Deadly Angels (1977)

Deadly Angels [俏探女嬌娃] (1977)
AKA Bod Squad, Women Detectives

Starring Lau Wing, Nancy Yen Nan-See, Siu Yam-Yam, Evelyn Kraft, Dana, James Nam Gung-Fan, Kim Jeong-Nan, Shut Chung-Tin, Si Wai, Cheng Miu, Lee Hoi-Sang, Chin Chun, Gam Biu, Fung Hak-On, Chan Shen, Wu Ma

Directed by Pao Hsueh-Li

Expectations: Low, but part of that is the print quality.


In 1980s Hong Kong cinema, the “Girls with Guns” sub-genre of action was very popular. I’ve seen Deadly Angels referred to as the progenitor of the genre, and perhaps that was the case, but there were definitely similar films made prior to this (1974’s Virgins of the Seven Seas is the one that immediately comes to mind). The film’s success is also up for debate, as the Movieworld box office site lists it as the top Hong Kong film of the year, while the HK Urban Council’s 1984 book A Study of Hong Kong Cinema in the Seventies (1970-1979) doesn’t show it at all in their Top 10 Box Office listing. I have previously found slight discrepancies with Movieworld’s site, and the film’s seven-day run would correspond more accurately with a less successful film, so I’m leaning heavily towards the HK Urban Council. Whether it was successful or not, Deadly Angels has fallen into obscurity and is only available in low-quality VHS prints. I’m sure the film would play better in its original language, remastered and in its intended ratio, but the film was a co-production with the South Korean company Woosung Productions, and if I’m not mistaken Celestial hasn’t remastered any of Shaw’s major co-productions (due to licensing issues, I’m guessing).

Deadly Angels opens with a woman walking into a darkened room. A man asks, “Did you bring the stuff from Hong Kong?” She answers to the affirmative, the man walks out of the shadows and violently rips off her bra. Small packets containing diamonds are ripped out of the bra’s lining, and before the woman can leave the room, a throwing knife plunges into her neck. To combat such a violent and ruthless criminal organization, the police must come up with something special. The gang only uses showgirls to smuggle their stolen diamonds out of the country, so the team must be composed of beautiful women. Good thing the Hong Kong police has Evelyn Kraft on its force, as she has assembled a “special action squad” of three foxy females ready to take on organized crime. I didn’t catch their character names, but they are played by Nancy Yen Nan-See, Siu Yam-Yam, and Dana. Each one carries a unique weapon in addition to their firearm and martial arts expertise: a small spiked ball on a long chain, a mini-crossbow, and a slingshot disguised as a hair tie (with explosive-shot earrings)! All this adds up to a James Bond meets Charlie’s Angels meets the Shaw studio sort of thing, and it’s pretty darn entertaining at its heights.

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Evil Bong 777 (2018)

Starring Sonny Carl Davis, Robin Sydney, Jessica Morris, Michelle Mais, Brooks Davis, Mindy Robinson, Peter Donald Badalamenti II (as The Don), Caleb Hurst, Adam Noble Roberts, Elina Madison, Tonya Kay, Jillian Janson, Tanya Tate, Circus-Szalewski, K. Harrison Sweeney, Noelle Ann Mabry, Leya Falcon

Directed by Charles Band

Expectations: High times.

On the general scale:

On the B-movie scale:


Another 4/20, another Evil Bong movie! Somehow the last entry, Evil Bong 666, was one of the series’ high points, but I’d be lying if I said this gave me too much hope for the next film; it’s always better to have low expectations and be surprised, than to expect everything and be disappointed. In any case, my fears were mostly for naught, as Evil Bong 777 is nearly as fun and inventive as the film before it. My main complaint is that it’s more of a tease than a movie; the villains don’t do much of merit, and it ends on a fairly unsatisfying cliffhanger. That being said, the Evil Bong films were never about delivering a complete and balanced experience to the audience. Instead, they offer a range of oddball characters in oddball situations, and on these terms Evil Bong 777 does quite well.

Evil Bong 777 begins with a short recap of the events of Evil Bong 666 for those who forgot what happened, which is likely a large portion of the “medicated” audience. I definitely didn’t remember the specifics, and if there’s one thing I know about Evil Bong, it’s that intricate knowledge of the plot is essential to the series. 😀 Anyway, upon seeing the colorful images from a 4/20 gone by, I recalled all the weird fun that made up Evil Bong 666. To my surprise, this helps the Evil Bong 777 experience considerably, allowing you a minute to readjust your mind to the whacked-out world of Eebee and friends before diving back in. The recap also gave me the idea of a DVD extra where fans of the series try to explain the movies to people who have never heard of them; I’m positive the reactions would be hilarious. For my purposes here, though, I’ll just say that Rabbit, Faux Batty Boop, and Misty (along with the Gingerweed Man and Eebee) are behind the Venice Beach Magical Weed Dispensary where many of the films have taken place, but before you can say “Puff, Puff, Pass” they’re taking the weed circus on the road to Vegas thanks to a convenient Splyft limo ride.

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Lady Exterminator (1977)

Lady Exterminator [阿Sir毒后老虎槍] (1977)

Starring Chen Ping, Yueh Hua, Chung Wah, Derek Yee, Shirley Yu Sha-Li, Shut Chung-Tin, Wa Lun, Zheng Lou-Si, Jamie Luk Kim-Ming, Yeung Chi-Hing, Keung Hon, Chiang Tao, Ku Wen-Chung, Ng Hong-Sang, Stephan Yip Tin-Hang, Kong San

Directed by Sun Chung

Expectations: I enjoyed The Sexy Killer. I hope the sequel is fun, too.


Lady Exterminator is an ultra-rare Shaw Brothers film, as far as I know only surviving as a horribly degraded, full-screen bootleg of a Lebanese film print with English-dubbed dialogue and French & Arabic burned-in subtitles. Bootlegs have done a lot of harm to the kung fu DVD industry, but there are a few instances like this where bootlegs help the fan base keep an otherwise lost film alive. While this mangled print theoretically shouldn’t have any bearing on the film’s quality, it inevitably made it difficult to get into the film. I’m not usually a fan of English dubs anyway; I have a hard time connecting with characters emotionally when their dialogue doesn’t accurately reflect the emotions on-screen. Even with these factors stacked against my enjoyment of Lady Exterminator, I was still able to extract a fair amount of entertainment. The fact that it was a sequel helped, too, because I was already familiar with the characters that Chen Ping and Yueh Hua play.

A gang of criminals have discovered a police informer in their midst. They chase him through the streets and into the dank tunnels under the city, leading the pursuit to the subway system. The criminals catch the fleeing man and brutally beat him. They tie him to the subway tracks on all fours, so he is looking directly at the oncoming train as it plows into him. It’s a gripping way to open a film, and these moments of intense brutality are one of the few things helped by the horrific quality of the print. Shot in real locations around Hong Kong, filtered through multiple generations of video dubs, the brutal violence takes on the vibe of a snuff film found at the bottom of a well. Anyway, with his lead informant murdered, police detective Geng Weiping (Yueh Hua) must find a new way to get information out of the heroin-dealing drug gangs running rampant through the city. He turns to Gao Wanfei (Chen Ping), now in prison after the events of The Sexy Killer, where she took on the drug gang that killed her sister. Gao agrees, but she wants to do it right. She decides to shoot up some heroin, addicting herself so the gang believes her and easily accepts her into the fold. Now that’s commitment!

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Magic in the Mirror (1996)

Starring Jamie Renée Smith, Kevin Wixted, Saxon Trainor, David Brooks, Godfrey James, Eileen T’Kaye, Eugen Cristian Motriuc, Ion Haiduc, Ileana Sandulescu, Daniela Marzavan, Mihai Niculescu

Directed by Ted Nicolaou

Expectations: Low.

On the general scale:

On the B-movie scale:


B-Movies are always subjectively entertaining, so when I say that I found Magic in the Mirror to be one of the best Moonbeam films, I do so knowing full well that there will be others who absolutely can’t stand it. This usually should go without saying for any review, but with this movie I feel it bears repeating. One real key to my enjoyment of this movie (and not immediate & complete rejection) is that I love Howard the Duck. Yes, the movie. So the mere idea that Full Moon made a movie with a race of giant ducks was enough to put a smile on my face. The ducks of Magic in the Mirror are definitely not as well-realized as Howard in his film, but I found their limitations to be part of the charm (especially the flying). Anyway, I just wanted to get this out of the way right at the beginning, because I think this is great little fantasy adventure for kids, but I think the ducks will turn a lot of people off.

Mary Margaret Dennis (Jamie Renée Smith) is the daughter of two considerable, scientific talents. Her father works in the field of botany, following in the footsteps of his grandmother. He’s a little lacking in common sense, but his heart is in the right place. Mary Margaret’s mother (Saxon Trainor) is a physicist who is on the brink of finalizing a laser gun that shoots a hole into an alternate dimension. I’m sure there’s a more scientific way to describe it, but I’m not a physicist so that’s all I got. 🙂 Anyway, these are very engrossing jobs for parents to have, and as a result they aren’t as attentive as they should be with Mary Margaret. So when her great-grandmother’s mirror is bestowed on Mary Margaret, of course her ambitious idle hands will find a way to use it as a portal into another world.

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Spellbreaker: Secret of the Leprechauns (1996)

AKA Leapin’ Leprechauns! 2

Starring Gregory Smith, Madeleine Potter, Godfrey James, John Bluthal, Tina Martin, James Ellis, Sylvester McCoy, Ion Haiduc, Mike Higgins

Directed by Ted Nicolaou

Expectations: Moderate. I liked the first one.

On the general scale:

On the B-movie scale:


Spellbreaker: Secret of the Leprechauns is a great, intriguing title, but to be honest it’s not the most fitting one for the film that bears it. There is some spell breaking to be had, but I can’t remember any great secret of the leprechauns that comes to light. Anyway, this shouldn’t get in the way of the fun, and who knows, maybe in the course of writing this review, I’ll somehow unlock the film and discover the secret of the leprechauns. 🙂

This film picks up a short time after the original. Michael Dennehy (John Bluthal) has returned to his home on Fairy Hill, where he lives in harmony with the leprechauns and the fairy folk. His grandson, Mikey Dennehy (Gregory Smith), is staying with Gramps (no sign of the other family members) and enjoying his time there. One day while fishing, a woman rides up on a horse and sparks a conversation. She introduces herself as Morgan (Madeleine Potter), explaining that she’s staying at a nearby castle. Michael thought the place was uninhabitable and haunted, but apparently it’s been recently cleaned up! Morgan does need a spot of help, though, so Michael volunteers Mikey to help the nice woman.

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The Forbidden Kingdom (2008)

Starring Jet Li, Jackie Chan, Michael Angarano, Collin Chou, Liu Yi-Fei, Li Bing-Bing, Ye Xiao-Keng, Wang De-Shun, Morgan Benoit

Directed by Rob Minkoff

Expectations: Curious. I don’t remember it being very good.


The Forbidden Kingdom is far from great, but it is worthy of respect and attention. It is an American-produced fantasy wuxia, and I’m having a hard time thinking of any other film that fits that bill. For that alone it is interesting, but it’s also the first (and so far only) film that stars both Jackie Chan and Jet Li. Martial arts fans will no doubt want to see that, especially since the film contains a great fight between the two Hong Kong legends. Jet Li even plays the Monkey King during the film’s intro and finale! There’s so much I enjoy about this movie, but no matter how much I want to love this film for what it is, its missteps are hard to overlook.

The major problem is that while it features Jackie and Jet, neither of them are the lead. That honor goes to Jason Tripitikas (Michael Angarano), an American teenager obsessed with Hong Kong movies. His room is adorned with posters of Shaw Brothers films and Bruce Lee, The Monkey Goes West plays on his TV, and he even has a Sega Dreamcast. It’s almost like the character was based on my own teenage years! I wouldn’t ask the shopkeeper for an “early Shaw Brothers movie featuring a guy doing leopard style,” though. I’ve also never said, “Sick! Ten Tigers of Kwantung,” although if I did find a copy of the Shaw classic in a secondhand store, I would say something like “Oh shit! Ten Tigers of Kwantung!” so perhaps they weren’t too far off the mark. 🙂

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Leapin’ Leprechauns! (1995)

Starring John Bluthal, Grant Cramer, Godfrey James, Tina Martin, James Ellis, Sylvester McCoy, Sharon Lee Jones, Gregory Smith, Erica Hess, Mihai Niculescu, Dorina Lazar, Ion Haiduc

Directed by Ted Nicolaou

Expectations: Moderate.

On the general scale:

On the B-movie scale:


The Moonbeam films share so many similarities that I am no longer surprised to see re-used elements; I actually look forward to them now. Leapin’ Leprechauns comes from the mold of Dragonworld, though it uses its building blocks uniquely to make for a much different film experience. Shot on the rolling green hills of Ireland Romania, Leapin’ Leprechauns introduces us to a world of wonder and fantasy, the people who believe in it, and a few who do not.

Michael Dennehy (John Bluthal) has lived peacefully on Fairy Hill his entire life, and now in his elderly years gives brief tours of the grounds to visitors on bus excursions. He lives in harmony with the living world around him, including the wee leprechauns and the fairy folk. One day, Michael comes upon a pair of surveyors examining the land, and much to his surprise they’re working under the orders of his son living in America, John Dennehy (Grant Cramer). John wants to turn the land into an amusement park called Ireland Land, so he invites Michael to see the grandkids in the US (getting him out of the way for the surveyors to survey in peace). It’s kind of an inverse of Dragonworld, where an American boy is orphaned and comes to live in Scotland with his grandfather. In the back story of Leapin’ Leprechauns, John must have moved to the US at a young age with his mother or something, because he has zero trace of an accent or respect for his Scottish heritage. This makes me wonder about the wild, roving days of Michael, but all of this is far outside of the confines of Leapin’ Leprechauns.

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