The Bird with the Crystal Plumage (1970)

The Bird with the Crystal Plumage [L’uccello dalle piume di cristallo] (1970)

Starring Tony Musante, Suzy Kendall, Enrico Maria Salerno, Eva Renzi, Umberto Raho, Renato Romano, Giuseppe Castellano, Mario Adorf, Pino Patti, Gildo Di Marco

Directed by Dario Argento

Expectations: Moderate.


The Bird with the Crystal Plumage is the directorial début from Italian horror legend, Dario Argento. Prior to watching this I had only a limited experience with his films, mostly from  catching short glimpses of scenes in Top 100 Horror countdowns. I did see his 1982 film, Tenebre, in its entirety about ten years ago, but at the time I was unimpressed with just about everything about it. I may enjoy it more if I saw it again but as it stands now, the only thing I really remember about it was the incredible score composed by Italian prog-rockers Goblin. Easily one of my all time favorite film scores. Despite being less than impressed by the film, Tenebre intrigued the hell out of me and made want to watch some of Argento’s other films. It only took me ten years but I’m finally making good on that wish, and the wait has paid off. The Bird with the Crystal Plumage is a stunningly shot film, filled to the brim with unforgettable imagery and suspense. It definitely is a flawed film overall, but it still packs a pretty sizable punch and I am happy to report that my decision to review four Argento films over the course of October seems like it will be a good one.

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Underworld (1985)

Underworld (1985)
AKA Transmutations

Starring Denholm Elliott, Steven Berkoff, Larry Lamb, Nicola Cowper, Irina Brook, Art Malik, Brian Croucher, Ingrid Pitt, Trevor Thomas

Directed by George Pavlou

Expectations: Low.

onestar


What do you get when you throw ’80s synth rock, drug-fiend mutants and horror God Clive Barker together with just a dash of black leather? You get the fairly poor and wholly underwhelming 1985 film, Underworld. There was so much potential here for a good film, but man did it all go to waste. It goes wrong mostly in the writing and the pacing, because above all Underworld is one hell of a boring movie.

It all starts out pretty interesting though. It’s incredibly hard to figure out what the hell is going on, which might be a bad thing for some movies, but it seems to add to the mystique here. There was enough fun and unintentional laughs during this getting-to-know-you period so I didn’t mind too much that I was lost. Anyway, there’s some sort of high-class party going on. A young girl in a white gown decides sleep is better than party and lays down in her bed. This is crosscut with scenes of some crazy rock ‘n’ roll leather-clad assholes, who you know are up to no good, running through the streets. They all wear wraps around their faces to give them some anonymity and the look of half-ass ninjas. So they bust into the estate, steal the girl from her bed, beat down the butler that tries to stop them and run off into the night.

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Uncle Jasper reviews: Pray for Death (1985)

Pray for Death (1985)

Starring Sho Kosugi, James Booth, Donna Kei Benz, Norman Burton, Kane Kosugi, Shane Kosugi, Matthew Faison, Parley Baer

Directed By Gordon Hessler


Digging into the archives here at Silver Emulsion brought a staggering discovery to my attention. Although we have done our best to bring you reviews of classy motion picture entertainment on a regular basis, we are still far from perfect and definitely have a long way to go in our quest for celluloid gold. In our first six months we have covered a whole slew of classics but have sadly remained deficient in one of the greatest genres of film known to mankind. No I’m not talking about film noir, westerns, or Hollywood musicals. I’m talking fucking Ninjas! And when I’m talking fucking Ninjas, I am of course talking Sho Kosugi.

For those not in the know, Sho Kosugi is pretty much the Henry Ford of ninja lore. What child of the 80s could not remember begging mom and dad to buy a couple of those cheap ass plastic ninja swords in the supermarket toy aisle, banging them together with friends until they bent in half, sadly drooping along while they carried out stealth assaults? Who cannot remember the deluge of ninja related video games and TV shows at the time? That was all courtesy of Sho Kosugi and a little movie from 1983 titled Revenge of the Ninja.

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The Big Red One: The Reconstruction (1980/2004)

The Big Red One: The Reconstruction (1980/2004)

Starring Lee Marvin, Mark Hamill, Robert Carradine, Bobby Di Cicco, Kelly Ward, Siegfried Rauch, Marthe Villalonga

Directed by Samuel Fuller

Expectations: High. Been wanting to see this restoration since it came out.


This may be one of the hardest reviews I’ve ever written. Above all, I want to do justice to the film and to the memory of the Fightin’ First, the Big Red One. Like never before, after viewing Sam Fuller’s The Big Red One, I feel that I grasp the immensity of their service in World War II and their contribution to the war effort. Viewing the film takes the audience on the journey with the soldiers, almost like an embedded reporter out to capture the reality of the situation. It is remarkable and somewhat unfathomable that with so much death surrounding them, these men were able to come out as survivors. The Big Red One is a film that creeps up on you in subtle ways and before you know it, you realize that you absolutely love it.

Sam Fuller brings distinct credibility to the film, himself a member of the Big Red One during the times covered in the film. The film forgoes a distinct plot and takes on an episodic format that plays out like a war diary. It’s rather ironic that this type of semi-fragmented film actually ends up packing in more narrative, character arcs and genuine excitement than most traditional films. After recently viewing Saving Private Ryan again, I was a bit worried about watching this so close after. Both films cover the Normandy beach invasion and have similar themes.

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Uncle Jasper reviews: The Mighty Peking Man (1977)

The Mighty Peking Man [猩猩王] (1977)

Starring Danny Lee, Evelyn Kraft, Norman Chu Siu-Keung, Lam Wai-Tiu, Ku Feng, Corey Yuen Kwai

Directed By Ho Meng-Hua


There are definitely a lot of oddities in the Shaw Bros catalog, from the Japanese superhero inspired Super Inframan to the zany, breast milk squirting antics of Black Magic. But I don’t think any separates itself from the pack more than The Mighty Peking Man, which has about as much in common with Shaolin monks and rival kung fu schools as it does with Shakespearean comedies. If you’ve ever begged to find out what happens when a movie studio famous for its kung fu films decides to remake King Kong, then The Mighty Peking Man is just the movie for you.

We’re all familiar with the story by now. A giant gorilla living in some faraway uncharted land is captured by a bunch of ignorant humans, only interested in pimping out the oddity of nature for profit. The monster naturally breaks loose, whereupon it systematically rampages through the city, causing millions of dollars in damage before being tragically massacred… You’ll get all of that here, but I think this film has enough going for it to separate itself from all of the other imitators. This is the Shaw Studios we’re talking about here and you can bet that they’re sure to stamp their indelible charm onto the proceedings.

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Silver Lode (1954)

Silver Lode (1954)

Starring John Payne, Lizabeth Scott, Dan Duryea, Dolores Moran, Emile Meyer, Robert Warwick, John Hudson, Harry Carey Jr., Alan Hale Jr., Stuart Whitman

Directed by Allan Dwan

Expectations: Moderate.


What would you think if someone you knew was accused of murder? It is an interesting question and is the basis of the plot of Silver Lode. It’s the 4th of July and Dan Ballard (John Payne) is about to get married. In the middle of the ceremony, Marshall McCarty (Dan Duryea) busts in with a group of deputies and accuses Ballard of murdering his brother and taking $20,000 bones from him. Ballard argues to allow him two hours to clear his name and he is given it, based on the goodwill he has built up over the last two years with the townspeople.

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Beyond Re-Animator (2003)

Starring Jeffrey Combs, Jason Barry, Bárbara Elorrieta, Elsa Pataky, Santiago Segura, Simón Andreu, Tommy Dean Musset,

Directed by Brian Yuzna

Expectations: Low.

On the general scale:
onehalfstar

On the B-Movie scale:
twostar


Let me just start off by saying that Beyond Re-Animator is a lot better than I expected, but it still doesn’t come close to the original. It’s about as good as the previous entry, Bride of Re-Animator, but arguments could be made and it all really comes down to preference anyway. Overall, I preferred this one to the last one if only because the story was different and wasn’t so much of a cookie-cutter redo of the original.

The film opens with a boy and his friend camping outside their house. Some strange noises prompt them to investigate. The noises turn out to be a lurking zombie with no jaw and one hell of a tongue, who kills the kid’s sister right in front of him and then tries to guzzle down the milk left on the counter. The cops come and arrest the man responsible who was found playing around in the adjacent graveyard, one Herbert West (Jeffrey Combs). As he’s put into the police cruiser, he drops a syringe of reagent which the kid retrieves. Fourteen years later the child has struggled to figure out how that sister-killing zombie was possible and it leads him to the medical profession. He gets a job at the prison where West is held and the two start up a relationship similar to the West/Cain dynamic of the first two films.

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