Rush Hour 2 (2001)

Starring Jackie Chan, Chris Tucker, John Lone, Zhang Ziyi, Roselyn Sanchez, Alan King, Harris Yulin, Kenneth Tsang, Don Cheadle

Directed by Brett Ratner

Expectations: Moderate.


One one hand, Rush Hour 2 is a perfect sequel to the original film. Everything that worked is kept for round two, and because it’s set in Hong Kong it’s instantly more interesting to look at than the first film (no offense, Los Angeles). It seems like the filmmakers felt that this was enough for a sequel, because in terms of story Rush Hour 2 is nothing more than an inverse of Rush Hour. They even do some of the same jokes with the opposite lead saying the lines. I can’t argue that it doesn’t work, because the overall level of entertainment is pretty high throughout the film, but it still seems kinda lazy. I mean, can you imagine if a Star Wars film just rehashed the original Star Wars and thought that would be enough to carry a sequel? 😛

LAPD cop James Carter (Chris Tucker) is on vacation in Hong Kong, visiting his friend and Hong Kong policeman Lee (Jackie Chan). Lee can’t seem to leave his work behind, and while Carter is lamenting this point to Lee (and the audience), Lee receives a call to question noted criminal and triad boss Ricky Tan (John Lone) about a deadly explosion at the American Consulate. And just like that our comedic buddy cops are back on the trail of justice.

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Rush Hour (1998)

rushhour_1Starring Jackie Chan, Chris Tucker, Tom Wilkinson, Tzi Ma, Ken Leung, Elizabeth Peña, Mark Rolston, Rex Linn, Julia Hsu, Chris Penn, Philip Baker Hall, John Hawkes

Directed by Brett Ratner

Expectations: Interested to revisit it.

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And so begins my descent into madness — I mean, the American films of Jackie Chan. While I have always been happy that Jackie achieved global success, his transition to Hollywood definitely leaves a lot to be desired in terms of quality filmmaking. For newcomers to his work, I suppose the flashes of fearless stunts and athleticism are welcome and shocking additions to the American action film, but to anyone who’s seen one of his Hong Kong films, it’s hard not to be somewhat disappointed with the watered-down Jackie Chan present in Rush Hour. That being said, Rush Hour is just about exactly what a “Jackie Chan comes to Hollywood” movie should be, providing the audience with an ample amount of action and lighthearted comedy.

Jackie Chan has often said that Hong Kong directors know action and American directors know story. Rush Hour isn’t the best showcase of this “knowledge of story” that Jackie speaks of, but there is a fundamental difference in the way Hollywood films are structured that is in evidence. If you look at a movie like Mr. Nice Guy, it’s easy to see how the story was built up around the action set-pieces in a way to string them together as seamlessly as possible. Lots of Hong Kong films feel similarly (but Jackie is wrong, there are plenty of Hong Kong directors who understand story!), whereas Rush Hour is clearly set up with the story as its foundation and the action arising where it can. It’s kind of a subtle distinction in Rush Hour, as the story is pretty thin. It’s a key difference, though, and consequently there aren’t any huge, extended action scenes in Rush Hour.

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