fu, so it’s about as far from a message movie as you can get, but regardless it made me reckon with the horrors of human trafficking and the the victims of the sex trade in a heightened, visceral manner.

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Village of Tigers (1974)

villageoftigers_4Village of Tigers [惡虎村] (1974)

Starring Yueh Hua, Shu Pei-Pei, Karen Yip Leng-Chi, Tung Lam, Wang Hsieh, Tang Ti, Chan Shen, Ng Wai, Tung Li, Tong Tin-Hei, Chan Ho, Lan Wei-Lieh, Wan Chung-Shan

Directed by Griffin Yueh Feng & Wong Ping

Expectations: Moderate, but I generally like Griffin Yueh Feng’s work.

twohalfstar


My chronological review series of the Shaw Brothers martial arts films enters 1974 not with a bang but a whimper. Well, whimper is probably a little strong. Village of Tigers is relatively entertaining, but a 79-minute movie should never feel as long as this one does. Its problems are myriad, its intrigue is slight; it’s the kind of wuxia to see when you’ve exhausted a lot of the better options. The finale is of markedly better quality than the rest of the movie, but even this is not enough to save this rather sedate wuxia from mediocrity.

The story’s lack of focus is one of its major issues, and I could easily describe most of the movie in an attempt to provide even a quick summary. Basically, the titular Village of Tigers is the home to a huge group of bandits who like to go around and pillage. On this particular day, they’re concerned with bumping off the Sword of the Southern Sky, Luo Hong-Xun (Yueh Hua). Meanwhile, Bao Ying Hua (Karen Yip Leng-Chi) is on her way to Wild Date Peak for her grandma’s birthday party, and 9th Miss (Shu Pei-Pei), Bao’s cousin, has discovered that her brother Ba Jie (Tung Li) is in league with the bandits holed up at the Village of Tigers.

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The Master of Kung Fu (1973)

masterofkungfu_3The Master of Kung Fu [黃飛鴻] (1973)
AKA Death Kick, Shaolin Death Kicks, Wong Fei-Hung

Starring Ku Feng, Chen Ping, Lam Wai-Tiu, Hui Siu-Hung, Wang Hsieh, Wong Hon, Chan Shen, Law Hon, Shi Lu-Kai, Yuan Man-Tzu

Directed by Ho Meng-Hua

Expectations: Wong Fei-Hung! I’m stoked.

threestar


Wong Fei-Hung films will always hold a special place in my heart. In the late ’90s, when I was first getting into Hong Kong films and digging past the US releases of Rumble in the Bronx and Supercop, my friends introduced me to Once Upon a Time in China and Jackie Chan’s Drunken Master films. To hold The Master of Kung Fu up to these lofty standards is not fair, so purge those memories of Jet Li’s Shadowless Kick and Jackie’s drunk antics and let’s get down to business. Although, I will say that if I were to compare them, The Master of Kung Fu is much more inline with Tsui Hark’s Once Upon a Time in China, to the point that it could have been an influence on the later film.

The Master of Kung Fu begins with a New Year’s celebration, complete with a lion dance competition. The students of Wong Fei-Hung (Ku Feng) are clearly the better team, but Wong’s cousin Mai Gen (Chan Shen) tricks them into a fight, making Wong’s students lose the dance and forcing Wong to apologize publicly to Mai Gen. This might seem like kind of a petty move on the part of Mai Gen, but he does have a purpose.

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