Starring Samuel Fuller
Directed by Emil Weiss
As its title suggests, Tell Me Sam is a film where Sam Fuller tells stories. You can imagine the director Emil Weiss, just off camera, asking Fuller things like, “Tell me about your days in journalism, Sam,” or “Tell me about I Shot Jesse James.” Fuller doesn’t seem the type that needs such provocation to tell these stories — I can only imagine the kinds of things he discussed over the dinner table — but the idea that the questions are in the air informs a lot of the experience in Tell Me Sam. Frankly, I’d have preferred these questions to be heard, so that the film was a document of a conversation instead of a 75-minute monologue from the aging director.
Tell Me Sam is a companion piece to Weiss’s 1988 documentary about Sam Fuller, Falkenau, the Impossible. Where Falkenau focuses specifically on Fuller’s experiences at the end of World War II when his unit helped to liberate a Nazi concentration camp, Tell Me Sam broadens out its focus to the entirety of Sam Fuller’s working life. One of the most interesting tales comes from before he was in the film industry, and it’s one that helped shape the way he made films and looked at the world. During his days in journalism, Fuller worked the homicide beat and was only allowed to write the facts without the use of any adjectives. Fuller relates that this specifically made him well up with unspent emotion, as he felt all kinds of intense feelings about the cases he saw and wrote about, but was unable to express them.
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Cybernetics Guardian [聖獣機サイガード Seijuki Cyguard (Holy Beast Cyguard)] (1989)
Starring Takeshi Kusao, Hiromi Tsuru, Hirotaka Suzukoi, Kiyoshi Kawakubo, Shozo Iizuka, Tessho Genda, Wakyo Sogabe, Yusaku Okura
Directed by Koichi Ohata
This is just a short little action romp. It’s not a very special anime, but then it isn’t trying to be one. It has a very B-movie feel to it. The creators basically threw a bunch of cool stuff into a pot and mixed it up hoping for something awesome. The story is pretty minimal, but still manages to be convoluted thanks to all the random ideas they used.
A robot test pilot named John gets his big trial run sabotaged by Adler, a jealous scientist who wants his own projects to succeed instead. Then some random demon worshipers show up and kidnap John. They do some bizarre black magic science experiment and turn John into the robot avatar of their evil god. Demon John goes on a rampage across town, which only convinces Adler to hate the guy even more. Meanwhile, John’s hot scientist girlfriend tries to fix everything, and the cops run around getting ripped apart by the monster.
The film operates solely on the premise that demons, giant robots, explosions, and hard rock are cool. The plot is nothing more than the mortar that holds those bricks together. It’s not really all that well put together either. Obviously the character development is pretty shallow, but the action scenes don’t have a lot of visceral impact to them either. The film gets by because the creators were right: giant demon robots blowing stuff up to a rock soundtrack is in fact pretty damn cool.
Continue reading Stephen reviews: Cybernetics Guardian (1989) →