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Hercules in New York (1969)

Starring Arnold Schwarzenegger, Arnold Stang, Deborah Loomis, James Karen, Ernest Graves, Tanny McDonald, Harold Burstein, Merwin Goldsmith, George Bartenieff, Taina Elg, Michael Lipton

Directed by Arthur Allan Seidelman

Expectations: Pretty high. I’ve never seen the whole movie and I expect it to be fun.

On the general scale:

On the B-Movie scale:


OK, I’m not going to try to pull anybody’s chain here, Hercules in New York is pretty fuckin’ awful. Thanks to the presence of a young Arnold Schwarzenegger and the DVD release from 2000 that restores his original audio (Arnold’s voice was dubbed out in the theatrical edition, the horror!), Hercules in New York is actually watchable, but every moment it continues makes the task harder and harder.

The first half moves fairly quickly as there isn’t a lot of plot to speak of other than Zeus and Hercules have an argument and Hercules is sent to Earth. What follows is more of an episodic structure than a traditional film, and this is easily my favorite part of the film. Here we are treated to a cavalcade of random occurrences that beset our muscled hero and I took to naming them in the style of the Hercules films of old. So in no particular order we have: Hercules vs. the Athletes, Hercules vs. the Intellectual Socialites, Hercules vs. the Hercules Poster, Hercules Sightseeing in New York, Hercules in Love, and last but certainly not least Hercules vs. the Escaped Bear. If we’re being specific it should read: Hercules vs. the Guy in the Bear Suit. That should be enough of a recommendation right there and if that didn’t get you pumped for Hercules in New York then nothing will. OK, he body slams the bear! C’mon!

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Deep Red (1975)

Deep Red [Profondo Rosso] (1975)

Starring David Hemmings, Daria Nicolodi, Gabriele Lavia, Macha Meril, Eros Pagni, Giuliana Calandra, Glauco Mauri, Clara Calamai, Piero Mazzinghi

Directed by Dario Argento

Expectations: Moderate. After The Cat o’ Nine Tails, I am cautious but optomistic.


 

I’m starting to think that if you’ve seen one Argento film, you’ve seen them all. Deep Red may be regarded as one of the best Italian horror films of all time, but for my money, it was just a long-winded, lesser version of The Bird with the Crystal Plumage. I’m also beginning to think that because these films are so similar, I’d have a much better reaction to them if I wasn’t watching them in such a short space of time. I’m hoping that the last Argento film for October breaks the cycle a bit, but so far each of the three Argento movies I’ve watched have been very similar. I skipped ahead a couple of movies so that I could get to the big guns of Argento’s filmography. I was also hoping for some sort of maturing to have taken place, but surprisingly Deep Red has a lot more in common with The Cat o’ Nine Tails than I would have thought with all the negative press that movie gets.

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The Cat o’ Nine Tails (1971)

The Cat o’ Nine Tails  [Il gatto a nove code] (1971)

Starring James Franciscus, Karl Malden, Catherine Spaak, Horst Frank, Aldo Reggiani, Carlo Alighiero, Rada Rassimov, Tom Felleghy, Emilio Marchesini, Ugo Fangareggi

Directed by Dario Argento

Expectations: High. I’m pumped after watching his début. I hope this is good.


 

Hot off the tails of The Bird with the Crystal Plumage, Dario Argento concocts another horror mystery thriller to get you on the edge of your seat. That was the intention anyway. Unfortunately, The Cat o’ Nine Tails is a step back in every way, and ends up being a much less satisfying film for it. That’s not to say that it’s horrible though, it’s definitely something worth sitting down with. Just don’t expect to be enthralled every minute. The film has a bad rap with fans, critics and even Dario Argento himself, who has called it his least favorite of his films. I honestly feel that the hate is a bit misguided, as this really isn’t all that bad of a movie.

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Underworld (1985)

Underworld (1985)
AKA Transmutations

Starring Denholm Elliott, Steven Berkoff, Larry Lamb, Nicola Cowper, Irina Brook, Art Malik, Brian Croucher, Ingrid Pitt, Trevor Thomas

Directed by George Pavlou

Expectations: Low.


What do you get when you throw 80s synth rock, drug-fiend mutants and horror God Clive Barker together with just a dash of black leather? You get the fairly poor and wholly underwhelming 1985 film, Underworld. There was so much potential here for a good film, but man did it all go to waste. It goes wrong mostly in the writing and the pacing, because above all Underworld is one hell of a boring movie.

It all starts out pretty interesting though. It’s incredibly hard to figure out what the hell is going on, which might be a bad thing for some movies, but it seems to add to the mystique here. There was enough fun and unintentional laughs during this getting-to-know-you period so I didn’t mind too much that I was lost. Anyway, there’s some sort of high-class party going on. A young girl in a white gown decides sleep is better than party and lays down in her bed. This is crosscut with scenes of some crazy rock ‘n’ roll leather-clad assholes, who you know are up to no good, running through the streets. They all wear wraps around their faces to give them some anonymity and the look of half-ass ninjas. So they bust into the estate, steal the girl from her bed, beat down the butler that tries to stop them and run off into the night.

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Mini-Review: The Girl With the Dragon Tattoo (2009)

The Girl With the Dragon Tattoo [Män som hatar kvinnor] (2009)

Starring Michael Nyqvist, Noomi Rapace, Lena Endre, Peter Haber, Sven-Bertil Taube, Henrik Vanger, Peter Andersson, Ingvar Hirdwall, Marika Lagercrantz, Björn Granath

Directed by Niels Arden Oplev

Expectations: High. I’d heard nothing but heaps of gushing praise.


Is this the most overrated movie of 2009? No, it’s not quite at Avatar level here, but it is pretty thick. I didn’t hate this movie, it’s just that I honestly didn’t see a lot to get particularly excited about. Despite its interesting story, the film is a painful two and a half hour slog through rape, revenge and murder. It’s definitely well shot and well acted, but it just takes so damn long to get anywhere that any suspense or tension is gone long before it has any real chance at an impact. There’s a fairly graphic rape scene that serves next to no purpose other than to set up a vice versa revenge rape a few minutes later. So there’s about thirty minutes of runtime devoted solely to setting up the fact that our main character is a girl that doesn’t take any shit. I LOVE revenge movies, they are my total bread and butter, but these scenes were just glorified torture porn. Director Oplev could have learned a lot from Taken. Liam Neeson is set up as a complete and absolute badass in one scene, and if memory serves, its done and over in less than five minutes.

I realize this makes me sound like a dude with attention deficit disorder that’s just itching for something to explode, but that’s simply not the case. Great, slow-burn movies are some of the best the cinema has to offer. In order for them to work though, you have to be connected to the characters you are traveling with, and herein lies another flaw of the film. I don’t care about anyone in this movie. The title character is essentially just supporting Michael Nyqvist in her own film, and Nyqvist’s character has got to be a front-runner in the “Most Boring Lead Character of the 2000s” race. This is all quite frustrating, as there are some killer moments peppered throughout the film that just don’t get the chance to shine they deserve. I wouldn’t recommend watching this, but as almost every other review I’ve seen is overwhelmingly positive, I’d say that if you are greatly interested or a fan of the book, you might be better off judging for yourself or trusting someone else’s opinion on this one.

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