Rob-B-Hood (2006)

Rob-B-Hood [寶貝計劃] (2006)
AKA Robin-B-Hood, Project BB

Starring Jackie Chan, Louis Koo, Michael Hui, Teresa Carpio, Yuen Biao, Gao Yuan-Yuan, Charlene Choi Cheuk-Yin, Terence Yin Chi-Wai, Conroy Chan Chi-Chung, Andrew Lin, Matthew Medvedev, Ku Feng, Ken Wong Hop-Hey, Ken Lo, Hayama Hiro, Cherrie Ying Choi-Yi, Candice Yu On-On, Chen Bao-Guo, Nicholas Tse, Daniel Wu, He Jun, Ng Kong

Directed by Benny Chan

Expectations: Kinda high. I’ve come to expect good things from Benny Chan.


Rob-B-Hood is kind of a weird movie. Contrasting the modern realism in Benny Chan and Jackie’s previous collaboration, New Police Story, Rob-B-Hood feels like an attempt to revive an ’80s style focused on providing wild entertainment over believability. Apparently the film was originally intended to finally reunite Jackie, Sammo and Yuen Biao, too, lending further credence to this idea. But while the criminal character dynamics between Jackie, Louis Koo and Michael Hui recall early ’80s movies like Wheels on Meals, Rob-B-Hood owes an even bigger debt to the Aces Go Places series. The obvious connection is the baby who is often in harm’s way, but elements of that series’s James Bond riffs also find their way into Rob-B-Hood.

Thongs (Jackie Chan) and Octopus (Louis Koo) are master safecrackers, and we meet them in a hospital’s pharmacy. They are stealing high-priced drugs while their leader, Landlord (Michael Hui), waits in the getaway van outside. Crosscut with this is the birth of a child, which seems insignificant at first but wouldn’t you know it, they showed this birth to us for a reason! Imagine that. Mid-way through the criminals’ escape attempt, a disgruntled and mentally unstable ex-boyfriend of the baby’s mother abducts the kid. At first, he even tries to drag the mother along for the ride, still in her hospital bed. This fiasco gets the heat off of Thongs and Octopus, but as luck would have it, when the crazy ex-boyfriend loses control of the baby and it falls down a couple of stories in the hospital’s open lobby, Thongs is able to jump off the escalator, save the kid’s life, and return him to his mother. Thongs and Octopus are now free to leave the scene of their crime, but their story with this infant is far from over.

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New Police Story (2004)

New Police Story [新警察故事] (2004)

Starring Jackie Chan, Nicholas Tse, Charlie Yeung, Charlene Choi Cheuk-Yin, Daniel Wu, Dave Wong Kit, Andy On, Terence Yin Chi-Wai, Hayama Hiro, Coco Chiang Yi, Ken Lo, Yu Rong-Guang

Directed by Benny Chan

Expectations: Low.


Titling this film New Police Story evokes memories of Jackie’s successful series of films than ran through the ’80s and ’90s, but the “new” indicates that it’s a reboot or otherwise unrelated. It’s true, Jackie doesn’t play the loose Chan Ka-Kui character, and this film’s character is almost a polar opposite to Ka-Kui’s reckless, Supercop spirit. Jackie plays Senior Inspector Chan Kwok-Wing, a straight-laced man who gets the job done through discipline, strong leadership and efficiency. With a lead character like this, the film takes on a seriousness that none of the Police Story films carry, but anyone who has seen Crime Story will recognize the tone. So a more apt title might be New Crime Story, which is ironic since Crime Story was released in Japan under the title New Police Story. Confused yet? Anyway, what matters is that New Police Story is more Crime Story than Police Story, something that’s not readily apparent thanks to the title. I guess Hollywood isn’t the only film market to title based on name recognition.

A group of young thugs rob a bank in wild fashion, specifically asking for the police to be called when they finish gathering the money. Instead of swiftly making a getaway, they stick around to confront the policemen, seeing the situation as a game, complete with points for kills & property damage. After causing massive casualties, the robbers escape, and now Senior Inspector Chan Kwok-Wing, the force’s most successful investigator, is tasked with finding their hideout and bringing them to justice. He’s so confident in his abilities and those of his men that he brags about catching them within three hours, but when the assault on their hideout is launched, literally everything that could go wrong does. Chan is the staunch veteran going up against the youthful new breed of criminal; New Police Story could also be called No Hong Kong for Old Men. 🙂

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Top 10 1990s Jackie Chan Films

At the beginning of my ’80s Jackie list, I made a claim about how the ’80s were easily Jackie’s best decade. After watching all the ’90s stuff, though, I don’t know if I can definitively say that. Both decades offer phenomenal work from Jackie and his incredible stunt team, and each decade’s films are unique and engaging for different reasons. Where the ’80s saw Jackie defining his iconic style, the ’90s saw him take that style and push it forward in incredible ways. It’s a “Godfather or Godfather II” situation, for sure. But no matter which decade you prefer, we’re all winners because we get to watch them all!

But enough jibber jabber, here’s my top 10!


#10 Police Story 4: First Strike (1996)
Directed by Stanley Tong
Reviewed August 29, 2016

I’m pretty surprised to make this list with First Strike all the way down at the #10 spot. This was always a go-to favorite when I was a teenager, and the ladder fight is one of the most fun fight sequences in the history of film. The action is still as great as ever, but the rest of the movie is far from great. It all evens out to make for an entertaining movie, but as a complete package it just can’t stand up to the other films on this list. Hahahaha, that’s not exactly the kind of ringing endorsement I try to write for these lists, but that’s all you’re getting! But if you love Jackie and you haven’t seen it, don’t be dissuaded by my jaded paragraph!

#9 Mr. Nice Guy (1997)
Directed by Sammo Hung
Reviewed September 12, 2016

Re-watching Mr. Nice Guy was a highlight of writing the Jackie reviews. I hadn’t seen it since I was a teenager, and for whatever reason my only recollection of it was that I “didn’t really like it.” Watching it again reminded me of the absolutely incredible fight at the construction site, easily one of the most re-watched fights of my teens. How could I have forgotten this? The rest of the movie is thin on story, but it moves at a great pace and it’s full of spectacular action (plus a wonderful cameo from Sammo Hung). Definitely worth your time!
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Who Am I? (1998)

whoami_1Who Am I? [我是誰] (1998)
AKA Jackie Chan’s Who Am I?

Starring Jackie Chan, Michelle Ferre, Mirai Yamamoto, Ron Smerczak, Ed Nelson, Ron Smoorenburg, Kwan Yung, Mike Ian Lambert, Yanick Mbali, Washington Xisolo, Chip Bray

Directed by Jackie Chan & Benny Chan

Expectations: Interested to revisit it.

threehalfstar


Who Am I? was Jackie’s last Hong Kong production before re-entering into the Hollywood machine with Rush Hour. Like the last four or five of his films, Who Am I? continues the trend towards eliminating Cantonese dialogue in favor of English; to the point that this film only has a small handful of lines that aren’t in English. It’s still very much a Hong Kong film in feel, but the shift towards a more sustained and consistent American tone is a defining element of Who Am I?. Where Mr. Nice Guy was an Americanized version of the Hong Kong filmmaking philosophy of the ’80s (action above all else), Who Am I? is more an attempt to blend Hong Kong-style action and stunts into the structure of a traditional American action film.

Jackie plays Jackie Chan (yep!), a highly trained military operative on a mission in South Africa with an elite strike team. They pull off their mission without a hitch, but somewhere along the way Jackie was left behind. We aren’t privy to the exact events just yet — unless you’re watching the US cut that reorders all the flashbacks to not be flashbacks! — we just know that a tribe of African natives has taken him in, providing everything necessary to make a speedy recovery. But Jackie’s not just physically injured, he’s also lost his memory. The tribe calls him “Who Am I” due to a language barrier, and while he’s happy living with the tribe, he’s also eager to leave and reclaim his identity.

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Shaolin (2011)

Shaolin [新少林寺] (2011)

Starring Andy Lau, Nicholas Tse, Fan Bing-Bing, Wu Jing, Shi Yanneng, Yu Shaoqun, Xiong Xin-Xin, Yu Hai, Bai Bing, Jackie Chan

Directed by Benny Chan

Expectations: High. A big-budget Shaolin Temple remake? OK!


Benny Chan’s Shaolin is an interesting film. It’s got the look and the feel of a big Hollywood feature, but its subject matter is firmly rooted in the cultural history of China. It also features action and martial arts scenes that harken back to the 90s heyday of Hong Kong action cinema. Unfortunately as a whole Shaolin isn’t as good as I’d hoped it would be, but I still enjoyed it quite a bit. Shaolin is a loose remake of the 1982 film Shaolin Temple, the film that introduced Jet Li to the Chinese moviegoing public. I haven’t seen Shaolin Temple in a good fifteen years so I can’t comment on whether this follows the same story or if it does a good job of adapting the tale to fit its needs. A quick glance at the Wikipedia synopsis shows that while there are certain elements that carry over, Shaolin is basically a new story.

Andy Lau plays a ruthless general who values little over wealth and power. He’s our main character (and the hero) but this doesn’t become apparent until about forty-five minutes in or so. This makes for a strange, somewhat off-putting opening section of the film that I think would have better served the story if it had been tightened up. I understand the reasoning behind structuring the film as they do and it does lay great groundwork for scenes later in the film, but for the movie to not have a distinct identity until forty-five minutes in is a bit odd.

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