Sam Fuller’s TV Work Pt. 1: The Dick Powell Show & The Virginian

fullerWelcome to the third and final phase in my exhaustive look at the work of Sam Fuller! Here I will explore the television episodes directed by Fuller. In A Third Face, Sam Fuller is not shy about how most of his work in television was done for cold hard cash. By the ’60s he was transitioning back to independent films, so a quick TV job paid the bills and didn’t take up too much time. That’s the gist of what I got from the quick passages about it in the book, anyway.

What’s interesting is that Fuller paints the picture of his debut on television as being around The Virginian, making no mention at all of The Dick Powell Show. I suppose production schedules and the like could have forced the episode of The Virginian to release after 330 Independence S.W., but at this point I don’t think it matters one way or the other. The important thing is that It Tolls for Thee was both written and directed by Fuller, and he was approached specifically to create an episode for the show. In A Third Face Fuller states that this episode was to be the show’s pilot, but some shuffling must have occurred because it ended up as the 9th episode aired. He makes no mention at all of 330 Independence S.W., but he does mention receiving a bunch of TV offers that he turned down. Apparently, he didn’t turn down that one! If he truly did forget the episode, I’m not surprised. When he quickly discusses his episodes of Iron Horse in his book, he flat-out admits that he only remembers one of the six he made. His heart just wasn’t in it.


330independencesw_1The Dick Powell Show: 330 Independence S.W. (1962)
First aired: 03/20/1962

Starring William Bendix, David McLean, Julie Adams, Bert Freed, Alan Reed Jr., Yale Summers, Ed Kemmer, Les Damon, Adrienne Ellis, Norman Alden, Michael Harvey

Directed by Samuel Fuller


330 Independence S.W. was Fuller’s first work on TV, and while its subject matter is somewhat Fuller-esque, you’d be hard-pressed to find the director’s stamp on this work. That’s not surprising, TV in those days was a lot more uniform than it is now, but I did hope for a slight glimmer. Especially since this was probably shot sometime between Underworld USA and Merrill’s Marauders, during the prime period of Fuller’s career.

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Uncle Jasper reviews: The Wild Angels (1966)

Starring Peter Fonda, Nancy Sinatra, Bruce Dern, Diane Ladd, Buck Taylor, Norman Alden, Michael J. Pollard, Lou Procopio, Joan Shawlee, Marc Cavell, Coby Denton, Frank Maxwell

Gayle Hunnicutt

Directed By Roger Corman


Man, I don’t know what to say about The Wild Angels. Whereas most B-grade biker movies tend to glorify their subject matter, this film does anything but. Being that this movie marked the beginning of the outlaw biker genre, comparisons to Easy Rider are going to be unavoidable, but this film really shares little in common with that film. Instead of a couple of freewheeling drifters, we are dealing with an unruly mob of Hells Angels. And boy are they a bunch of assholes.

Peter Fonda is “Blues,” leader of the gang’s San Pedro chapter. He meets up with fellow member “The Loser” (Bruce Dern) at his day job as a construction worker. Apparently The Loser’s bike had gone missing weeks earlier and Blues has tracked its whereabouts down to some dusty desert crossroads called “Mecca.” The gang takes a day trip down to the small town before concluding that the bike is hidden away in a tiny Mexican chop shop. Now whether it actually is or not is beside the point. The Angels are mean and ugly and are gonna kick the shit out of these Mexican guys regardless.

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