Assault Girls [アサルトガールズ] (2009)
Starring Meisa Kuroki, Rinko Kikuchi, Hinako Saeki, Yoshikatsu Fujiki, Ian Moore
Directed by Mamoru Oshii
It’s been a while since I last dived into Mamoru Oshii’s filmography, and it seems I have blundered into the worst spot to do so. Assault Girls is apparently a semi-sequel to a variety of short films Oshii made earlier, so perhaps I would better appreciate what it was trying to do if I had already seen those. But the film ought to stand on its own in any case, so I won’t be pulling any punches here.
Another of the film’s quirks is that it is almost entirely in English, with the unfortunate fact that all the actors, aside from narrator/gamemaster Ian Moore, are not very fluent in English. Rinko Kikuchi (best known to American audiences for Pacific Rim) would undoubtedly have been the best at speaking English intelligibly, so it’s pretty sad that her character, Lucifer, is the only one that has no dialog, remaining completely silent throughout the film. As such, much of the English in the film still requires subtitles to understand, and the resulting stiff acting really drags the film down.
Assault Girls follows the Mamoru Oshii tradition of combining evocative visuals with sluggish pacing. As such I’m a bit torn on it, just like most of Oshii’s films. This time I’m leaning much more towards boredom than interest, and only partially from the acting. The movie talks a lot about abstract social concepts, dumping a lot of explanation right at the outset. On top of that, the film has a lot of slow sections where nothing much is happening. This is a very good combination for tuning out and losing interest.
Continue reading Stephen reviews: Assault Girls (2009) →
Eureka seveN: Good Night, Sleep Tight, Young Lovers
[交響詩篇エウレカセブン ポケットが虹でいっぱい Kōkyō Shihen Eureka Seven: Pocket ga Niji de Ippai] (2009)
AKA Eureka Seven: The Movie; Eureka Seven: Pocket Full of Rainbows; Psalms of Planets Eureka seveN: Good Night, Sleep Tight, Young Lovers
Starring Kaori Nazuka, Yuko Sanpei, Keiji Fujiwara, Ami Koshimizu, Mariko Neya, Mugihito, Sakiko Tamagawa, Shugenori Yamazaki
Directed by Tomoki Kyoda
Several years back, Eureka Seven was all over the place. Or at least I kept seeing it everywhere when I was looking for new anime. I figured it was just some random Evangelion rip-off, and left it at that. But then something odd happened recently. It got a sequel. That’s pretty uncommon for anime. Remakes? Yes. Yet another season of some stretched too thin action series like One Piece? Of course. But an actual sequel of a series that ended several years ago? You don’t bump into those all that often in the anime industry. So I decided to go back and check out the original and see if my apprehension was well founded or not.
I was somewhat right in my Eva rip-off assessment, but it actually reminded me more of Macross with its scattering swarms of projectiles chasing after flying enemies. Particularly Macross Plus, which it seemed very reminiscent of from a stylistic point of view, so it was no surprise to find Shoji Kawamori credited with the mechanical designs. And while it had plenty of Eva’s sinister secret council meetings and the requisite bandaged mystery girl, it also had the stripey sphere full of enemy monsters and a bizarre time displacement subplot that reminded me of Rah Xephon. Basically, Eureka Seven is a hodgepodge of every popular mecha anime they could squeeze together. If I wanted to be cynical I would call it just a massive rip-off of everything, but I think that, at least in this movie version, it added up to something more than the sum of its parts.
Continue reading Stephen reviews: Eureka Seven: Good Night, Sleep Tight, Young Lovers (2009) →
Starring Gianna Jun, Allison Miller, Liam Cunningham, JJ Feild, Koyuki, Yasuaki Kurata, Larry Lamb
Directed by Chris Nahon
If you’ve been around here for a long time, you might remember my review of the original Blood: The Last Vampire. It was a popular enough anime to generate two TV series and two more films so far. I came to this live-action version expecting a horrendous piece of crap, and while this is definitely the weakest entry in the franchise that I’ve seen so far, it’s not nearly as bad as I feared. Just don’t get your hopes too high.
The live-action film is a loose remake of the original anime. It takes the same setting and characters and replicates several of the more important scenes, but it also greatly expands upon the original, elaborating on existing characters and adding new ones to the mix. It also drops some of the technical details. It never once uses the term “chiropterans” to refer to the monsters, instead calling them “demons” or “bloodsuckers.” The biggest change to the concept, though, is that it is now a revenge story. Saya is no longer just an aimless wanderer of the night. Now she’s on a quest for vengeance against the demon that killed her father.
Continue reading Stephen reviews: Blood: The Last Vampire (2009) →
Starring Tim Daly, Kevin Conroy, Clancy Brown, Allison Mack, Xander Berkely, CCH Pounder, Ricardo Chavira, John C. McGinley
Directed by Sam Liu
To help out with the Man of Steel countdown, I’m going to be adding to Will’s ongoing Superman reviews in my own manner, by reviewing a few of the animated films showcasing the Man of Steel. This is an adaptation of a story arc from the comics, and it shows. If you want something with realism or a serious story, look elsewhere. This doesn’t have the old style Adam West camp, but it is pure superhero action that doesn’t put on any airs. This is no Christopher Nolan film.
They went so far as to adapt the character designs of the comic book artist, Ed McGuinness, into animation. What this means is a lot of bulging, well-defined muscles. For Superman himself the image works very well, but for some of the other characters, like Captain Atom, it just looks strange.
This brings me to a more awkward aspect of the film, the heaping mountain of random characters. I had no idea who some of these people are, and there were tons that I only recognized by sight without any idea of what they do. This could genuinely cause a rather large barrier for those not familiar with DC Comics. Though it was interesting to see an animated Starfire that looks closer to her comic book design. You’ll have to resist asking yourself just who the hell all these people are. They’re just random people for Superman and Batman to beat up.
Continue reading Stephen reviews: Superman/Batman: Public Enemies (2009) →