Stephen reviews: Night on the Galactic Railroad (1985)

NightontheGalacticRailroad_1Night on the Galactic Railroad [銀河鉄道の夜, Ginga Tetsudō no Yoru] (1985)
AKA Kenji Miyazawa’s Night on the Galactic Express

Starring Mayumi Tanaka, Chika Sakamoto, Chikao Ohtsuka, Hidehiro Kikuchi, Junko Hori

Directed by Gisaburō Sugii


If you’ve been around this site for a few years, you may recall a film I reviewed a while back called Spring and Chaos. It was a biopic about Kenji Miyazawa, Japan’s foremost literary figure. This film is the adaptation of Miyazawa’s most famous book, Night on the Galactic Railroad. And these two films have more than a passing connection. Now that I’ve finally seen Night on the Galactic Railroad, I can see just how strongly it influenced Spring and Chaos. That later film is as much a tribute to this film as it is to Miyazawa himself.

Watching this film also drove home just how indebted the Galaxy Express 999 series is to Miyazawa’s original novel, though this film’s adaptation of the book came out quite some time after Galaxy Express. In fact, the two titles are nearly identical, with “galaxy express” and “galactic railroad” simply being alternate translations of “ginga tetsudō.” Any way you slice it, Miyazawa’s little fable has had a massive influence on anime and manga, to say nothing of what it did to Japanese literature.

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Stephen reviews: A Time Slip of 10,000 Years: Prime Rose (1983)

553689-primerose_largeA Time Slip of 10,000 Years: Prime Rose [タイムスリップ 10000 年 プライム・ローズ] (1983)

Starring Yuu Mizushima, Mari Okamoto, Junko Hori, Katamasa Komatsu, Kaneto Shiozawa, Shuuichi Ikeda, Yuusaku Yara

Directed by Osamu Dezaki & Satoshi Dezaki


It’s time for another Osamu Tezuka film, and it’s one I’ve been looking forward to for quite some time now. The few images I had seen of it convinced me that it was going to be crazy, and it didn’t disappoint. It’s very unusual for a Tezuka film, and I’m a bit flummoxed on what to think of it. For one thing, it has virtually no cameos of other Tezuka characters. I only noticed one small appearance by Ban Shunsaku, and the cast felt somewhat lonely without the usual ensemble of familiar faces.

The film also has a much more defined narrative flow. The other Tezuka films I’ve reviewed have all bounced between tangents in a manner that anyone unfamiliar with his works would likely find jarring. But Prime Rose rarely deviates from its central course. The comedy elements are also downplayed a bit. It has plenty, but the jokes don’t saturate the film in the same way that they do in most Tezuka stories.

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