The Silver Emulsion Podcast: Ep. 75 – Momotaro: Sacred Sailors

This week on the Silver Emulsion Podcast, Stephen and I venture way back into the ideological propaganda of World War II with Momotaro: Sacred Sailors! Momotaro was the first full-length animated film out of Japan, surviving war and political upheaval to arrive here at Silver Emulsion HQ unblemished and ready for duty. Listen and enjoy! 🙂

Also: the show is now on iTunes! So if you feel like subscribing there, or rating/reviewing the show, feel free to share your thoughts!

Music Notes

Intro:

  • Bob Marley & The Wailers – Natty Dread

Outro:

  • Sven Libaek – Open Sea Theme
    • The Life Aquatic With Steve Zissou Soundtrack (iTunes, Amazon)

If you’ve got feedback, throw it into the comments below or email it to me via the contact page! We’ll include it in a future show!

The podcast is embedded directly below this, or you can go directly to Podbean (or use their app) to listen. If you want to subscribe, paste http://silveremulsion.podbean.com/feed/ into whatever reader you’re using.

The Silver Emulsion Podcast: Ep. 72 – Message from Space

Take to the stars this week with Stephen and I, as we voyage into Kinji Fukasaku’s 1978 fantasy space opera Message from Space! Listen and enjoy. 🙂

Also: the show is now on iTunes! So if you feel like subscribing there, or rating/reviewing the show, feel free to share your thoughts!

Music Notes

Intro:

  • James Brown – All About My Girl
    • James Brown Plays New Breed (The Boo-Ga-Loo) (iTunes, Amazon)

Outro:

  • Frank Zappa – Eat That Question

If you’ve got feedback, throw it into the comments below or email it to me via the contact page! We’ll include it in a future show!

The podcast is embedded directly below this, or you can go directly to Podbean (or use their app) to listen. If you want to subscribe, paste http://silveremulsion.podbean.com/feed/ into whatever reader you’re using.

Executioners from Shaolin (1977)

Executioners from Shaolin [洪熙官] (1977)
AKA Hung Hsi-Kuan, The Executioners of Death, Shaolin Executioners

Starring Chen Kuan-Tai, Lily Li Li-Li, Lo Lieh, Wong Yu, Dave Wong Kit, Cheng Kang-Yeh, Shum Lo, Gordon Liu Chia-Hui, Lee Hoi-Sang, Tin Ching, Chiang Tao, John Cheung Ng-Long, Lee Chiu

Directed by Lau Kar-Leung

Expectations: Super high.


Shaolin Temple marked the end of Chang Cheh’s Shaolin Cycle, but hot on its heels a couple of months later came the first Shaolin film from Lau Kar-Leung: Executioners from Shaolin. Lau is fundamentally a different style of director than Chang, and this film is a perfect example of this. Chen Kuan-Tai reprises the role of Hung Hsi-Kuan, but Lau builds the character in ways that Chang never did. Executioners from Shaolin begins similarly to Chang’s Heroes Two (with Hung’s escape from the burning Shaolin temple), but it is not a tale of survival and hiding out from Qing government officials. Executioners from Shaolin has a bigger goal in mind, broadening its focus out to illustrate the evolution of Hung Gar and the importance of its lineage. Lau Kar-Leung was a member of this lineage himself, so his genuine appreciation and love for it really pops off the screen. Shaolin filmmaking at the Shaw studio began with Hung Gar under the influence of Lau, so it’s fitting that he would begin there as well.

The martial lineage of Hung Gar is the overall focus of Executioners from Shaolin, but it is framed around a basic revenge-driven story that any kung fu fan has seen a million times. It’s presented differently here, but regardless it still boils down to “You killed my master, now I kill you.” Shaolin Master Zhi Shan (Lee Hoi-Sang) is defeated by Pai Mei (Lo Lieh) during the film’s opening credits, setting the stage for a quest of revenge. Hung Hsi-Kuan & his remaining Shaolin brethren would like to strike while their emotional wounds are fresh and the wood of Shaolin still smokes, but after confronting some Qing resistance it becomes clear that regrouping and strengthening their position is their only viable option. The students find refuge in the Red Boat opera troupes who travel the country by sea, leading Hung to meet the beautiful and martially adept Fang Yung Chun (Lily Li), and this is where the heart of Executioners from Shaolin can be found.

Continue reading Executioners from Shaolin (1977) →

Lady Exterminator (1977)

Lady Exterminator [阿Sir毒后老虎槍] (1977)

Starring Chen Ping, Yueh Hua, Chung Wah, Derek Yee, Shirley Yu Sha-Li, Shut Chung-Tin, Wa Lun, Zheng Lou-Si, Jamie Luk Kim-Ming, Yeung Chi-Hing, Keung Hon, Chiang Tao, Ku Wen-Chung, Ng Hong-Sang, Stephan Yip Tin-Hang, Kong San

Directed by Sun Chung

Expectations: I enjoyed The Sexy Killer. I hope the sequel is fun, too.


Lady Exterminator is an ultra-rare Shaw Brothers film, as far as I know only surviving as a horribly degraded, full-screen bootleg of a Lebanese film print with English-dubbed dialogue and French & Arabic burned-in subtitles. Bootlegs have done a lot of harm to the kung fu DVD industry, but there are a few instances like this where bootlegs help the fan base keep an otherwise lost film alive. While this mangled print theoretically shouldn’t have any bearing on the film’s quality, it inevitably made it difficult to get into the film. I’m not usually a fan of English dubs anyway; I have a hard time connecting with characters emotionally when their dialogue doesn’t accurately reflect the emotions on-screen. Even with these factors stacked against my enjoyment of Lady Exterminator, I was still able to extract a fair amount of entertainment. The fact that it was a sequel helped, too, because I was already familiar with the characters that Chen Ping and Yueh Hua play.

A gang of criminals have discovered a police informer in their midst. They chase him through the streets and into the dank tunnels under the city, leading the pursuit to the subway system. The criminals catch the fleeing man and brutally beat him. They tie him to the subway tracks on all fours, so he is looking directly at the oncoming train as it plows into him. It’s a gripping way to open a film, and these moments of intense brutality are one of the few things helped by the horrific quality of the print. Shot in real locations around Hong Kong, filtered through multiple generations of video dubs, the brutal violence takes on the vibe of a snuff film found at the bottom of a well. Anyway, with his lead informant murdered, police detective Geng Weiping (Yueh Hua) must find a new way to get information out of the heroin-dealing drug gangs running rampant through the city. He turns to Gao Wanfei (Chen Ping), now in prison after the events of The Sexy Killer, where she took on the drug gang that killed her sister. Gao agrees, but she wants to do it right. She decides to shoot up some heroin, addicting herself so the gang believes her and easily accepts her into the fold. Now that’s commitment!

Continue reading Lady Exterminator (1977) →

Top 5 Li Ching Roles @ ShawBrothersUniverse.com

Hey there, Emuls-a-brothers, Matt from Blood Brothers Reviews and I teamed up to put together this list of the Top 5 Li Ching roles! She passed recently on Feb. 22, so we did our best to pay our respects to her work at the Shaw studio. Check it out here!

Shaolin Temple (1976)

Shaolin Temple [少林寺] (1976)
AKA Death Chamber

Starring Alexander Fu Sheng, Chi Kuan-Chun, Wai Wang, David Chiang, Ti Lung, Johnny Wang Lung-Wei, Yueh Hua, Wong Chung, Lau Wing, Bruce Tong Yim-Chaan, Phillip Kwok Chun-Fung, Li Yi-Min, Shih Szu, Ku Wen-Chung, Shan Mao, Chiang Sheng, Ku Feng, Lu Feng, Wong Ching, Tsai Hung, Chiang Nan, Shum Lo, Wang Han-Chen, Lee Sau-Kei, Liu Wai, Hao Li-Jen

Directed by Chang Cheh (with Wu Ma)

Expectations: Another Shaolin Cycle film. Yes, I’m still expecting greatness.


Shaolin Temple isn’t Chang Cheh’s last Shaolin film, but it is the last in his Shaolin Cycle that began with 1974’s Heroes Two. His later Shaolin films with the Venom Mob actors may relate in some ways, but I consider them separately from the Shaolin Cycle films. Anyway, Shaolin Temple is a great finale to Chang’s non-linear series with a habit of contradicting itself and re-telling different versions of the same story. Shaolin Temple showcases something that has been talked about in just about every film, but has yet to be shown in its full glory: the Shaolin Temple itself. In classic Chang Cheh fashion, it’s also not a typical martial arts film; it’s one that puts the Shaolin Temple and its teachings at the forefront of the film, above character development and even plot. If you’ve seen all the previous entries, this isn’t a big deal, but newcomers might be a little lost with the sheer amount of characters in the film.

Shaolin Temple is basically a prequel to Five Shaolin Masters and Heroes Two/Men from the Monastery/The Shaolin Avengers (and while we’re building shaky Shaw Shaolin timelines, Lau Kar-Leung’s The 36th Chamber of Shaolin would come directly before Shaolin Temple). It also re-tells/re-imagines certain aspects that would tie into those films, so it’s not the type of prequel that completely works. That doesn’t matter in this case, though, as these are folk tales just waiting to be re-imagined and re-told as the teller sees fit. In any case, the film opens with Hung Hsi-Kuan (here played by Wang Wai), Fang Shih-Yu/Fong Sai-Yuk (Alexender Fu Sheng), and Hu Huei-Chien (Chi Kuan-Chun) kneeling outside the Shaolin Temple in hopes of being accepted for training in the martial arts. The Grand Master (Ku Wen-Chung) decides that after five days of kneeling, the men are dedicated enough to withstand the hardships of Shaolin training. What ultimately sways him is his feeling that if he does not teach them, the very survival of the Shaolin martial arts might hang in the balance. They enter the temple, and it begins a new era of the temple training outsiders to aid their resistance against the oppressive Qing government.

Continue reading Shaolin Temple (1976) →

Manhunt (2017)

Manhunt [追捕] (2017)

Starring Zhang Han-Yu, Masaharu Fukuyama, Ha Ji-Won, Stephy Qi Wei, Jun Kunimura, Nanami Sakuraba, Angeles Woo, Yasuaki Kurata, Hiroyuki Ikeuchi, Tao Okamoto, Naoto Takenaka

Directed by John Woo

Expectations: A new John Woo action movie… I love these! But I have very little expectation to love this one, honestly.


John Woo has made over 30 films in various genres, but he is best known for his heroic bloodshed films set in the dangerous world of cops and criminals. His last film to fit the category is 1997’s Face/Off, so calling Manhunt a highly anticipated film would still undersell the considerable excitement of action fans worldwide. There is virtually no film that can stand up to 20 years of pent-up desires, though, and Manhunt is no different. It is not the next Hard Boiled, and it will never achieve such widespread classic status as The Killer or A Better Tomorrow. Regardless of this, Manhunt is a very enjoyable film in its own right, and a nice return for John Woo to the style that made him an international sensation. The focus on the overall style is particularly key, as the film itself hardly resembles Woo’s masterworks in any literal sense.

Du Qiu (Zhang Han-Yu) is a Chinese lawyer working in Japan for Tenjin Pharmaceuticals, a powerful corporation developing cutting-edge drugs. After a company party, Du Qiu is found in his apartment with the corpse of a woman beside him. Charged with murder, Du Qiu escapes the arresting cops and runs for his life. Japanese policeman Yamura (Masaharu Fukuyama) suspects a set-up, and with his recruit sidekick Rika (Nanami Sakuraba) he begins investigating beyond what the initial facts indicate. These threads converge and overlap throughout the film in clever ways, developing the bond between Du Qiu and Yamura, just as you would expect in a heroic bloodshed film from John Woo. The relationship feels undercooked compared to the perfectly executed ones in The Killer or Hard Boiled, though.

Continue reading Manhunt (2017) →

Page 1 of 67123...10...Last »




Subscribe via Email!

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 71 other subscribers

Ongoing Series

Top Posts & Pages