Mini-Review: The Werewolf Reborn! (1998)

Starring Robin Atkin Downes, Ashley Tesoro, Len Lesser, Bogdan Cambera, Lucia Maier

Directed by Jeff Burr

Expectations: Low.

On the general scale:

On the B-movie scale:


The Werewolf Reborn! is the second of two Moonbeam films under the Filmonsters! banner, and while Frankenstein Reborn! was bad but kinda fun, this one is just atrocious. Very little of note happens in the movie, but at least it has the decency to be quick about it. The Werewolf Reborn! runs 43 1/2 minutes without credits and my sanity is eternally grateful. To imagine this movie twice as long, at “normal” movie length, is to imagine a horrific cinematic nightmare. Not exactly the usual way to strike fear in the hearts of the audience! 😛 There are definitely worse movies out there, although at the moment The Werewolf Reborn is the torchbearer in my brain, and it’ll probably remain the benchmark for some months to come.

As with Frankenstein Reborn, this film attempts to re-invent a horror classic for a younger audience. I don’t know what was wrong with kids just watching the original Universal films, but I guess some kids (and parents) might not want watch stuff in black and white. So enter Full Moon to create low-budget ’90s versions! In 2017, I’d be curious to see which one kids would rather watch; my money’s on the Universal versions, but it’s probably a toss-up depending on the person. Anyway… what this translates to is the coupling of the basic Wolf Man story with the well-used Moonbeam story of a kid sent off to live with a relative in another country. Frankenstein Reborn got a little more than this — it also had 60 whole minutes to work with! — but in The Werewolf Reborn that’s about it. The way the film handles the gypsies is a little different than the 1940s Wolf Man, but it’s nothing significant enough to set it apart. If the rest of the proposed Filmonster films were just going to be these relatively lazy productions of classic stories with teens shoehorned in, I guess I’m glad they stopped when they did.

I don’t really have anything else to say about The Werewolf Reborn. It’s one of the worst Moonbeam films I’ve seen, about as interesting as a bucket full of dust thrown in your face. It has a few moments of fun with the werewolf, but literally everything else had me clamoring for the film to end… and when it’s only 43 1/2 minutes long that really isn’t a good sign! Full Moon also combined the films in 2005 into Frankenstein & the Werewolf Reborn!, and I can only imagine the amount of fortitude and caffeine it would take to make it through both of them back to back.

Next time I get around to a Full Moon movie I’ll be watching The Vault! I hope whatever is locked up in that vault is better than the Werewolf’s rebirth! 😛 See ya then!

Stephen reviews: Superman vs. The Elite (2012)

Superman-vs-The-Elite-2012-Movie-PosterStarring George Newbern, Pauley Perrette, Robin Atkin Downes, Melissa Disney, Catero Colbert, Andrew Kishino, Dee Bradley Baker

Directed by Michael Chang


Like the previous two superman films I reviewed, Public Enemies and All Star Superman, this is an adaptation of a comic book storyline. Unlike those earlier films though, Superman vs. the Elite is based on a single issue rather than an entire series, which means a lot of elaboration must have gone into the plot in order to make it the standard hour and spare change length that these DC animated films tend to run at. Also unlike the previous two, it doesn’t seem to carry over the art style of the comic. This is largely just me jumping to conclusions, since I never read the comic book version, but I got a very cartoony vibe from the visual designs.

I didn’t really care for the aesthetics, but the quality of presentation is well done. Especially the CG which takes a back seat this time, much to my joy. So, despite some minor gripes, I have to say the film looks good. And I can stretch that statement to the entire film. It’s good. I’m not a fan of Pauley Perrette’s gravely voice as Lois Lane, but I’m running out of things to complain about in this film. It delivers a solid, exciting Superman adventure that surprised me by how strongly it held me to the chair. And despite the cartoony look, the subject matter was a lot more mature than I had expected.

Continue reading Stephen reviews: Superman vs. The Elite (2012) →

Stephen reviews: All Star Superman (2011)

1699114Starring James Denton, Christina Hendricks, Anthony Lapaglia, Edward Asner, Alexis Denisof, Steve Blum, John DiMaggio, Robin Atkin Downes, Michael Gough, Matthew Gray Gubler

Directed by Sam Liu


Another comic book adaptation, All Star Superman also carries over the visual style of its original artists, this time Frank Quitely and Jamie Grant. The look isn’t as striking as Public Enemies, but it’s still noticeable. They improved the animation a bit, but not so much the CG. This give and take makes it balance out about the same.

The film is a throwback to the olden days of comic books. All the crazy plot devices from comic’s Golden Age are brought back without shame, and that’s exactly how you’ll need to take this film. It’s full of harebrained events like an army of reptile monsters from the center of the Earth, Superman’s house key which was carved from a dwarf star and weighs half a million tons, or the audio book reader that Lex Luthor uses to dig a tunnel out of prison by reciting literature at incredibly high-pitched frequencies. Anyone who loves the good ol’ days of comic books will find tons to love about this film.

If this kind of implausible campy fun makes your eyes roll, however, then you aren’t going to enjoy this much. But I say to those people: Superman is an alien who conveniently looks exactly like a human and gains incredible superpowers from sunbathing. How can you whine about having a serious storyline when his entire concept is absurd? This film imagines the wild excesses of the Golden Age as half homage, half modernization, half philosophical musing, and a hefty dollop of parody. Nowhere outside of an anthology of old comic books will you find so many improbable plot devices in one spot than here.

Continue reading Stephen reviews: All Star Superman (2011) →




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