Lady of the Law (1975)

Lady of the Law [女捕快] (1975)

Starring Lo Lieh, Shih Szu, Chang Pei-Shan, Dean Shek Tin, Yeung Chi-Hing, Chan Shen, Tung Lam, Ou-Yang Sha-Fei, Ying Ying, Ma Lee-Sha, Tung Choi-Bo, Cheng Lui, Chiang Tao, Law Hon, Li Min-Lang

Directed by Shen Chiang & Stanley Siu Wing

Expectations: Moderate.


Like last week’s All Men Are Brothers, Lady of the Law was a film that was completed (or at least mostly completed) a few years prior to its release in 1975. For various reasons, the Shaw studio had lots of movies sitting around in various states of completion. Some saw feature release (like Lady of the Law), others were kept as shorts and released together as anthology films (such as Haunted Tales), while many others were simply left unfinished, never to be seen again. According to some magazine scans available on the ever-resourceful Cool Ass Cinema website, it appears that Lady of the Law was initially shot in 1971. It is my assumption that it began life under director Shen Chiang, with Stanley Siu Wing later coming around and finishing it up for release. I don’t know this for sure, but I’ve heard similar stories on other movies (like Curse of Evil) so there’s definitely some precedent.

Unlike a lot of movies with behind-the-scenes drama, Lady of the Law is an absolutely thrilling film packed to the brim with wuxia entertainment and excitement. Literally just a day or so before I watched this movie, I was thinking to myself how I hadn’t seen a Shaw Brothers wuxia in a while, and how much I missed them (since they kind of stopped making them during these years I’m going through now). And then BAM! in comes Lady of the Law to rock my world and remind me just how much I love these wonderful wuxias of the Shaw Brothers. Shen Chiang crafted a couple of great ones, like The Winged Tiger and Heroes of Sung, but honestly I think Lady of the Law is his best film.

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All Men Are Brothers (1975)

All Men Are Brothers [蕩寇誌] (1975)
AKA Seven Soldiers of Kung Fu, Seven Blows of the Dragon II, Seven Kung Fu Assassins

Starring David Chiang, Fan Mei-Sheng, Chen Kuan-Tai, Wong Chung, Danny Lee, Wang Kuang-Yu, Yue Fung, Ti Lung, Chu Mu, Tin Ching, Tung Lam, Chen Feng-Chen, Bolo Yeung, Lau Gong, Wong Ching, Chang Yang, Betty Chung, Ku Feng, Tetsuro Tamba, Chin Feng, Chen Wo-Fu, Michael Chan Wai-Man, Bruce Tong Yim-Chaan

Directed by Chang Cheh & Wu Ma

Expectations: Super high! A sequel to one of my all-time favorite Shaw films? Yes, please!


The Water Margin is one of my all-time favorite Shaw Brothers films (along with all of Shaw’s other films based on the classic Chinese novel —  Delightful Forest, Pursuit, and to a lesser extent The Amorous Lotus Pan and Chang’s segment in Trilogy of Swordsmanship), so All Men Are Brothers had a lot to live up to. The key to my immense affection for each film lies in how they all carry their own style and are therefore able to stand on their own in companionship with the other films, like the 108 Liang Shan bandits themselves. All Men Are Brothers is another very welcome addition to this lineup, taking its own path along the way to dramatizing a section of the illustrious book.

All of the previous films dealt with chapters from either the beginning or the middle of the book, but All Men Are Brothers seeks to tell the end of the tale. It takes material mostly from Chapters 90–100 (out of 100 total chapters), which deal with the redemption of the outlaws through their struggle to defeat the rebellious Fang La and his generals. A couple of flashbacks tell earlier tales to provide some character depth, and the film opens with Yan Qing’s procurement of the bandits’ pardon from the emperor (which is detailed in Chapter 81), but the film is mostly concerned with bringing everything to a close.

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The Gambling Syndicate (1975)

The Gambling Syndicate [惡霸] (1975)

Starring Danny Lee, Woo Gam, Ku Feng, Fan Mei-Sheng, Cheng Kang-Yeh, Lo Lieh, Chiang Nan, Wong Ching, Lee Pang-Fei

Directed by Chang Tseng-Chai

Expectations: High. I loved The Casino, so I’m eager to see what Chang Tseng-Chai has up his sleeve for this one.


Chang Tseng-Chai’s previous gambling film, The Casino, was a gambling drama with a dash of action. The Gambling Syndicate completely flips the equation and delivers an action film with a flavoring of gambling drama. Which film you prefer will be up to the type of movies you like, but each film has its own strengths and weaknesses. Regardless, they are both relentlessly entertaining and full of life.

The Gambling Syndicate begins by introducing us to the film’s casino and the villains who run it. We work through multiple levels of hierarchy in a short amount of time, and for the first 15 minutes or so it really feels like the film will live up to its title by focusing entirely on the villains. But there the film brings in the heroes, and never really returns to explore the syndicate further. This is one of the few strikes against the film, but in a film as quick-moving and fun as The Gambling Syndicate, this kind of flaw doesn’t really amount to much.

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Blood Money (1975)

Blood Money [龍虎走天涯, Là dove non batte il sole] (1975)
AKA The Stranger and the Gunfighter, La brute, Le Colt et le Karaté

Starring Lee Van Cleef, Lo Lieh, Patty Shepard, Femi Benussi, Karen Yip Leng-Chi, Julián Ugarte, Erika Blanc, Wang Hsieh, Chan Shen, Cheng Miu

Directed by Antonio Margheriti

Expectations: High. I love Spaghetti Westerns and Kung Fu! This sould be a slam dunk, right?


On paper, Blood Money is the kind of movie I should love. A Spaghetti Western starring Lee Van Cleef, co-produced by Shaw Brothers and co-starring Lo Lieh. When I first heard about this movie a few years back, I imagined it as something similar to My Name is Shanghai Joe, only better since it had a great cast and the power of the Shaw Studio’s martial arts behind it. But man… that honestly couldn’t be further from the truth. Blood Money isn’t a horrible movie, but it’s definitely not taking full advantage of all the greatness at its disposal.

Dakota (Lee Van Cleef) comes to town with one thing on his mind: cracking the safe of Wang, a man said to have his fortune stored within. Dakota gets right to work, finding a sequence of locked doors within, each containing a picture of a prostitute who works for Wang. The safe’s final door requires some dynamite, and the blast not only opens the door but mistakenly kills Wang. Dakota retrieves the contents (another photo… and a fortune cookie), but he is arrested before he can get away. Word of Wang’s death reaches China, so Wang’s nephew Wang Ho Chien (Lo Lieh) is sent to investigate and find the missing fortune. His first stop is to question Dakota in jail, but this is just the beginning of the hunt for Wang’s treasure!

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The Accidental Spy (2001)

The Accidental Spy [特務迷城] (2001)

Starring Jackie Chan, Vivian Hsu Jo-Hsuan, Wu Hsing-Guo, Kim Min-Jeong, Eric Tsang, Murat Yilmaz, Alfred Cheung Kin-Ting, Lillian Ho Ga-Lee, Cheung Tat-Ming

Directed by Teddy Chen

Expectations: Moderate.


One of the great things about going through an actor’s complete filmography is discovering films that passed you by at the time of their release. By the early 2000s, my initial passion for Jackie Chan had faded due to my distaste for his American films and the films of the early 2000s in general (thanks in part to the rise of CG). I would love to say that The Accidental Spy is a wonderful film, offering untold delights, but it’s actually quite a mediocre film all things considered. Where it excels is its action, offering up a pair of incredible sequences that recall everything you’ve ever enjoyed about the films of Jackie Chan. They aren’t enough to pull the film out of mediocrity, but they are wonderful and very welcome in an otherwise underwhelming film.

The film begins oddly, as journalists drive through a village in Turkey afflicted with a deadly pneumonia outbreak. They are quickly assaulted and murdered by terrorists, and we are whisked away to the South Korean embassy in Istanbul. A spy is called in to investigate, but before we get too deep into this serious plot line, we are abruptly taken to Hong Kong where Buck Yuen (Jackie Chan) is doing his best to sell some exercise equipment by giving energetic demonstrations. His real test of fitness comes a few minutes later, though, when he daringly thwarts a bank robbery as only Jackie Chan could. The media coverage attracts the attention of Many Liu (Eric Tsang), a private eye looking for orphans about Jackie’s age, which consequently drags Jackie into an international struggle.

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The Valiant Ones (1975)

The Valiant Ones [忠烈圖] (1975)

Starring Pai Ying, Hsu Feng, Roy Chiao, Han Ying-Chieh, Simon Yuen Siu-Tin, Ng Ming-Choi, Sammo Hung, Hao Li-Jen, Lee Man-Tai, Yuen Biao, Yeung Wai, Lau Kong, Wu Chia-Hsiang, Chiang Nan, Chow Siu-Loi, Chao Lei

Directed by King Hu

Expectations: High. King Hu!


I enter each unseen King Hu film with equal amounts of trepidation and delight. I’ve loved every one of his films that I’ve seen, so I guess I’m worried that the spell will break and I’ll hit one that just doesn’t do it for me. The Valiant Ones is not that film; it’s a stone-cold killer of a movie. It’s a real shame that a film as good as this one is languishing in obscurity, but that’s how it goes. If nothing else, it allows me to dream of a future restored edition that will continue to raise King Hu’s status among fans of world cinema. No matter how low-res and full of video noise the old master is for The Valiant Ones, the power of King Hu’s filmmaking overrides it all to entertain as only he can.

The Valiant Ones tells a story of pirates and the chivalrous knights tasked with stopping their pirating ways. According to the film’s intro, Japanese ronin teamed up with bandits in the 13th Century to create fearsome pirate bands that tormented the land and sea. The Valiant Ones is set in the 16th Century, when the pirates had multiplied to the point that the government lost any kind of control over the regions they inhabit. There have been multiple attempts to eradicate the pirates, but it has always proved unsuccessful. Now a chief of a Southern clan needs to reach the capital and must be escorted through the pirate-infested land. For this task, General Yu Da-You (Roy Chiao) assembles an experienced team who are up to the challenge, including a husband and wife duo (Pai Ying and Hsu Feng) who are lethal and absolutely unstoppable.

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The Flying Guillotine (1975)

The Flying Guillotine [血滴子] (1975)

Starring Chen Kuan-Tai, Ku Feng, Wai Wang, Kong Yeung, Liu Wu-Chi, Ai Ti, Wong Yu, Lam Wai-Tiu, Norman Chu Siu-Keung, Ricky Hui Koon-Ying, Liu Wai, Lee Sau-Kei, Lee Pang-Fei, Man Man, Wu Chi-Chin, Lei Lung, Lin Wen-Wei, Wai Pak

Directed by Ho Meng-Hua

Expectations: High. Flying Guillotines!


Every one is familiar with the Jimmy Wang Yu classic Master of the Flying Guillotine, but before that film cemented itself into kung fu history, there was Ho Meng-Hua’s The Flying Guillotine. It was Ho’s film that introduced the weapon to the modern martial arts film, and by nature of its story, it also serves as an origin story for the weapon. The flying guillotine was a real weapon used during the Qing Dynasty under the rule of the Yongzheng Emperor (1722–1735). This is roughly the same timeframe that Chang Cheh’s Shaolin Cycle films inhabit, although no one knows exactly when the burning of the Shaolin Temple occurred (and there are multiple conflicting stories of various Shaolin temples burning, too!). Anyway, the flying guillotine was apparently a real thing, as crazy as that sounds.

The Flying Guillotine begins in the chamber of the emperor (Kong Yeung), who finds himself desiring a pair of advisors killed off without a lot of hullabaloo. He gives this task to Chief Xin Kang (Ku Feng), who sets about devising a way to assassinate the men quickly and accurately from such a range that no one can identify the killer. While walking down the street and contemplating the job, Xin Kang takes special interest in a man performing with a Diabolo (a Chinese Yo-Yo consisting of a wooden object spun and thrown with a rope). Inspiration strikes and the flying guillotine is born! The emperor loves the weapon so much that he then asks Xin Kang to form a 12-person strike team proficient in the usage of the flying guillotine.

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