Puppet Master: Axis Termination (2017)

Starring George Appleby, Tonya Kay, Paul Logan, Kevin Scott Allen, Tania Fox, Alynxia America, Lilou Vos, Daniele Romer, Kyle Devero, Allen Perada, Jean Louise O’Sullivan, Kip Canyon, Rob Vardaro

Puppet Cast: Blade, Jester, Pinhead, Tunneler, Leech Women, Six Shooter, Blitzkrieg, Bombshell, Weremacht

Directed by Charles Band

Expectations: Low.

On the general scale:

On the B-movie scale:


If I remember right, sometime around the release of the last Puppet Master movie, 2012’s Axis Rising, Charles Band announced that Full Moon would give the people what they want and deliver a new Puppet Master film every year. They do it with the Evil Bong films, but with Puppet Master I thought it was an especially ambitious claim. It is one they did not make good on, but given the attention paid to the production of Puppet Master: Axis Termination it definitely ended up better for everyone. Five years is a long time, but a good movie is worth more than five half-ass ones with a meager handful of tepid thrills. So yeah, the new Puppet Master is a fantastic addition to the series.

The story is not the film’s strong point, but I doubt anyone would’ve expected it to be. It’s basically just Toulon’s puppets vs. the Nazi puppets like the previous Axis films, but now with better characters! Not in terms of their depth or anything high-brow like that, more like the vanilla-white couple of Danny (Kip Canyon) and Beth (Jean Louise O’Sullivan) are immediately killed off and replaced with a musclebound soldier (Paul Logan), the dwarf magician Dr. Ivan Ivanov from Decadent Evil (now played by George Appleby) and a voodoo priestess (Alynxia America). The Nazis boast a powerful magician of their own in Sturmbahnfurher Steiner Krabke (Kevin Scott Allen), as well as his boss, the strong-willed puppet master Doktor Gerde Ernst (Tonya Kay). Maybe I’m just rusty with my Puppet Master knowledge, but I don’t ever remember this kind of purely magical stuff in the series, but regardless I loved the flavor it added to the film.

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Evil Bong 666 (2017)

Starring Mindy Robinson, Sonny Carl Davis, Michelle Mais, Robin Sydney, Jessica Morris, The Don, Bobby Ramos, Caleb Hurst, Orson Chaplin, Tonya Kay, Megan Sage, Samantha McGee, Brooks Davis

Directed by Charles Band

Expectations: Low.

On the general scale:

On the B-movie scale:


Despite the numbering, Evil Bong 666 is technically the series’ 7th entry, and for my money it’s one of the best Full Moon films in years. I know that isn’t saying a lot because Full Moon’s output has been pretty lackluster for a while, but just in terms of simple entertainment it’s probably the best Bong since Evil Bong 2: King Bong. Of course, your enjoyment will depend on your tolerance for the usual stoner logic and antics that fills these films, but I imagine anyone interested enough to read a review of a movie like Evil Bong 666 is on-board, strapped-in and ready to roll.

Evil Bong 666 follows the basic storefront formula of the last few Evil Bong films, but it changes up the energy by replacing the series’ star character, Larnell (John Patrick Jordan), with a new store owner, Lucy Furr (Mindy Robinson). This might seem like a small detail, but it changes the film’s course considerably. Instead of seeing Larnell and/or Rabbit (Sonny Carl Davis) handling a steady stream of customers — something we’ve seen way more than anyone ever needs to — now we have the devious, Satan-loving Lucy Furr taking care of business. It’s a whole new ballgame. It not only breathes life into the store scenes, it packs the bowl for another round. And thankfully, there’s actually not that many store scenes! I’d have preferred another David DeCoteau cameo instead of one of the lamer scenes, but you can’t win them all.

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Stephen reviews: Ghost in the Shell (2017)

Starring Scarlett Johansson, Pilou Asbæk, Takeshi Kitano, Juliette Binoche, Michael Pitt, Chin Han, Peter Ferdinando

Directed by Rupert Sanders


I was looking forward to this movie with a mixture of hope and dread. My expectations were set low, but at the same time I had a hunch that Ghost in the Shell was possibly the only anime franchise that might work well as a Hollywood production. The serious tone, cyberpunk setting, and evil corporations mesh well with the kind of FX-heavy, sci-fi action films that Hollywood likes to churn out. So does it work? Well, if by working you mean that it is a functional mass market formulaic Hollywood film, then yes I suppose it does. It checks off all the boxes that modern Hollywood films are supposed to have at any rate.

The film is basically a hodgepodge of scenes from the various anime titles, mostly the first movie, so it was pretty much all stuff I’ve already seen. I can’t really call this a bad thing since this is an adaptation of the story. This live-action film was honestly in a tough spot. It had to stay true enough to the original to avoid pissing off the fanboys, but it still had to have enough mainstream appeal to make a profit. On top of that, there has never been a truly successful Hollywood anime adaptation (sure, I liked Fist of the North Star, but that was hardly a commercial hit), so they were understandably playing this pretty cautiously and avoiding risky artistic decisions. This leaves the film kinda drab, neither good nor bad.

Continue reading Stephen reviews: Ghost in the Shell (2017) →




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