Jade Tiger (1977)

Jade Tiger [白玉老虎] (1977)

Starring Ti Lung, Yueh Hua, Ku Feng, Lily Li Li-Li, Fan Mei-Sheng, Lo Lieh, Derek Yee, Shih Szu, Chiang Nan, Hsiao Yao, Ng Hong-Sang, Shut Chung-Tin, Yeung Chi-Hing, Shum Lo, Ngaai Fei, Ku Kuan-Chung, Chan Shen, Johnny Wang Lung-Wei, Wang Hsieh, Norman Chu Siu-Keung, Cheng Miu, Fanny Leung Maan-Yee

Directed by Chor Yuen

Expectations: Pretty high.


For Chor Yuen’s second film of 1977, he once again returned to the fertile literary work of Gu Long. The film adapts a standalone novel of the same Chinese title, 白玉老虎, often translated as The White Jade Tiger. Where this film differs is that Gu Long himself co-wrote the screenplay, and while he wrote nearly 30 movies in his career, this was his only direct collaboration with Chor Yuen. Jade Tiger was Chor’s favorite of his Gu Long adaptations, citing its focus on sacrifice and how it shapes the lead character, Zhao Wuji (Ti Lung), over the course of the film. Perhaps the clear, emotional resonance of the themes is a product of this collaboration; who better knows the ins and outs of a work than its author? Whatever the case may have been, Jade Tiger is a largely successful film that is sure to please fans of wuxia cinema.

It is Zhao Wuji’s wedding day, but instead of getting ready for the occasion, he’s on a rocky outcropping dueling Dugu Sheng (Norman Chu). Dugu offers to fight on another day so that Zhao won’t risk dying on his wedding day, but Zhao would rather die a bachelor and leave no troubled widow behind. Zhao also respects the rules of the martial world implicitly, so honoring the fight was never a choice, but it is these deeply held tenets that will ultimately challenge Zhao to the most difficult struggle of his life. The Tang clan has always been at odds with the Zhao’s, and when they do not receive an invitation to Wuji’s wedding, they don’t take it as a simple slight. This act of disrespect is a catalyst to the film’s tumultuous plot, bringing the long-simmering Zhao/Tang fued to its boiling point.

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Ravenwolf Towers (2016)

Starring Shiloh Creveling, Evan Henderson, Maria Olsen, Michael Citriniti, George Appleby, Sonny King, Jesse Egan, Rosemary Brownlow, Arthur Roberts, Robert Cooper, Nihilist Gelo, William Paul Burns, Tarashai Lee

Directed by Charles Band

Expectations: Not much. Perhaps a variation on the Evil Bong store format.

On the general scale:

On the B-movie scale:


Usually I try to keep up with the latest offerings from Full Moon, but Ravenwolf Towers slipped through the cracks. It originally debuted as an episodic series in December 2016, with new episodes to be released every subsequent full moon. My intentions were to review the complete series, like I did with Trophy Heads, their previous episodic release, but Full Moon stopped releasing new episodes after the third came out in February 2017. For a while I assumed they were just behind schedule — it happens to the best of us — so I continued to wait, and in November 2017 they released a feature-length version combining the three released episodes. My intentions were to review it ASAP, but then I got behind schedule myself and now here we are in the latter half of June 2018 and I’m finally reviewing Ravenwolf Towers. Why do I relate this long-winded history of putting off Ravenwolf Towers? Well… because Ravenwolf Towers is fantastic, a real achievement for Full Moon, and I’m sorry I ever waited to watch it. I imagine there are others who were similarly waiting to watch it, and I hope by relating my story I might get people off the fence and onto their favorite Full Moon streaming platform to watch it!

Ravenwolf Towers takes place in the titular building, a rundown hotel in Hollywood that’s been around since at least the 1920s. Jake (Evan Henderson) is hired on as an assistant manager, and things get weird before he even has a chance to settle in. The entire top floor is leased by a single family, access to this floor is only available via a special key to the elevator, and the family is not to be disturbed unless absolutely necessary. Ivan Ivanoff (George Appleby) — a character from the Decadent Evil movies and, most recently, Puppet Master: Axis Termination — rents a room and pays cash to avoid the standard forms and questions. His presence suggests a supernatural evil is afoot, but perhaps a better clue is the deformed monstrosity of a man who hides in a wardrobe and rips off a man’s arm during the film’s intro! 🙂

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The Naval Commandos (1977)

The Naval Commandos [海軍突擊隊] (1977)

Starring Lau Wing, Chi Kuan-Chun, David Chiang, Alexander Fu Sheng, Shih Szu, Ti Lung, Bruce Tong Yim-Chaan, Chiang Sheng, Phillip Kwok Chun-Fung, Lu Feng, An Ping, Woo Kei, Shan Mao, Lee Sau-Kei, Chu Jing, Kwok San-Hing, Lam Fai-Wong, David Tang Wei

Directed by Chang Cheh (with Pao Hsueh-Li, Wu Ma, and Liu Wei-Bin)

Expectations: Pretty high.


The Naval Commandos was one of the last movies Chang Cheh made in Taiwan before returning to the Shaw studio in Hong Kong. It was produced in cooperation with Taiwan’s Central Film Company, and like 7-Man Army, the Taiwanese military assisted with the filming by providing vehicles and other tools of war to make the film realistic. This is evident throughout the film, but it is the most prominent during the film’s introduction and frame story. It depicts a training exercise simulating the many pieces involved in a successful beachfront invasion (similar to the D-Day invasion shown in Saving Private Ryan or The Big Red One). It works beautifully to set the stage for the wartime action drama to follow, as well as serving as a large-scale display of power for the Taiwanese military.

This introduction is great, and it perfectly frames the film, but the film’s primary story is far more interesting. Many years prior during the Second Sino-Japanese War, when the Chinese Navy was less advanced, the Japanese cruiser Izumo (referenced as Izuma in the subtitles) was docked in Japanese-controlled Shanghai in preparation for further attack on China. The Chinese Navy had nothing that could stand up to the Izumo in direct battle, so it is decided that a small group of men aboard a torpedo boat will try to perform a sneak attack disguised as a fishing boat. Getting there is not so easy, though, as there is a huge field of mines to be crossed and Japanese patrols to elude. It is a valiant plan in theory, but unfortunately it is derailed before it even has a chance of success. The men arrive in Shanghai, undeterred and focused on finding a new method of sinking the Izumo.

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Police Story 2013 (2013)

Police Story 2013 [警察故事2013] (2013)
AKA Police Story: Lockdown, Police Story – Back for Law, Police Story Legend, Police Story 2014

Starring Jackie Chan, Liu Ye, Jing Tian, Yu Rong-Guang, Yin Tao, Na Wei, Liu Yi-Wei, Liu Hai-Long, Liu Pei-Qi, Coulee Nazha, Zhou Xiao-Ou, Zha Ka, Zhang Lei

Directed by Ding Sheng

Expectations: I don’t expect much, honestly.


The convention of making a spiritual successor to a film series and attaching the year of production to the title is a common occurrence in the Hong Kong industry. Usually nothing carries over except the general idea of the series, and in the case of Police Story that’s a policeman overcoming insurmountable odds. I guess you could call it a reboot, but from the examples I’ve seen, the new films aren’t necessarily trying to recapture the same energy or style of the originals. Take the difference between Police Story 2013 and New Police Story as an example. New Police Story is a more serious version of the original films — it’s a new Police Story — and still includes many death-defying stunts and fights. Police Story 2013 is an entirely different style for a different time, losing much of the action and going for the tense tone of a thriller.

My point with this long-winded ramble is that while the film’s title makes sense within the context of the Hong Kong industry, I feel like the English-speaking audience would have watched it more open-minded without a connection to Jackie’s well-loved, action-packed series. Nearly every review I glanced at was negative, and many of them referenced how much better previous Police Story movies were, so my logical conclusion is that the title connection clouded the viewing experience somewhat. I find myself trying to decipher the largely negative reaction to Police Story 2013 because I loved the film, specifically because it was a different take on the idea.

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Deadly Angels (1977)

Deadly Angels [俏探女嬌娃] (1977)
AKA Bod Squad, Women Detectives

Starring Lau Wing, Nancy Yen Nan-See, Siu Yam-Yam, Evelyn Kraft, Dana, James Nam Gung-Fan, Kim Jeong-Nan, Shut Chung-Tin, Si Wai, Cheng Miu, Lee Hoi-Sang, Chin Chun, Gam Biu, Fung Hak-On, Chan Shen, Wu Ma

Directed by Pao Hsueh-Li

Expectations: Low, but part of that is the print quality.


In 1980s Hong Kong cinema, the “Girls with Guns” sub-genre of action was very popular. I’ve seen Deadly Angels referred to as the progenitor of the genre, and perhaps that was the case, but there were definitely similar films made prior to this (1974’s Virgins of the Seven Seas is the one that immediately comes to mind). The film’s success is also up for debate, as the Movieworld box office site lists it as the top Hong Kong film of the year, while the HK Urban Council’s 1984 book A Study of Hong Kong Cinema in the Seventies (1970-1979) doesn’t show it at all in their Top 10 Box Office listing. I have previously found slight discrepancies with Movieworld’s site, and the film’s seven-day run would correspond more accurately with a less successful film, so I’m leaning heavily towards the HK Urban Council. Whether it was successful or not, Deadly Angels has fallen into obscurity and is only available in low-quality VHS prints. I’m sure the film would play better in its original language, remastered and in its intended ratio, but the film was a co-production with the South Korean company Woosung Productions, and if I’m not mistaken Celestial hasn’t remastered any of Shaw’s major co-productions (due to licensing issues, I’m guessing).

Deadly Angels opens with a woman walking into a darkened room. A man asks, “Did you bring the stuff from Hong Kong?” She answers to the affirmative, the man walks out of the shadows and violently rips off her bra. Small packets containing diamonds are ripped out of the bra’s lining, and before the woman can leave the room, a throwing knife plunges into her neck. To combat such a violent and ruthless criminal organization, the police must come up with something special. The gang only uses showgirls to smuggle their stolen diamonds out of the country, so the team must be composed of beautiful women. Good thing the Hong Kong police has Evelyn Kraft on its force, as she has assembled a “special action squad” of three foxy females ready to take on organized crime. I didn’t catch their character names, but they are played by Nancy Yen Nan-See, Siu Yam-Yam, and Dana. Each one carries a unique weapon in addition to their firearm and martial arts expertise: a small spiked ball on a long chain, a mini-crossbow, and a slingshot disguised as a hair tie (with explosive-shot earrings)! All this adds up to a James Bond meets Charlie’s Angels meets the Shaw studio sort of thing, and it’s pretty darn entertaining at its heights.

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Clans of Intrigue (1977)

Clans of Intrigue [楚留香] (1977)

Starring Ti Lung, Yueh Hua, Li Ching, Nora Miao, Betty Pei Ti, Ling Yun, Tin Ching, Nancy Yen Nan-See, Chan Sze-Kai, Lau Wai-Ling, Chong Lee, Ku Feng, Ku Wen-Chung, Cheng Miu, Norman Chu Siu-Keung, Ku Kuan-Chung, Chan Shen, Teresa Ha Ping, Yeung Chi-Hing

Directed by Chor Yuen

Expectations: Super high.


Clans of Intrigue was Chor Yuen’s first of five films released in 1977, and if it is anything to go by, I am in for some real treats. While Clans of Intrigue isn’t the greatest action film, it’s one of the most engrossing and well-plotted wuxias I’ve seen. It’s as much of a mystery film as it is a wuxia, and as a fan of both genres this was a dream come true. I’ve always heard that Chor Yuen was an influential director in the wuxia genre, but after seeing this run of Killer Clans, The Magic Blade, The Web of Death and Clans of Intrigue, I have a newfound appreciation for him. Within these four films he laid the basic groundwork for the wuxias of the ’80s, redefining the genre beyond the precedent set earlier by King Hu and Chang Cheh. Chor Yuen is the link between the two eras, and his work is nothing short of brilliant.

Clans of Intrigue begins with a string of three mysterious murders. Someone clad in red and wearing a mask assassinates the masters of three martial arts clans by using the ultra-poison Magic Water. Meanwhile, the Thief Master Chu Liu Hsiang (Ti Lung) is hosting a meeting aboard his boat. Nan Gong Lin (Tin Ching), the head of Beggar’s Gang, and the Ingenious Monk Wu Hua (Yueh Hua) are his guests, but mid-way through their meal, another arrives. Kung Nan Yen (Nora Miao) from Palace Magic Water has come to arrest Chu for stealing the Magic Water and killing the masters. She reasons that he must be the one that did it, because only the Thief Master could have gotten inside the palace and taken the Magic Water back out with him. He assures her that he is innocent, and she gives him one month to find out who really did it, otherwise they will kill him. And just like that, the game is afoot!

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Evil Bong 777 (2018)

Starring Sonny Carl Davis, Robin Sydney, Jessica Morris, Michelle Mais, Brooks Davis, Mindy Robinson, Peter Donald Badalamenti II (as The Don), Caleb Hurst, Adam Noble Roberts, Elina Madison, Tonya Kay, Jillian Janson, Tanya Tate, Circus-Szalewski, K. Harrison Sweeney, Noelle Ann Mabry, Leya Falcon

Directed by Charles Band

Expectations: High times.

On the general scale:

On the B-movie scale:


Another 4/20, another Evil Bong movie! Somehow the last entry, Evil Bong 666, was one of the series’ high points, but I’d be lying if I said this gave me too much hope for the next film; it’s always better to have low expectations and be surprised, than to expect everything and be disappointed. In any case, my fears were mostly for naught, as Evil Bong 777 is nearly as fun and inventive as the film before it. My main complaint is that it’s more of a tease than a movie; the villains don’t do much of merit, and it ends on a fairly unsatisfying cliffhanger. That being said, the Evil Bong films were never about delivering a complete and balanced experience to the audience. Instead, they offer a range of oddball characters in oddball situations, and on these terms Evil Bong 777 does quite well.

Evil Bong 777 begins with a short recap of the events of Evil Bong 666 for those who forgot what happened, which is likely a large portion of the “medicated” audience. I definitely didn’t remember the specifics, and if there’s one thing I know about Evil Bong, it’s that intricate knowledge of the plot is essential to the series. 😀 Anyway, upon seeing the colorful images from a 4/20 gone by, I recalled all the weird fun that made up Evil Bong 666. To my surprise, this helps the Evil Bong 777 experience considerably, allowing you a minute to readjust your mind to the whacked-out world of Eebee and friends before diving back in. The recap also gave me the idea of a DVD extra where fans of the series try to explain the movies to people who have never heard of them; I’m positive the reactions would be hilarious. For my purposes here, though, I’ll just say that Rabbit, Faux Batty Boop, and Misty (along with the Gingerweed Man and Eebee) are behind the Venice Beach Magical Weed Dispensary where many of the films have taken place, but before you can say “Puff, Puff, Pass” they’re taking the weed circus on the road to Vegas thanks to a convenient Splyft limo ride.

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