Traces of a Dragon (2003)

Traces of a Dragon [龍的深處:失落的拼圖] (2003)
AKA Traces of a Dragon: Jackie Chan & His Lost Family

Starring Jackie Chan, Charles Chan Chi-Ping, Fang Shi-De, Fang Shi-Sheng, Chan Yu-Lan, Chan Gui-Lan

Directed by Mabel Cheung

Expectations: Moderate.


Traces of the Dragon is a documentary about the lives of Jackie Chan’s parents, the details of which were unknown to Jackie Chan himself until some time around the filming of this documentary. Crazy as that sounds, it’s true; his parents were focused more on surviving and keeping the family afloat than regaling their young son with tales from their lives before he was born. Jackie wasn’t around his parents for much of his youth, anyway. His distaste for regular school led to a 10-year, contracted enrollment in the Peking Opera school where he would meet Sammo Hung and Yuen Biao, laying the groundwork for his life of entertainment and death-defying stunts. And from the way they talk about it in the film, it doesn’t seem like Jackie did much of anything but practice his skills during these school years.

Jackie Chan may have gone on to become a global star, but his parents’ lives are actually far more interesting and worthy of a documentary than his. It’s such a moving tale that the director of the documentary — well-respected Hong Kong filmmaker Mabel Cheung — would later dramatize it into the 2015 film A Tale of Three Cities. They not only lived through the Second Sino-Japanese War and the continued Chinese Civil War that followed it, his father was involved in the war as a Nationalist operative and both of his parents were hugely affected by these country-wide struggles. Their story is one of war, refugees, and making the hardest choices that life can throw your way.

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The Medallion (2003)

Starring Jackie Chan, Lee Evans, Claire Forlani, Julian Sands, Alex Bao, Johann Myers, John Rhys-Davies, Anthony Wong, Christy Chung, Scott Adkins, Tara Leniston, Lau Siu-Ming

Directed by Gordon Chan

Expectations: Moderate, but I’m excited cuz it’s Gordan Chan.

On the general scale:

On the B-movie scale:


The Medallion is an odd movie in just about every way. It’s definitely not a good movie, but I had a fun time watching it thanks to my love for the weird and wonderful world of B-Movies. This makes it something of a hard movie to rate, as I’d rather re-watch this movie than most of his US work leading up to it, but there’s no way that this movie is anywhere near as polished or well-made as those. These are the conundrums of my eclectic taste.

Jackie plays Eddie Yang, a Hong Kong police officer who finds himself pulled into the world of the supernatural when his target, Snakehead (Julian Sands), attempts to kidnap a boy from a local temple. The boy holds the power to reunite two halves of a sacred medallion that can give immortality and great power to those it is bestowed upon. It’s kind of a riff on The Golden Child, but beyond this basic premise of a kidnapped child of prophecy, The Medallion diverges significantly from anything resembling the classic Eddie Murphy film.

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Shanghai Knights (2003)

AKA Shanghai Kid 2

Starring Jackie Chan, Owen Wilson, Aaron Taylor-Johnson, Tom Fisher, Aidan Gillen, Fann Wong, Donnie Yen

Directed by David Dobkin

Expectations: Super low. I remember hating this.


When I saw Shanghai Knights in 2003, it put me off Jackie Chan movies for years. Re-watching it was an equally painful experience; out of all the modern American films Jackie made up to this point, Shanghai Knights was easily the hardest to sit through. But in the nearly 15 years between watches, I’ve become a lot more able to sort through my feelings and process them into some kind of understanding. In 2003, I simply hated the film, but now in 2017 it’s more disappointment I’m feeling.

Shanghai Knights takes the Shanghai Noon boys and drops them into 1800s London, under the auspices of finding the killer of Chon Wang’s father. There’s a little more to it, but that’s pretty much the only thing that matters. Almost everything else is filler or distraction, and very little of it helps to further much of anything. The weak story of action setup can work in a Jackie film (see: Mr. Nice Guy), but this sort of thing lives or dies depending on the person watching it. The comedy of Shanghai Knights is far from funny or entertaining (most of it coming through inane references to popular things from our era), and the action, while good and a step up from the original film, is the source of much of my disappointment.

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The Tuxedo (2002)

Starring Jackie Chan, Jennifer Love Hewitt, Jason Isaacs, Debi Mazar, Ritchie Coster, Peter Stormare, Mia Cottet, Romany Malco, Daniel Kash, Jody Racicot, Boyd Banks, Cecile Cristobal, James Brown

Directed by Kevin Donovan

Expectations: Super low. I remember hating this.


When I first saw The Tuxedo sometime around its original release, I thought it was the worst Jackie Chan movie I’d ever seen. I don’t remember my specific gripes, but my general distaste for the film has stuck with me ever since. Despite this years-long grudge against The Tuxedo, I started it this time with an open mind. The deer pissing in the stream during the film’s opening didn’t fill me with a lot of hope, but by the time the end credits rolled, I was shocked at just how entertaining the movie had been. It still exhibits many problems that American Jackie films have, but it also delivers something unique and in terms of tone it’s closer to Hong Kong than a traditional Hollywood movie (which really surprised me).

Jackie Chan plays Jimmy Tong, a taxi driver with a confidence problem. He’s in love with a woman who works at an art gallery, but he’s unable to get it together enough to ask her out. He thrives in his element, though, crisscrossing through the streets of New York in his taxi faster than anyone else could even imagine. His skills bag him a job working as a high-paid chauffeur for millionaire playboy/secret agent Clark Devlin (Jason Isaacs), and unbeknownst to Jackie this will forever change his life. He is soon roped into an international struggle of catastrophic proportions; you might even say that he is an accidental spy! 🙂

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Rush Hour 2 (2001)

Starring Jackie Chan, Chris Tucker, John Lone, Zhang Ziyi, Roselyn Sanchez, Alan King, Harris Yulin, Kenneth Tsang, Don Cheadle

Directed by Brett Ratner

Expectations: Moderate.


One one hand, Rush Hour 2 is a perfect sequel to the original film. Everything that worked is kept for round two, and because it’s set in Hong Kong it’s instantly more interesting to look at than the first film (no offense, Los Angeles). It seems like the filmmakers felt that this was enough for a sequel, because in terms of story Rush Hour 2 is nothing more than an inverse of Rush Hour. They even do some of the same jokes with the opposite lead saying the lines. I can’t argue that it doesn’t work, because the overall level of entertainment is pretty high throughout the film, but it still seems kinda lazy. I mean, can you imagine if a Star Wars film just rehashed the original Star Wars and thought that would be enough to carry a sequel? 😛

LAPD cop James Carter (Chris Tucker) is on vacation in Hong Kong, visiting his friend and Hong Kong policeman Lee (Jackie Chan). Lee can’t seem to leave his work behind, and while Carter is lamenting this point to Lee (and the audience), Lee receives a call to question noted criminal and triad boss Ricky Tan (John Lone) about a deadly explosion at the American Consulate. And just like that our comedic buddy cops are back on the trail of justice.

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The Accidental Spy (2001)

The Accidental Spy [特務迷城] (2001)

Starring Jackie Chan, Vivian Hsu Jo-Hsuan, Wu Hsing-Guo, Kim Min-Jeong, Eric Tsang, Murat Yilmaz, Alfred Cheung Kin-Ting, Lillian Ho Ga-Lee, Cheung Tat-Ming

Directed by Teddy Chen

Expectations: Moderate.


One of the great things about going through an actor’s complete filmography is discovering films that passed you by at the time of their release. By the early 2000s, my initial passion for Jackie Chan had faded due to my distaste for his American films and the films of the early 2000s in general (thanks in part to the rise of CG). I would love to say that The Accidental Spy is a wonderful film, offering untold delights, but it’s actually quite a mediocre film all things considered. Where it excels is its action, offering up a pair of incredible sequences that recall everything you’ve ever enjoyed about the films of Jackie Chan. They aren’t enough to pull the film out of mediocrity, but they are wonderful and very welcome in an otherwise underwhelming film.

The film begins oddly, as journalists drive through a village in Turkey afflicted with a deadly pneumonia outbreak. They are quickly assaulted and murdered by terrorists, and we are whisked away to the South Korean embassy in Istanbul. A spy is called in to investigate, but before we get too deep into this serious plot line, we are abruptly taken to Hong Kong where Buck Yuen (Jackie Chan) is doing his best to sell some exercise equipment by giving energetic demonstrations. His real test of fitness comes a few minutes later, though, when he daringly thwarts a bank robbery as only Jackie Chan could. The media coverage attracts the attention of Many Liu (Eric Tsang), a private eye looking for orphans about Jackie’s age, which consequently drags Jackie into an international struggle.

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Shanghai Noon (2000)

Shanghai Noon (2000)
AKA Shanghai Kid, Shaolin Cowboy

Starring Jackie Chan, Owen Wilson, Lucy Liu, Brandon Merrill, Roger Yuan, Xander Berkeley, Yu Rong-Guang, Jason Connery, Walton Goggins, Adrien Dorval, Rafael Báez, Stacy Grant, Kate Luyben

Directed by Tom Dey

Expectations: Moderate.


From where I’m sitting, the years have not been kind to Shanghai Noon. I initially saw it upon its original home video release, and I remember liking well enough to carry a positive memory around with me in the intervening years. Seeing it in relative close proximity to some truly great Jackie films, though, Shanghai Noon feels neutered and missing so much of the “it factor” that makes Jackie unique. The action is minimal and not satisfying at all, though to be fair Shanghai Noon is trying its best to be a comedy more than anything else. This becomes a problem when you’re not laughing along with the movie, because there’s literally nothing else to carry the film (other than every western genre cliche you can imagine).

Jackie plays Chon Wang, an Imperial Guard who is friendly with Princess Pei Pei (Lucy Liu) and feels responsible when she is kidnapped and taken to America. So along with a trio of uptight guards, Jackie makes his way to the land of cowboys and golden dreams to begin his search. Initially he finds it a bit hard, running into a bumbling gang of train thieves led by Roy O’Bannon (Owen Wilson). But to be honest, the plot of Shanghai Noon isn’t of much concern; it’s more about the comedy of the two lead characters coming together and dealing with situation after situation of bad luck.

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