The Taxi Driver (1975)

The Taxi Driver [的士大佬] (1975)

Starring David Chiang, Wong Chung, Lin Chen-Chi, Shut Chung-Tin, Yeung Chak-Lam, Wu Chi-Chin, Terry Lau Wai-Yue, Tung Lam, Shum Lo, Wong Ching-Ho, Lai Man, Helen Ko, Dana, Lee Pang-Fei

Directed by Pao Hsueh-Li

Expectations: Moderate.


Pao Hsueh-Li was a protege of Chang Cheh, but his films often just feel like lesser versions of something Chang Cheh would’ve made. The Taxi Driver is different. It’s the first of Pao’s films to really get under my skin, and it gives me hope that his films going forward might carry a similar style and artistic slant. The film’s focus on then-modern social problems does make it feel somewhat related to Chang’s delinquent youth pictures, but since the characters in The Taxi Driver are adults it’s more evolved. It’s actually a lot closer in tone to Kuei Chih-Hung’s The Tea House and Big Brother Cheng, and it also includes a few dangerous real-life stunts, heralding the coming waves of Hong Kong stars that would define themselves with their insane stunts.

The Taxi Driver is Chen Guang (David Chiang), a good man working hard to stay afloat in modern Hong Kong. He rents a room in a house owned by an older woman, and he’s saving up to marry Heung Lai Ching (Lin Chen-Chi). His job dictates that he’s out a lot of the time, though, ferrying various types of people in all manner of situations around the town. The film does a great job of setting up the struggle of the taxi driver’s job, illustrating how the driving is the easy part and that it’s more about dealing with the odd personalities in need of a ride.

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The Super Inframan (1975)

The Super Inframan [中國超人] (1975)
AKA Infra-Man

Starring Danny Lee, Wang Hsieh, Yuan Man-Tzu, Terry Lau Wai-Yue, Dana, Lin Wen-Wei, Kong Yeung, Bruce Le, Fanny Leung Maan-Yee, Ting Tung

Directed by Hua Shan

Expectations: High. I love this one.

On the general scale:
I don’t think it matters.

On the B-movie scale:


There are many different types of great movies, and to call The Super Inframan anything less than great is selling it short. It may lack the depth of more traditionally great movies, but it makes up for this with some of the most fun and relentless entertainment I’ve ever laid my eyes on. Simply put, The Super Inframan is pure fun from start to finish. This is entertainment of the highest order, and to look at it critically, picking apart its flaws for the sake of proving why its unable to sit alongside cinema’s great films is completely wrong-minded. The film sets out to hammer home thunder-fisted thrills and it does not disappoint.

Written by the prolific and talented Ni Kuang, The Super Inframan introduces us to a world in chaos. Natural disasters are occurring all across Hong Kong: earthquakes split roads in two, fire bursts forth from the ground, and a previously dormant volcano has suddenly become very active. Soon after, a local science center is contacted by Demon Princess Elzebub AKA the wonderfully named Princess Dragon Mom in the English dub (Terry Lau Wai-Yue). She informs the scientists that she is the Earth’s new master; our only choice to surrender or be destroyed.

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