Ghost Eyes (1974)

Ghost Eyes [鬼眼] (1974)

Starring Chan Sze-Kai, Si Wai, Lam Wai-Tiu, Teresa Ha Ping, Yeung Chak-Lam, Chan Mei-Hua, Cheung Lai-Guk, Wong Ching-Ho, Leung Seung-Wan, Kong Oh-Oi, Chan Lap-Ban, Ma Siu-Ying

Directed by Kuei Chih-Hung

Expectations: High.


After Chang Cheh, I’d say that Kuei Chih-Hung is my favorite Shaw director. His work is inspired and influential, and while he never got his due credit during his lifetime, Celestial’s remastering work has definitely allowed intrepid film fans to discover his legacy and give it the recognition it deserves. Kuei’s first horror film was The Killer Snakes, with Ghost Eyes following in its wake nine months later. The Killer Snakes is definitely the superior film, but Ghost Eyes is a great movie that represents the first dip into supernatural horror for Kuei.

Wang Bao-Ling (Chan Sze-Kai) is a manicurist at a beauty shop. A mysterious man, Shi Jong-Jie (Si Wai), comes in for a treatment and takes an interest in Wang when he learns that she lives alone. After work, Wang is almost struck by a car and her glasses fall to the asphalt and shatter. Wouldn’t you know it, Shi is there to comfort her… and he just so happens to run an optical store! He invites her over for some contact lenses, under the advice that if she had been up with the times she wouldn’t be in this predicament with broken glasses. She takes him up on his offer, but the results aren’t exactly what Wang hoped they’d be! For one, she starts to see ghosts!

Continue reading Ghost Eyes (1974) →

Mini-Review: The Werewolf Reborn! (1998)

Starring Robin Atkin Downes, Ashley Tesoro, Len Lesser, Bogdan Cambera, Lucia Maier

Directed by Jeff Burr

Expectations: Low.

On the general scale:

On the B-movie scale:


The Werewolf Reborn! is the second of two Moonbeam films under the Filmonsters! banner, and while Frankenstein Reborn! was bad but kinda fun, this one is just atrocious. Very little of note happens in the movie, but at least it has the decency to be quick about it. The Werewolf Reborn! runs 43 1/2 minutes without credits and my sanity is eternally grateful. To imagine this movie twice as long, at “normal” movie length, is to imagine a horrific cinematic nightmare. Not exactly the usual way to strike fear in the hearts of the audience! 😛 There are definitely worse movies out there, although at the moment The Werewolf Reborn is the torchbearer in my brain, and it’ll probably remain the benchmark for some months to come.

As with Frankenstein Reborn, this film attempts to re-invent a horror classic for a younger audience. I don’t know what was wrong with kids just watching the original Universal films, but I guess some kids (and parents) might not want watch stuff in black and white. So enter Full Moon to create low-budget ’90s versions! In 2017, I’d be curious to see which one kids would rather watch; my money’s on the Universal versions, but it’s probably a toss-up depending on the person. Anyway… what this translates to is the coupling of the basic Wolf Man story with the well-used Moonbeam story of a kid sent off to live with a relative in another country. Frankenstein Reborn got a little more than this — it also had 60 whole minutes to work with! — but in The Werewolf Reborn that’s about it. The way the film handles the gypsies is a little different than the 1940s Wolf Man, but it’s nothing significant enough to set it apart. If the rest of the proposed Filmonster films were just going to be these relatively lazy productions of classic stories with teens shoehorned in, I guess I’m glad they stopped when they did.

I don’t really have anything else to say about The Werewolf Reborn. It’s one of the worst Moonbeam films I’ve seen, about as interesting as a bucket full of dust thrown in your face. It has a few moments of fun with the werewolf, but literally everything else had me clamoring for the film to end… and when it’s only 43 1/2 minutes long that really isn’t a good sign! Full Moon also combined the films in 2005 into Frankenstein & the Werewolf Reborn!, and I can only imagine the amount of fortitude and caffeine it would take to make it through both of them back to back.

Next time I get around to a Full Moon movie I’ll be watching The Vault! I hope whatever is locked up in that vault is better than the Werewolf’s rebirth! 😛 See ya then!

The Silver Emulsion Podcast: Ep. 49 – Mr. Vampire

Silver Emulsion’s annual Horrific October continues with Ricky Lau’s 1985 Hong Kong classic, Mr. Vampire! Listen and enjoy! 🙂

Also: the show is now on iTunes! So if you feel like subscribing there, or rating/reviewing the show, feel free to share your thoughts!

Music Notes

Intro:

  • Dialogue from Manos: The Hands of Fate
  • Ozzy Osbourne – Bloodbath in Paradise

Outro:

  • The Ramones – Pet Sematary (Single Version)

If you’ve got feedback, throw it into the comments below or email it to me via the contact page! We’ll include it in a future show!

The podcast is embedded directly below this, or you can go directly to Podbean (or use their app) to listen. If you want to subscribe, paste http://silveremulsion.podbean.com/feed/ into whatever reader you’re using.

The Ghost Lovers (1974)

The Ghost Lovers [艷女還魂] (1974)
AKA A Woman with Half Soul

Starring Li Ching, Lam Wai-Tiu, Kim Mu-Yeong, Joo Yong, Chan Mei-Hua, Shum Lo, Wang Han-Chen, Wong Ching-Ho, James Ma Chim-Si, Hung Sing-Chung, Fung Ging-Man

Directed by Shin Sang-Ok

Expectations: Moderate.


A title like The Ghost Lovers signals a horror film with a softer edge, and this is definitely the case. It’s not so much a horror film as it is a supernatural drama, although there are lots of good scares and frightful images peppered through the film. I expected this to be the case so I wasn’t disappointed, but I wasn’t ready for how the film would twist the traditional ghost narrative into something unique. The film begins rather straightforward, but as the tragedy of the situations deepen the whole thing sort of flips in on itself. It’s hard to describe without spoiling it, and maybe even drawing attention to this point will diminish its power a bit, but it worked on me and hopefully it’ll work on you, too.

Song Lian-Hua (Li Ching) lies deathly ill in her bed, surrounded by her wet nurse and her family. Song has been betrothed to Han Shi-Long (Lam Wai-Tiu) since they were children, but they haven’t seen each other since. Han’s father was once governor of their town, but was forced to flee after his name was illegitimately slandered and they lost everything. With Song’s condition worsening, they send for Han to visit Song before she dies, but when the messenger returns he says that Han set out two days prior and should have already arrived! Promptly thereafter, Song Lian-Hua dies and it would seem that these star-crossed lovers were doomed to never meet (and Li Ching never to utter a single line in a film she stars in!)

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The Brotherhood IV: The Complex (2005)

Starring Sebastian Gacki, Graham Kosakoski, April Telek, Aleks Holtz, Brody Harms, Brett Viberg, Adam Dodds, Andrew Butler, Emrey Wright, Mike Cleven, Charlie Marsh, Matts Aasen, Chad Rook

Directed by David DeCoteau

Expectations: Hope it’s not like the 3rd one.

On the general scale:

On the B-movie scale:


On one hand, The Brotherhood IV: The Complex is derivative of the original film, albeit with less interesting characters and milder sexual energy. But on the other hand, it hits all the notes I want out of a Brotherhood sequel, and it does it with style, methodical pacing and a healthy dose of dudes running around in their underwear. DeCoteau may have been off his game for The Brotherhood III, but he came back with a vengeance for the 4th entry. The Brotherhood IV: The Complex is a solid, well-told film about homoerotic Naval cadets, and who doesn’t want to see a film like that?

As is standard for the Brotherhood films, a new kid comes to school and is immediately singled out by the resident brotherhood: the Black Skulls. They are a long-running secret society founded at Port Nathan Naval Academy (AKA The Complex) and rumored to exist in small groups around the world. I’m not sure how true these rumors are, though, since we see a list of the group’s alumni and it’s literally no more than 8–10 people. 🙂 Anyway, Lee Hanlon (Sebastian Gacki) arrives at school a few days after a student has gone missing. The faculty can’t explain his disappearance, but it is the subject of the film’s prologue, so we know that he was consumed in a flurry of lightning while pledging the Black Skulls.

Continue reading The Brotherhood IV: The Complex (2005) →

The Silver Emulsion Podcast: Ep. 48 – The Thing

Silver Emulsion’s annual Horrific October kicks off with the John Carpenter classic, The Thing! Listen and enjoy! 🙂

Also: the show is now on iTunes! So if you feel like subscribing there, or rating/reviewing the show, feel free to share your thoughts!

Music Notes

Intro:

  • Videovalvontaa – The Thing

Middle:

  • Rudy Ray Moore – The Queen
    • Dolemite: the Original Motion Picture Soundtrack (iTunes, Amazon)

Outro:

  • The Fame Gang – Spooky
    • Spooky / Night Rumble – Part II 45 RPM Single (Amazon, Discogs)

If you’ve got feedback, throw it into the comments below or email it to me via the contact page! We’ll include it in a future show!

The podcast is embedded directly below this, or you can go directly to Podbean (or use their app) to listen. If you want to subscribe, paste http://silveremulsion.podbean.com/feed/ into whatever reader you’re using.

The 36th Chamber of Shaolin @ ShawBrothersUniverse.com!

Hey there, Emuls-a-billies, my latest post for the official Shaw Brothers site went up yesterday! I wrote a little something about Lau Kar-Leung’s ultra-classic The 36th Chamber of Shaolin! Check it out here and enjoy!

And if you’re looking to watch The 36th Chamber of Shaolin, you can find it digitally on iTunes, Amazon Prime and other major digital stores. It’s also on DVD and Blu-ray, although if you can afford it I’d suggest the HK Blu-ray set with the two sequels because it’s 1080p where the US Blu is 1080i.

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