Mini-Review: Friends With Benefits (2011)

Starring Justin Timberlake, Mila Kunis, Patricia Clarkson, Jenna Elfman, Bryan Greenberg, Richard Jenkins, Woody Harrelson, Nolan Gould

Directed by Will Gluck

Expectations: None, I just hope it’s not too painful.


Just to keep everyone guessing, I have to review a straight-up mainstream movie like this once in a while. Most of the time I have such an indifferent response to these films that I can’t muster the mental power needed to write a full review. Friends With Benefits is pretty much in the same category, but I do have a few thoughts to share. It’s better than No Strings Attached, let’s just get that out of the way. No Ashton Kutcher is a huge plus, but it’s really the R Rating that helps a lot here, allowing the characters freedom to curse as they naturally would and making the sex scenes adequately steamy.

Both Justin Timberlake and Mila Kunis do a great job with the material they are given, giving us a believable on-screen relationship with a minimum of groan-worthy scenes. The supporting cast is also filled out with lots of good actors such as Woody Harrelson, Jenna Elfman and Patricia Clarkson (playing virtually the same character she played in Easy A). While I enjoyed Harrelson as the cock-obsessed gay man, I can’t help but wonder how intelligent gay men reacted to this character. They deserve better than to have broad stereotypes reinforced. And if we’re going down that rabbit hole, where were the people of color in this film? I think almost every one in the movie is white.

As a piece of art, it fails miserably. Director Will Gluck creates a textbook mainstream film with more ugly close-ups and over-the-shoulder shots than I care to think back on. I’m sure the paycheck was great though. He previously made Easy A, another poorly-shot mainstream comedy and one that I just couldn’t understand the hype for. It’s hard for me to watch these ugly, lazy films without losing my shit, but the charm of both Kunis and Timberlake surprisingly went a long way.

As a comedy, it fails less so, but it still contains far too little laughs. I especially enjoyed the fake romantic comedy they watch throughout the film, which features some incredibly funny lines within it, perfectly lampooning the tired genre. What’s unfortunate is that to make a romantic comedy, the story kind of has to follow that general path that they all follow and Friends With Benefits is no different. Oh, and the Barnes and Noble joke was my biggest laugh of the movie. Perhaps not the most clever line in the world, but seriously, buying full prices books really is dumb shit.

Friends With Benefits does a lot wrong, but it does just enough right to make it not as painful as it could have been. It’s way too fuckin’ long though, coming in at almost two hours. I’d only recommend it if you like the leads enough to see them get jiggy wit it.

The Social Network (2010)

The Social Network (2010)

Starring Jesse Eisenberg, Andrew Garfield, Justin Timberlake, Armie Hammer, Max Minghella, Brenda Song, Rashida Jones, Joseph Mazzello, Rooney Mara, Dustin Fitzsimons

Directed by David Fincher

Expectations: None. It’s the Facebook movie.


If you’ve heard the hype surrounding The Social Network, and I don’t know how you would have avoided it, you will have heard that this is the movie of a generation. I can’t really argue against the sentiment of the statement as the film could easily be seen as such if you were so inclined, but I can wish that the movie of the generation was at least a little more substantial.

Yes, I said substantial. The main character here, Facebook CEO Mark Zuckerberg, is a one-dimensional immature caricature of a human and Jesse Eisenberg plays the character to a T. Eisenberg does a great job of making Zuckerberg look like a man devoid of any emotional response other than petty retaliation that he seems to unleash only incidentally in his quiet desire for acceptance from a girl. It works for the sake of the story Aaron Sorkin wanted to tell, but it does so at the mercy of the audience’s interest in the main character of the film, as he features no arc to speak of.

Continue reading The Social Network (2010) →

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