Starring Prince, Apollonia Kotero, Morris Day, Clarence Williams III, Jerome Benton, Jill Jones, Wendy Melvoin, Lisa Coleman, Bobby ‘Z’ Rivkin, Matt Fink, Brown Mark
Directed by Albert Magnoli
As much as I love Prince — and let me tell you: I LOVE PRINCE! — I really wasn’t looking forward to re-watching Purple Rain. I saw it “not too long ago,” which to me is about two years ago. I usually wait longer than that, as I’m the type of person to just forge ahead and watch movies I’ve never seen before. Despite this bias, re-watching Purple Rain offered a lot more entertainment than I had expected it would. I knew the live footage was dope, and nothing has changed that. But what I didn’t count on was achieving a new respect for the story that Purple Rain tells.
On the surface, Purple Rain is a vanity project, an extended music video, a way to broaden Prince’s fan base. But what those distinctions don’t explain are the multiple instances of domestic violence and the other complex themes present. These themes show that a simple extended music video was not Prince’s intention at all. The story connecting his songs is challenging and fraught with emotional distress. It’s an incredibly bold move, and a lesser artist couldn’t have pulled it off. Can you imagine if the Justin Bieber movie had the balls to do something like that? Purple Rain is so much more than an extended music video, it’s also an experimental musical drama that achieves everything it sets out to. In today’s day where the studios are more worried about offending someone than creating something truly unique, Prince’s Purple Rain stands out as a true piece of art.