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The Return of Shanghai Joe (1975)

The Return of Shanghai Joe [Il ritorno di Shanghai Joe] (1975)
AKA Che botte, ragazzi! & Zwei durch dick und dünn

Starring Klaus Kinski, Cheen Lie, Tommy Polgár, Karin Field, Claudio Giorgi, Tom Felleghy, Paolo Casella, Fortunato Arena

Directed by Bitto Albertini

Expectations: Low. It can’t live up to the first one.

On the general scale:
(NO STARS)

On the B-Movie scale:


For those expecting a film on the level of My Name is Shanghai Joe, you should look elsewhere. If, on the other hand, you’re in the mood for a total and utter piece of shit, then The Return of Shanghai Joe is the movie for you! It’s offensive in its sheer audacity to take boredom to new heights. And to think I had some expectations that this would only be half as good a movie as the original. It’s not even fit to be in the same state as that film; it’s literally so boring and pointless that I’m having a hard time staying focused enough to get my thoughts down.

The plot, if you could call it that, involves a tonic salesman who falls into a bad crowd when a dying bandit hides out in his wagon. I honestly can’t remember what happened next, because there’s literally no reason to. The plot moves from point to point alright, but without any sense of what a story is or should be, so it’s incredibly hard to re-tell. I forget exactly how, but at some point the salesman gets duped out into the wilderness where some evil fuckers are planning to rob and hang him. Shanghai Joe happens to be taking a nap behind a tree and saves the salesman’s life, so now they’re pretty much buddies for the rest of the film. That might sound like it has potential or is perhaps vaguely intriguing. It’s not, and lest you be fooled by the title, Shanghai Joe is barely in the film.

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Killer Eye: Halloween Haunt (2011)

Starring Erica Rhodes, Olivia Alexander, Chelsea Edmundson, Ariana Madix, Lauren Furs

Directed by Charles Band

Expectations: Next to nothing. Hopefully it’s at least fun.


Holy shit, this could be the most shameless Full Moon movie yet. They weren’t even trying on this one! I can only hope that whatever money went into producing this is quickly made back ten-fold so that better quality Full Moon films can be made from the proceeds, but with a film this devoid of quality, I’m sure this is unlikely to happen. When I started out on this journey to review every single Full Moon film, I knew the more recent offerings wouldn’t be on par with the 80s/90s stuff, but Killer Eye: Halloween Haunt is perhaps a new low.

Here’s the story: a girl invites three other girls over to get drunk and decorate her house for Halloween. For some reason, she wants to decorate her house with a bunch of Full Moon’s Halloween masks, so Killjoy and Baby Oopsy Daisy heads lay all over the place and figure prominently in a number of shots. Instead of doing any actual decorating, they just get drunk and decide to watch Full Moon’s The Killer Eye, with the pint-sized replica by their sides. Not only is this one shameless in its lack of quality, it is so blatant in its peddling of Full Moon merch that even a hardcore fan such as myself has to shake his head and be embarrassed for the company. I know you gotta pay the electric bill Charlie, but c’mon!

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Mini-Review: Dance of the Dead (2005)

Starring Jonathan Tucker, Jessica Lowndes, Ryan McDonald, Marilyn Norry, Lucie Guest, Robert Englund, Emily Anne Graham, Genevieve Buechner, Margot Berner, Sharon Heath

Directed by Tobe Hooper

Expectations: Low. This one just looks shitty.


So far Showtime’s Masters of Horror is following an “every other” pattern, where every other movie/episode is shit. I’m only three shows in though, so perhaps it isn’t fair to call it a pattern. In any case, I had all kinds of red flags before I even began watching this one. I haven’t seen a lot of Tobe Hooper’s films, and what I have seen has all been drawn from his early work: Texas Chain Saw Massacre, Poltergeist, Salem’s Lot. If this episode is any indication, he’s lost that youthful spark he once had, constructing one of the most unenjoyable films I’ve seen in a while. It reminds me a lot of modern horror where the filmmakers do whatever they can to push the envelope, but do so without any motive other than to push the envelope. There’s edgy and interesting, and then there’s quasi-edgy and awful. I’ll give you one guess where I feel this one lies.

This is the kind of shit self-important teenagers looking to rebel from their Christian parents will enjoy, because it throws an endless assault of profanity, titties and leather at you, without any rhyme or reason. The film is deliberately trying for the style over substance method, but it forgets early on that for this to work, the style must be flawless and intoxicating. Again, maybe if I was a rebellious teen. Adapted from a short story by Richard Matheson, Dance of the Dead further convinces me that either Matheson isn’t the genre visionary everyone makes him out to be or I just need to stop watching shitty adaptations of his stories and read some of the original source material. I should hope that his story was a little more coherent and meaningful than this piece of shit, because there’s very little here to care about. There is something of a good twist ending, but it’s not even enough to make me say “too little too late.”

This is by far the ugliest of the Masters of Horror episodes as well, only bettered by the horrid editing. Hooper continually uses a flickering effect to create the illusion of an interesting occurrence, coupled with shaky camera and quick editing. It is the ultimate sensory assault, and one that belittles the audience at every turn. I hated this one a lot more than Incident On and Off a Mountain Road, which doesn’t seem so bad when compared to this. If nothing else, I’m fairly certain that the series as a whole can only go up from here… at least, I sure hope so.

Teenage Space Vampires (1999)

Starring Robin Dunne, Mac Fyfe, James Kee, Lindy Booth, Jesse Nilsson, Richard Clarkin, Bianca Brad, Serban Celea, Tatiana Constantin, Dan Badarau

Directed by Martin Wood

Expectations: Moderate. Hopefully this is up to par with Mysterious Museum.


With a name like Teenage Space Vampires, one would expect imaginations to run wild with all kinds of fucked up alien hybrids and intergalactic mayhem. Sadly, this isn’t the case. There’s very little to get behind in this one, so little in fact that by the end of the eighty minute runtime, I was thoroughly exhausted. The film literally bit me on the neck and sucked all of my lifeblood out, and it takes a pretty bad flick to do that to a hard-boiled critic like myself.

Teenage newspaper delivery kid Bill Swenson sees a strange UFO one night. It’s more strange due to the FX used than anything else, causing the viewer to have major WTF issues and ask what they’re looking at instead of marveling at the wondrous occurrence happening before their eyes. Anyway, the next day on his paper route he sees a crazy spaceship-looking monument in the backyard of a neighbor. The crazy old lady there tells him to move along, but he knows something’s up.

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Puppet Master vs. Demonic Toys (2004)

Puppet Master vs. Demonic Toys (2004)

Starring Corey Feldman, Vanessa Angel, Danielle Keaton, Silvia Suvadova, Nikoli Sotirov, Dessislava Maicheva, Velizar Binev, Angelina Hadjimitova, Anton Falk

Puppet Cast: Blade, Jester, Pinhead, Six Shooter, Baby Oopsy Daisy, Jack Attack, Grizzly Teddy

Directed by Ted Nicolaou

Expectations: Extremely low, this is a knock-off Puppet Master movie made for the Sci-Fi channel. There’s no way it’s good.


Finally, the moment Full Moon fans have waited for! Two giant Full Moon franchises collide in an epic tale of good vs. evil! Except instead of Full Moon, the Sci-Fi Channel produced it and it’s awful? Yep, sad but true. It does have Corey Feldman if that sweetens the deal any… yeah, didn’t think it would. Puppet Master vs. Demonic Toys is a non-canon tale of the two groups meeting up, aping a bit of both series’ mythology and combining everything into a jumbled mess. Corey Feldman is Robert Toulon, a descendant of the puppet master who is trying to perfect the puppet animation formula. Meanwhile the head of Sharpe Toys wants to capture the toys for some reason that isn’t entirely clear (even after watching the entire film), and she also has made a deal with Bael to handover Toulon’s blood to fulfill some ancient pact.

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