Trophy Heads (2014)

trophyheads_1Starring Adam Noble Roberts, Maria Olsen, Linnea Quigley, Jacqueline Lovell, Denice Duff, Brinke Stevens, Michelle Bauer, Darcy DeMoss, Irena Murphy, Jessica Morris, Jean Louise O’Sullivan, Amy Paffrath, Robin Sydney, Carel Struycken, Kristine DeBell, Gregory Niebel, Stuart Gordon, David DeCoteau, J. Scott

Directed by Charles Band

Expectations: As long as it’s fun I’ll be satisfied, and with this many classic scream queens I don’t see how it won’t be fun.

On the general scale:
onehalfstar

On the B-movie scale:
threestar


For many years now, Full Moon has made movies that a mainstream viewer, or even an old fan from the glory days who missed Full Moon’s last 15 years of questionable movies, wouldn’t hesitate to call “strange” or “out there” or “shit.” For those that stumble upon the movies unaware of what they’re getting themselves into (like the Redbox patrons), I’m sure the general reaction is something close to, “Who would watch this?” Hardcore Full Moon fans, that’s who! Throughout changing video landscapes and formats, Full Moon continues to pump out films for their fans (and pretty much no one else). So it makes perfect sense that their latest venture, Trophy Heads (which debuted in June as a five-part web series exclusively on Full Moon Streaming), is not just a film for their fans, but a film about those very fans.

Well… perhaps that’s a little too broad, as I doubt most Full Moon aficionados would kidnap our favorite stars, murder them, and mount their heads on the wall, but you get the idea. Anyway, yes, Trophy Heads is about a fan who rounds up six of his favorite ’80s scream queens, keeps them in his home-built basement dungeon, and then murders them while making them recreate situations from one of the Full Moon movies they were in way back when. There’s not really any depth beyond that, but as this is something directly for Full Moon fans, I don’t think anyone really cares. I certainly didn’t.

Continue reading Trophy Heads (2014) →

Oblivion 2: Backlash (1996)

Starring Richard Joseph Paul, Musetta Vander, Maxwell Caulfield, Julie Newmar, Jackie Swanson, Andrew Divoff, Meg Foster, Isaac Hayes, George Takei,  Carel Struycken, Jimmie F. Skaggs, Irwin Keyes, Jeff Celentano

Directed by Sam Irwin

Expectations: Moderate, I enjoyed the first one. Hopefully this will live up to it.

On the general scale:
twostar

On the B-Movie scale:
threestar


Oblivion 2: Backlash starts out pretty slow for a movie with an eighty-three minute runtime. The first ten minutes are filled with a fairly detailed recap of the first film for those who either didn’t see it or weren’t paying attention. This does set the stage rather well for this film, but it goes on a little long. This leads into roughly ten minutes of lazy exposition explaining where everyone is and what they’re doing following the calamitous events of Oblivion. Really? The first quarter of the runtime is padding? This can’t be a good sign for the rest of Oblivion 2.

Continue reading Oblivion 2: Backlash (1996) →

Oblivion (1994)

Starring Richard Joseph Paul, Jackie Swanson, Andrew Divoff, Meg Foster, Musetta Vander, George Takei, Julie Newmar, Carel Struycken, Jimmie F. Skaggs, Isaac Hayes, Jeff Moldovan, Mike Genovese, Frank Roman, Irwin Keyes

Directed by Sam Irvin

Expectations: High, this looks awesome.

On the general scale:
twostar

On the B-Movie scale:
threestar


For fans of science fiction westerns, there aren’t a lot of options. You’ve got Westworld, Back to the Future III and a few others, including the soon to be released Cowboys and Aliens. There’s also Oblivion, Full Moon’s entry into the genre, which also manages to wrangle some horror and comedy elements into a hoot of a genre-bending time waster. When the evil alien Red Eye kills the Marshall of the town of Oblivion, the settlers can do nothing to stop his pillaging ways. What Red Eye didn’t count on was the Marshall’s coward son Zack coming back into town. Along for the ride is Zack’s native friend, whom he rescued from a badass twin-tailed stop-motion scorpion about fifteen minutes in.

The world of Oblivion is interesting unto itself. It’s a mixture of future-tech, Old West, post-apocalyptica and varied alien creatures, resulting in a very unique and engrossing world. Grisled prospectors might wear calculator watches to compute their earnings, but revolvers are still the guns of choice. They never seem to reload said revolvers though, which may be a technical advancement of this mash-up world, or simply an oversight during production. As this is a Full Moon movie and they need every imaginative element working in their favor, I’ll go with the former.

Continue reading Oblivion (1994) →




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