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The Adventures of Tintin (2011)

Starring Jamie Bell, Andy Serkis, Daniel Craig, Nick Frost, Simon Pegg, Daniel Mays, Gad Elmaleh, Toby Jones, Joe Starr, Enn Reitel, Mackenzie Crook

Directed by Steven Spielberg

Expectations: Somewhat high, but I should know better.


Sometimes I get excited about a film despite my better judgement nagging me incessantly to watch something else. This would be one of those times. I read some of the Tintin books as a child, but I am by no means a scholar or in any way knowledgeable about them. I remember the basics, but not much else. When Spielberg announced that he would finally film a couple of the books, I got excited. I thought, “This will be like a new Indiana Jones film, and preferably one without all the negative trappings of the fourth entry into that series (although, I still find that one remarkably enjoyable for some reason).” Then my excitement waned a bit as it was also announced Tintin would be all motion capture animation. I’m not a fan of Robert Zemeckis’s popular forays into the technology, so I found myself torn, wondering if I should be excited or indifferent. Well, I’ve seen Spielberg’s The Adventures of Tintin and honestly it’s a bit of both.

The film jumps right into the storyline without a shred of character development or stage-setting or anything. Just right into the intrigue. OK, I can hang. If it means more time for fun, high-stakes shenanigans, I’m in. Tintin buys a model ship from a street vendor and is immediately accosted by one man willing to pay double, and then another asking him to, “Name his price.” Tintin, of course, states that the ship is not for sale and returns home with it only to have a short scuffle between Tintin’s dog Snowy and an alleycat result in the ship’s masts breaking, and the secret within to fall out.

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Metalstorm: The Destruction of Jared-Syn (1983)

Starring Jeffrey Byron, Michael Preston, Tim Thomerson, Kelly Preston, Richard Moll, R. David Smith, Larry Pennell, Marty Zagon, Mickey Fox, William Jones, Winston Jones

Directed by Charles Band

Expectations: High. With a name like “Metalstorm: The Destruction of Jared-Syn”, it has to be good.


Pitch your tent and start your fires, it’s about to get campy! Coming off the high-brow 3D horror flick Parasite, Charles Band, never one to rest on his laurels, set out to create another 3D epic for the ages. This time he set his sights on the science fiction genre, specifically Mad Max and Star Wars (Technically, I don’t classify Star Wars as science fiction, but that doesn’t matter for this review). The result is the ultra-camp, ultra-fun Metalstorm: The Destruction of Jared-Syn, and it’s one hell of a film.

Summarizing the plot in any depth would require a re-watch as its intricacies aren’t something I was able to keep up with on the first go-round, but the gist is this: Dogen (Jeffrey Byron) is a space ranger hunting the evil Jared-Syn. Along the way he runs into a girl whose father was just murdered by Jared-Syn. They team up and set out on the adventure of a lifetime amid the arid wastes of some post-apocalyptic planet. That’s the overall, but to look at it in such a way belittles the power of the movie. Metalstorm: The Destruction of Jared-Syn isn’t about “Plot Point A” leading into “Plot Point B.” It’s about an alien with a retractable claw-hand that shoots out green hallucinogenic acid. It’s about Dogen hooking up with the Han Solo-esque Rhodes (Tim Thomerson) in a seedy alien bar in the desert (nothing familiar about that one). It’s about fucking awesome car chases with vehicles crudely fashioned from scrap metal and old VW parts. The awesome literally never stops in this film, so I frankly could not care less if it all makes sense. It’s a popcorn movie that succeeds handily, and if that’s what Band set out to make, then it should be applauded. Do purely fun goals make a film any less worthy of praise than one with more artistic goals? Not on your sai-wielding cyclops’s life. (Yes, there are a bunch of cyclopes in this too, see what I mean? Nothing but awesome.)

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Clash of the Titans (1981)

Clash of the Titans (1981)

Starring Harry Hamlin, Judi Bowker, Burgess Meredith, Laurence Olivier, Maggie Smith, Claire Bloom, Ursula Andress, Pat Roach, Jack Gwillim, Neil McCarthy, Susan Fleetwood

Directed by Desmond Davis

Expectations: Moderate, but I LOVE Harryhausen stop-motion.


As I’ve said in reviews past, going back to watch old-school special FX extravaganzas is something of a double-edged sword. You really have to throw yourself into the mindset of the times and consider the film within its place in time. If you hold it up to current standards the whole thing will usually fall apart and you’ll be left picking up the broken pieces of the film you spent the last two hours picking apart. So as a 1981 FX-filled adventure, Clash of the Titans soars and delights, but like the current wave of 80s and 90s nostalgia, Clash of the Titans seems to rise directly out of a nostalgia for the 60s and the glory days of stop-motion monsters with films such as Jason and the Argonauts or The Golden Voyage of Sinbad.

All of those classic films share one defining element behind the scenes, the work of stop-motion master Ray Harryhausen. Clash of the Titans is his swan song, and it contains some of his best work. The Pegasus moves with a realistic quality that makes you question its nature, the Medusa slithers and stalks her prey with glorious fluid motion, the deformed Calibos fights hand-to-hand with Perseus in perfect sync and integration with the live action footage. I could go on, but if you are a fan of stop-motion and you haven’t seen this one, it’s a must.

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Thor (2011)

Starring Chris Hemsworth, Natalie Portman, Tom Hiddleston, Anthony Hopkins, Stellan Skarsgård, Kat Dennings, Idris Elba, Colm Feore, Ray Stevenson, Tadanobu Asano, Joshua Dallas, Jaimie Alexander, Rene Russo, Clark Gregg

Directed by Kenneth Branagh

Expectations: Moderate.


Growing up, I was a hardcore Marvel fan. DC could rot in hell for all I cared, except Batman of course; even a naive, reactionary kid had to give DC Batman. For all my Marvel love though, I was never much of a Thor fan. I enjoyed the Norse mythology and his kick-ass hammer that flew back to him when he threw it, but it was always a book that I read out of circumstance instead of desire. This led me to sit this one out in the theater, but after viewing Thor, I’m sad that I missed it on the big screen. Thor is everything you would want out of a Thor movie, delivering the Asgardian goods in spades.

Thor has so much working against its success, but the filmmakers managed to sidestep every stumbling block and bring the fantastic world of Asgard and Earth together in a believable way. Well, movie believable, but it’s still impressive regardless. Director Kenneth Branagh and the writers achieve this feat by having a short present day scene that leads directly into a nearly half-hour flashback detailing how we got to that initial scene. It may seem like an odd way to go about things, but it really serves the story and the character of Thor in the best way possible.

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The Land of Many Perfumes (1968)

The Land of Many Perfumes [女兒國] (1968)

Starring Chow Lung-Cheung, Ho Fan, Pang Pang, Tin Sam, Fang Ying, Lee Heung-Gwan, Lau Leung Wa, Irene Chan Yi-Ling, Wong Ching-Wan, Cheung Yuk-Kam, Kong Dan, Yip Bo-Kam, Lee Hung-Chu, Gloria Wang Xiao-Ing, Tsang Choh-Lam

Directed by Ho Meng-Hua

Expectations: Moderate. I’m getting somewhat bored of these because they’re all pretty similar.


What’s to say about this series that I haven’t already said? The Land of Many Perfumes is the fourth and final entry into the Shaw Brothers Journey to the West series of films, and unfortunately it’s the most minor of them all. Like the previous films, The Land of Many Perfumes opens with the monk Tang and his followers looking for a place to sleep at night. It’s a long, hard road to the West in search of Buddhist scriptures and beds are hard to come by.

The many perfumes of the title do not refer to thousands of little bottles of “eau du toilette” as you might expect. Nope, they’re talking about all the ladies in the region. Our heroes venture into a realm where only women dwell, reproducing via the river, but this method only allows them to produce female offspring. When the men arrive on the scene, it creates a frenzy among the women as many of them have never seen a man. They all wish to marry Tang, but it is the Empress and her daughter that scuffle the most about it. They don’t want to eat his flesh as the villains in the previous films all did, but they do lust for his flesh in other ways.

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