Hellevator: the Bottled Fools [グシャノビンヅメ, Gusha no bindume] (2004)
AKA Gusher No Binds Me
Starring Luchino Fujisaki, Masato Tsujioka, Ikuma Saisho, Kae Minami, Yuko Takarada, Ryusuke Koshiba, Koji Yokooawa, Keisuke Urushizaki
Directed by Hiroki Yamaguchi
When I pick these live-action horror films to review I look for the most outlandish things I can find. Typical horror thrills don’t really thrill me, so if I don’t want to be bored out of my mind I need to track down more exotic fare. Maybe something comedic or deliberately campy, something that doesn’t try to take itself too seriously and presents its silliness with a knowing smile and a wink. Or at least something so batshit crazy that I can laugh at it. Thus when something with a title as puntastic as Hellevator caught my eye, I thought my search was over. But far from a campy cheese-fest, Hellevator is a dark and inventive psychological thriller that, much to my surprise, is genuinely good.
The movie clearly has a vision, and sees it play out with surprising depth. The imaginative world is what really captured my interest. It’s a sort of futuristic setting, but with very old-fashioned technology. There’s a weird combination of heavy industrial machinery with robot brain-in-a-jar toys for children. The society seems to exist solely inside a massive building with no idea that there is anything outside. And what is perhaps the most impressive aspect of the film is how well it establishes this world despite most of the movie taking place inside just one elevator.
Continue reading Stephen reviews: Hellevator: the Bottled Fools (2004) →
Appleseed [アップルシード] (2004)
Starring Ai Kobayashi, Jurouta Kosugi, Mami Koyama, Yuki Matsuoka, Miho Yamada, Takehito Koyasu, Toshiyuki Morikawa, Yuzuru Fujimoto
Directed by Shinji Aramaki
It took 15 years for someone to make another Appleseed film, and this one is pretty much the exact opposite of the first. They both center around Deunan and Briareos, members of Olympus’s S.W.A.T. team in the wake of World War III, facing off against terrorists and traitorous elements of their utopian society. But where the original film focused on tactical and strategic combat without any real attempt at characterization or explanation, the newer adaptation of the tale is chock full of explanation while dumbing down the action scenes to just look cool rather than have any thought behind them.
The other big difference is the animation. The original film was low-budget and looked rather dated even for its time. This version, however, came after the colossal success of Ghost in the Shell, and producers were a lot more willing to risk cash on Masamune Shirow’s other properties. So the new version has sleek CG animation, which astonishes by actually not looking like total shit. Just partial shit. Pixar this ain’t, but I have seen a good deal worse. In fact, most anime CG from the 2000s does look like total shit — anime has always lagged behind its western counterparts in terms of digital functionality — but it’s clear that Appleseed had a lot of loving care put into its production design. That doesn’t mean I like it. I still hate CG productions like this, but when you knowingly jump head first into a full CG film, there’s not much reason to rant about it being CG. So I’ll restrain myself and focus on the film’s other features instead.
Continue reading Stephen reviews: Appleseed (2004) →
Ghost in the Shell 2: Innocence [イノセンス GHOST IN THE SHELL （仮題）] (2004)
Starring Akio Ohtsuka, Kōichi Yamadera, Atsuko Tanaka, Tamio Ohki, Yutaka Nakano, Naoto Takenaka, Yoshiko Sakakibara
Directed by Mamoru Oshii
While the first Ghost in the Shell dealt primarily with mental identity, the “ghost” of the title, Innocence deals more with the physical robot body, the “shell” in this analogy. In that sense, it completes the theme nicely and is the perfect direction for the series to take. This time the police case is investigating a series of crazed robots that have killed their owners. This immediately made me think of Boomers from the Bubblegum Crisis/AD Police series, but like the first film, Innocence is so full of philosophical discussion on the definition of life and the distinction between man and machine that it stands apart from most anything else dealing with psycho robots.
It’s certainly an ambitious goal to make a sequel to such a complex and well-made film as Ghost in the Shell, and although I have a number of issues with it, it didn’t do a terrible job. Mostly what bugs me is what really just comes with the territory in a mid 2000s anime; it’s chock full of obnoxious and very obvious CG. When set next to the original, there is just no comparison between the natural grace of handcrafted animation and the jarring, stiff feel of CG. What makes this more annoying to me is that the moments that don’t rely on CG look fantastic, which only emphasizes how ugly the CG is. Much of the film does look amazing, and it just makes me bemoan the fact that the entire film wasn’t made so well.
Continue reading Stephen reviews: Ghost in the Shell 2: Innocence (2004) →