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Vengeance is a Golden Blade (1969)

Vengeance is a Golden Blade [飛燕金刀] (1969)

Starring Chin Ping, Yueh Hua, Tang Ching, Kao Pao Shu, Goo Man-Chung, Pang Pang, Lee Pang-Fei, Chiu Hung, Law Hon, Ngai Ping-Ngo, Wong Ching Ho, Hao Li-Jen, Tsang Choh-Lam

Directed by Ho Meng-Hua

Expectations: High. You can’t go wrong with that title, right?


The reason I made it a point to go through the Shaw Brothers films chronologically is because I knew that there was no way that one week I could review some early misstep like King Cat, followed by something akin to heaven like Five Element Ninjas, only to return to the slow-paced, melodrama of the late 60s. Sometimes I do venture outside of the era though, and this time specifically I had seen Merantau, Flash Point and The Raid all in between the last Shaw Brothers picture and this. I’m a professional though, so I didn’t let it undermine the experience of watching Vengeance is a Golden Blade, but it did shine a brilliant spotlight on just how underwhelming an experience it was.

Vengeance is a Golden Blade starts out as another in the long tradition of “the most badass sword” movies, such as The Sword of Swords, The Thundering Sword, etc. The masterpiece sword here is the Golden Dragon Sword, and it is pretty badass, slicing clean through every bit of metal swung its way. The intrigue involves the sword being stolen by a grave enemy, the hero being crippled and eighteen years passing before anyone gets down to any real vengeance. This is where the film gains its true star in Chin Ping, and, to a lesser extent, her childhood friend Yueh Hua. While this might sound like a great setup for a classic swordplay film, Vengeance is a Golden Blade is only merely average. It does tell an interesting story filled with twisty turns and devious betrayals, but for the most part it’s all pretty standard fare.

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Dead End (1969)

Dead End [死角] (1969)

Starring Ti Lung, Li Ching, David Chiang, Chen Hung Lieh, Angela Yu Chien, Chen Yan-Yan, Goo Man-Chung, Fang Mian, Guo Hui-Juan, Cheng Miu, Poon Oi-Lun, Yip Bo-Kam

Directed by Chang Cheh

Expectations: High. I’m excited to see this one. Looks great.


For Chang Cheh’s fifth 1969 release (out of six), he decided to take another crack at a contemporary setting. Unlike the playful nature of The Singing Thief though, Dead End is a depressing, meandering take on the French New Wave style of film about troubled youths. It’s not a style you’d initially think of Chang Cheh tackling, but his solid track record should be enough to get asses in seats. Looking back on this film from the future, it also has the added distinction of being the first starring role for Hong Kong legend Ti Lung, as well as the first film to pair up the on-screen duo of Ti Lung and David Chiang, a team so successful at the box office that they, along with Chang Cheh, were known as the Iron Triangle. I wish I could tell you that this first team-up was something special, but unfortunately, at least for me, it was sorely lacking.

Ti Lung plays a young man employed as a typist by an insurance company. As the opening credits roll, it’s clear he hates his boring job. He turns in an assignment and then sullenly walks to the high-rise window, either taking a quick break to watch the traffic below or to contemplate jumping. It’s never made explicitly clear on purpose, but given the following film, I’d guess that both weren’t far from the truth. Where Ti finds no love in his work, he does enjoy hanging out with his mechanic friend David Chiang, and riding around in their old car affectionately called Old Master. The car is the means by which Ti Lung achieves childlike happiness, and one day it leads them to meet Li Ching, a rich girl stranded on the road next to her broken-down Mercedes-Benz coupe. As any film viewer can tell you, the troubled youth/rich girl romance is destined to end poorly and the tale in Dead End is no different.

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7 Faces of Dr. Lao (1964)

Starring Tony Randall, Barbara Eden, Arthur O’Connell, John Ericson, Noah Beery Jr., Lee Patrick, Minerva Urecal, John Qualen, Frank Kreig, Peggy Rea, Eddie Little Sky

Directed by George Pal

Expectations: Moderate because of George Pal’s involvement.


From the depths of my Netflix queue comes this George Pal directed cult classic. I remember hearing about this movie years ago, but I could never muster up the energy to care enough to watch it. A few weeks back I became somewhat enamoured with the idea of watching some other George Pal films because when I was a kid The Time Machine was the absolute shit. It was one of my favorite films during my childhood and it’s one that I will always love. With all this love you’d think I’d have seen some more of his work, but nope! That is, until now.

7 Faces of Dr. Lao is about a mysterious Chinese man who rides into a town in flux. Mr. Stark, a wealthy landowner (Yes, this is a Western of sorts), wishes to purchase the town from its inhabitants, but Dr. Lao arrives just in time. His circus serves as something of a distraction for the townspeople during the two days that they have to decide on Mr. Stark’s “generous” offer. It’s immediately clear to the audience (and to a couple of do-gooder characters) that Stark’s up to no good, but most of the townspeople have only dollar signs in their eyes.

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The St. Francisville Experiment (2000)

Starring Madison Charap, Troy Taylor, Ryan Larson, P.J. Palmer, Tim Baldini

Directed by Ted Nicolaou

Expectations: I hate Blair Witch, so a rip-off probably isn’t much better.

On the general scale:

On the B-Movie scale:


“I love all the ghosts.”

That is one character’s protective mantra throughout the film and it became mine as I tried valiantly to remain conscious through the film’s running time. The funny thing though is that I actually enjoyed watching The St. Francisville Experiment for the most part, it’s just that so little happens and the characters far too uninteresting to make for an overall pleasing film. So why would I enjoy watching something like this? Well, because I’m a cinematic masochist of course, but besides that if you buy into it just enough it’s pretty easy to have fun with it. I can imagine a group of thirteen-year-old girls renting this for a slumber party and having an absolute ball.

The premise here is simple: there’s a haunted mansion and a film producer has rounded up four college students to go in with cameras and try to document some ghost activity. Everything is presented as if it were a real documentary; there are no opening credits and the film is all shot on handheld video cameras. Anyone that actually watches the movie shouldn’t be fooled past ten or fifteen minutes in, but at least initially it does a good job of selling the documentary “found footage” idea of the picture. Not that that’s original or anything. This film exists purely to shamelessly rip off the success of The Blair Witch Project. That film dropped the year before and Full Moon and company were quick to spring on its success. From my limited research into the found footage genre, this seems to be the first rip-off released after Blair Witch too, so if that truly is the case, you have to give Full Moon credit for moving faster than anyone else.

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Tourist Trap (1979)

Starring Chuck Connors, Jocelyn Jones, Jon Van Ness, Robin Sherwood, Tanya Roberts, Dawn Jeffory, Keith McDermott, Shailar Coby

Directed by David Schmoeller

Expectations: Pretty high, actually. This poster is pretty damn good.

On the general scale:

On the B-Movie scale:


Tourist Trap is an interesting movie in that it’s both boring and oddly enchanting, daring you to close your eyes and not be haunted by the creepy mannequins with the mouths that open too wide which populate the more tense moments of the film. It’s a hard film to rate because I genuinely enjoyed and got a lot of entertainment out of it, but it’s almost completely devoid of plot and what is there is pretty obvious right from the get go to anyone even remotely familiar with horror films.

The film opens with a guy rolling a tire down a dirt road. He’s hot, tired and obviously a long way from home. He finds a gas station/restaurant and goes inside seeking some help with his tire. No one is around, but he hears something that makes him check out the backroom. He approaches the figure laying in the bed and it quickly springs up to surprise him. It’s just a mannequin, but when the guy turns to leave the room, the door slams shut and everything starts to go completely apeshit. Windows shut without anyone near them, chairs rattle, mannequins burst forth from closet doors. He’s eventually killed by a hurtling lead pipe that pins him to the door he’s been desperately trying to claw his way out of the entire scene. And this is only the beginning of the nightmare for this guy and his friends…

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