Rob-B-Hood (2006)

Rob-B-Hood [寶貝計劃] (2006)
AKA Robin-B-Hood, Project BB

Starring Jackie Chan, Louis Koo, Michael Hui, Teresa Carpio, Yuen Biao, Gao Yuan-Yuan, Charlene Choi Cheuk-Yin, Terence Yin Chi-Wai, Conroy Chan Chi-Chung, Andrew Lin, Matthew Medvedev, Ku Feng, Ken Wong Hop-Hey, Ken Lo, Hayama Hiro, Cherrie Ying Choi-Yi, Candice Yu On-On, Chen Bao-Guo, Nicholas Tse, Daniel Wu, He Jun, Ng Kong

Directed by Benny Chan

Expectations: Kinda high. I’ve come to expect good things from Benny Chan.


Rob-B-Hood is kind of a weird movie. Contrasting the modern realism in Benny Chan and Jackie’s previous collaboration, New Police Story, Rob-B-Hood feels like an attempt to revive an ’80s style focused on providing wild entertainment over believability. Apparently the film was originally intended to finally reunite Jackie, Sammo and Yuen Biao, too, lending further credence to this idea. But while the criminal character dynamics between Jackie, Louis Koo and Michael Hui recall early ’80s movies like Wheels on Meals, Rob-B-Hood owes an even bigger debt to the Aces Go Places series. The obvious connection is the baby who is often in harm’s way, but elements of that series’s James Bond riffs also find their way into Rob-B-Hood.

Thongs (Jackie Chan) and Octopus (Louis Koo) are master safecrackers, and we meet them in a hospital’s pharmacy. They are stealing high-priced drugs while their leader, Landlord (Michael Hui), waits in the getaway van outside. Crosscut with this is the birth of a child, which seems insignificant at first but wouldn’t you know it, they showed this birth to us for a reason! Imagine that. Mid-way through the criminals’ escape attempt, a disgruntled and mentally unstable ex-boyfriend of the baby’s mother abducts the kid. At first, he even tries to drag the mother along for the ride, still in her hospital bed. This fiasco gets the heat off of Thongs and Octopus, but as luck would have it, when the crazy ex-boyfriend loses control of the baby and it falls down a couple of stories in the hospital’s open lobby, Thongs is able to jump off the escalator, save the kid’s life, and return him to his mother. Thongs and Octopus are now free to leave the scene of their crime, but their story with this infant is far from over.

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The Myth (2005)

The Myth [神話] (2005)
AKA Jackie Chan’s The Myth

Starring Jackie Chan, Kim Hee-Sun, Tony Leung Ka-Fai, Yu Rong-Guang, Sun Zhou, Maggie Lau Sze-Wai, Mallika Sherawat, Ken Lo, Patrick Tam Yiu-Man, Shao Bing, Ken Wong Hop-Hey, Jin Song, Yuen Tak, Hayama Hiro, Chan Sek, Park Hyun-Jin, Yao Wei-Xing, Choi Min-Soo, Ram Gopal Bajaj, Sudanshu Pandde

Directed by Stanley Tong

Expectations: Low, but hopeful.


One day in 2005 or 2006, I happened upon a Chinese DVD (without English subs) of The Myth in my library. Based on the cover art, I assumed that The Myth was a straight historical drama. Intrigued, I took it home to see if it had any fights. I scanned through the film quickly, didn’t see any, and then wrote the movie off until now. Imagine my surprise when I actually sat down to watch the film and I discovered that there is a wealth of action contained within it! And it’s really fun, entertaining, Jackie-style Jackie Chan action! Whoa!

The Myth begins during the Qin Dynasty, as General Meng Yi (Jackie Chan) receives a Korean princess, Ok-Soo (Kim Hee-Sun), who is to marry the ailing Qin emperor. During the handover, a Korean warrior attempts to kidnap Ok-Soo, but Meng Yi ain’t havin’ none of that. They clash in epic fashion, but Meng and OK-Soo become separated from the troops when they fall into a river fall below. As they hit the water, we are whisked to the future, as the respected archaeologist Jack Chan (Jackie Chan) awakes from a dream. This isn’t his first dream of the princess and a Qin Dynasty version of himself, and this troubles him greatly. As luck would have it, his next assignment — helping his friend William (Tony Leung Ka-Fai) uncover the secret of a levitating mystic in India — will shed a lot of light on these dreams. Who woulda thought it? It’s like a movie or something!

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New Police Story (2004)

New Police Story [新警察故事] (2004)

Starring Jackie Chan, Nicholas Tse, Charlie Yeung, Charlene Choi Cheuk-Yin, Daniel Wu, Dave Wong Kit, Andy On, Terence Yin Chi-Wai, Hayama Hiro, Coco Chiang Yi, Ken Lo, Yu Rong-Guang

Directed by Benny Chan

Expectations: Low.


Titling this film New Police Story evokes memories of Jackie’s successful series of films than ran through the ’80s and ’90s, but the “new” indicates that it’s a reboot or otherwise unrelated. It’s true, Jackie doesn’t play the loose Chan Ka-Kui character, and this film’s character is almost a polar opposite to Ka-Kui’s reckless, Supercop spirit. Jackie plays Senior Inspector Chan Kwok-Wing, a straight-laced man who gets the job done through discipline, strong leadership and efficiency. With a lead character like this, the film takes on a seriousness that none of the Police Story films carry, but anyone who has seen Crime Story will recognize the tone. So a more apt title might be New Crime Story, which is ironic since Crime Story was released in Japan under the title New Police Story. Confused yet? Anyway, what matters is that New Police Story is more Crime Story than Police Story, something that’s not readily apparent thanks to the title. I guess Hollywood isn’t the only film market to title based on name recognition.

A group of young thugs rob a bank in wild fashion, specifically asking for the police to be called when they finish gathering the money. Instead of swiftly making a getaway, they stick around to confront the policemen, seeing the situation as a game, complete with points for kills & property damage. After causing massive casualties, the robbers escape, and now Senior Inspector Chan Kwok-Wing, the force’s most successful investigator, is tasked with finding their hideout and bringing them to justice. He’s so confident in his abilities and those of his men that he brags about catching them within three hours, but when the assault on their hideout is launched, literally everything that could go wrong does. Chan is the staunch veteran going up against the youthful new breed of criminal; New Police Story could also be called No Hong Kong for Old Men. 🙂

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Jackie Chan: My Stunts (1999)

Starring Jackie Chan, Ken Lo, Bradley James Allan, Anthony Carpio, Mars, Nicky Li Chung-Chi, Rocky Lai Keung-Kun, Johnny Cheung Wa, Go Shut-Fung, Louis Geung Gwok-Wa, Sam Wong Ming-Sing, Chan Man-Ching, Alex Yip Choi-Naam, Jack Wong Wai-Leung, Huang Kai-Sen, Rocky Cheung, Andy Cheng, Ron Smoorenburg

Directed by Jackie Chan

Expectations: High.


It’s no secret that I hold the work of Jackie Chan in very high regard. A good portion of this respect and admiration directly stems from his style of action and his stunt team’s willingness to put aside their personal safety for the exhilaration of the audience. Watching an action movie is entertaining, but witnessing something real and dangerous takes the action film to a whole new level. Whenever I love something as much as this, I’m hesitant to dispel the myth and mystery surrounding it in any way. Jackie Chan: My Stunts actually made me appreciate the skill and dedication of Jackie and his team more than I ever could have before, something I didn’t even think was possible!

Jackie Chan: My Stunts is exactly what it sounds like: 90 minutes of light documentary focusing on the stunt/fight work of Jackie. How he trains, how he devises scenes, his tricks of the trade… it’s all here. And it’s all fascinating. Unlike a lot of “fluffy” behind-the-scenes docs on American films (whether that’s DVD featurettes or legit docs), Jackie Chan: My Stunts is almost like a handbook for anyone looking to make low-budget action films. I wouldn’t recommend piling up boxes on top of an old mattress and jumping out a second-story window onto them, but it does make these kinds of feats seem doable and attainable through perseverance and practice. The team’s accomplishments in the stunt field are absolutely incredible, but Jackie Chan: My Stunts reminds us that the members are but trained professionals, not superhumans.

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Thunderbolt (1995)

thunderbolt_1Thunderbolt [霹靂火] (1995)
AKA Dead Heat

Starring Jackie Chan, Anita Yuen Wing-Yee, Michael Wong Man-Tak, Dayo Wong Chi-Wah, Thorsten Nickel, Ken Lo, Chor Yuen

Directed by Gordon Chan

Expectations: Very high!

On the general scale:
twohalfstar

Just the action:
threehalfstar


The one-two punch of Drunken Master II and Rumble in the Bronx is an incredibly tough act to follow, and Thunderbolt is not up to the challenge! Hahahaha, but really it’s kind of a mess of a movie. This is where your love of simple entertainment and Jackie Chan come in! By all normal metrics, Thunderbolt should be a disjointed failure, but it’s actually an entertaining, offbeat gem in the Jackie catalog. I enjoyed it so much as a teen that I actually thought showing it to my grandma was a great idea, choosing it specifically because I thought other, better films would be a harder sell. What’s funny is that re-watching the film now, I can kind of understand what I was thinking.

Thunderbolt continues the trend of Jackie Chan films attempting to appeal to the wider international audience, like Police Story III and Rumble in the Bronx. Thunderbolt goes a step further by limiting the martial arts and replacing it with cars, something more inclusive in a general sense than hand-to-hand fighting. The story retains a slight Hong Kong flavor, but overall the film barely feels like a Hong Kong production. It’s also more in the serious vein of Crime Story than the standard Jackie action comedy, thus avoiding some of the inherent cultural differences in humor. This is my long-winded way of saying that I must have thought my grandma would respond better to something a little closer in sensibility to US films than something like Drunken Master II. I was trying to ease her into the world of kung fu. Hahahaha… it didn’t work.

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Drunken Master II (1994)

drunkenmaster2_12Drunken Master II [醉拳II] (1994)
AKA The Legend of Drunken Master

Starring Jackie Chan, Anita Mui, Ti Lung, Felix Wong Yat-Wah, Lau Kar-Leung, Cheung Chi-Gwong, Ken Lo, Ho Sung-Pak, Hon Yee-Sang, Hoh Wing-Fong, Andy Lau, Bill Tung, Chin Ka-Lok

Directed by Lau Kar-Leung

Expectations: C’mon, it’s Drunken Master 2! I know it’s awesome!

fourstar


I can confirm that love at first sight exists, because from the moment I first laid eyes on Drunken Master II, nearly 20 years ago, I was completely and utterly smitten. Time has changed many things in my life, but time has not diminished the power of Drunken Master II even a smidgen. It is every bit the amazing film it always was, and re-watching for the first time in many years brought back every enthusiastic feeling I ever had about the film. Heaven is indeed real, and it is watching Drunken Master II! Hyperbole aside, Drunken Master II is great and if you love martial arts films, I don’t think there’s any way for you not to love this one.

The film begins with Wong Kei-Ying (Ti Lung), his son Wong Fei-Hung (Jackie Chan) and their assistant Tso (Cheung Chi-Gwong) waiting to board a train home to Canton. Fei-Hung doesn’t think they should be forced to pay taxes on the ginseng root they are bringing back for a patient. Tso tells him that British consulate members don’t need to pay the duties, so when a group of them go past, Fei-Hung swaps the ginseng box with an identical box of theirs.

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City Hunter (1993)

City Hunter [城市獵人] (1993)

Starring Jackie Chan, Joey Wong Cho-Yin, Richard Norton, Gotoh Kumiko, Chingmy Yau Suk-Ching, Carol Wan Chui-Pan, Tan Lap-Man, Leon Lai, Ken Lo, Gary Daniels, Eric Kot Man-Fai, Jan Lam Hoi-Fung, Mike Abbott, Louis Roth, Michael Wong Man-Tak, Hagiwara Kenzo

Directed by Wong Jing

Expectations: Moderate.

threehalfstar


City Hunter is another Jackie Chan film that I wasn’t completely in love with during my teenage obsession. I was desperate to recreate that first-time feeling of experiencing Rumble in the Bronx, so something like City Hunter, with its wildly comedic, cartoon tone, wasn’t going to fit the bill. These days my passion for Jackie remains constant, but my expectations and restrictions of what I want to see from him have relaxed and opened up considerably. Now I’m happy to follow Jackie and whatever director he’s working with into any creative experience they can cook up.

In these terms, City Hunter is an impressive work of art. It manages to capture the over-the-top look and the feel of a cartoon/anime in live action, and it keeps this tone and aesthetic constant throughout every aspect of the production. From exaggerated acting and facial expressions, to the breakneck, logic-smashing pace, to the action choreography that is comedic and over-the-top before anything else, City Hunter is stylistically rich, and about as perfect a comic book adaptation as you could ask for. I have half a mind to give it four stars — I was that bowled over by it — but I’ll have to watch it again to see if it holds up and reinforces this strong a reaction.

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