Starring Arnold Schwarzenegger, Lou Ferrigno, Mike Katz, Franco Columbu, George Butler, Joe Weider, Bill Grant, Ken Waller, Reg Park, Ed Corney, Matty Ferrigno, Liev Schreiber, Sylvester Stallone, Bud Cort
Directed by Dave & Scott McVeigh
I’m not in the habit of reviewing DVD extras, but this one seemed juicy enough considering I’ve covered all the other Arnold-related bodybuilding films. I’m hesitant to rate it, though, as it’s hard to really quantify its quality as a film. In any case, I really enjoyed watching it, and I think any big fan of Pumping Iron or Arnold would enjoy it too. So a definite thumbs up, but I’m going to forgo the stars this time.
There were over 100 hours of footage shot for Pumping Iron, so Raw Iron takes a different approach to the “Making of” documentary. Instead of simply gathering a bunch of people to talk to the camera and tell their stories, Raw Iron actually tells its story through deleted footage from the film. These scenes were kept in the vault until Raw Iron‘s release for Pumping Iron‘s 25th anniversary. This deleted footage is mostly great, too, from an unused sub-plot with Arnold trying to teach Harold and Maude‘s Bud Cort how to pump up in the gym, to the film’s bodybuilders posing on top of a Malibu mountain while listening to Arnold pontificate about “the pump.” It’s great fun to see all this unused footage.
Continue reading Raw Iron: The Making of Pumping Iron (2002) →
Executioners from Shaolin [洪熙官] (1977)
Starring Chen Kuan-Tai, Lily Li Li-Li, Lo Lieh, Wong Yu, Kong Do, Cheng Hong-Yip, Gordon Liu Chia-Hui
Directed by Lau Kar-Leung
Another month, another film from the Shaw Bros Shaolin cycle… Except this time we have Shaw’s other prolific director at the helm. While many associate the Shaolin cycle with Chang Cheh, Lau Kar-Leung inherited the mantle in this stellar 1977 effort, which further chronicles the life of Chinese folk hero Hung Si-Kwan, played as usual by the magnificent Chen Kuan-Tai. But this film differs greatly from the concise, historical-based efforts of Chang Cheh, who placed the focus on patriotism and brotherhood against the occupying Manchu forces. Lau Kar-Leung, ever the cinematic ambassador of Chinese martial arts, instead shifts the focus to Hung Si-Kwan’s development of his renowned style, Hung Gar kung fu.
Let’s face it. Lau Kar-Leung made films for kung fu nerds. (This review will also be geared towards that crowd, so don’t feel too bad if a lot of this technical / historical gibberish leaves you scratching your head.) Don’t get me wrong, the classic revenge tale that this film tells can be appreciated by even your most casual movie fan, but to really reap the benefits of what Executioners has to offer it helps to understand some of the finer points of kung fu styles and martial technique. Hung Gar is comprised of both tiger and crane techniques. The tiger being a powerful external style based primarily on brute strength while the crane relies more on deft movements and pinpoint accuracy. Executioners from Shaolin tells what I’m assuming is a mostly fictional tale of how the tiger and crane styles became united under one banner.
Continue reading Uncle Jasper reviews: Executioners from Shaolin (1977) →