Rob-B-Hood (2006)

Rob-B-Hood [寶貝計劃] (2006)
AKA Robin-B-Hood, Project BB

Starring Jackie Chan, Louis Koo, Michael Hui, Teresa Carpio, Yuen Biao, Gao Yuan-Yuan, Charlene Choi Cheuk-Yin, Terence Yin Chi-Wai, Conroy Chan Chi-Chung, Andrew Lin, Matthew Medvedev, Ku Feng, Ken Wong Hop-Hey, Ken Lo, Hayama Hiro, Cherrie Ying Choi-Yi, Candice Yu On-On, Chen Bao-Guo, Nicholas Tse, Daniel Wu, He Jun, Ng Kong

Directed by Benny Chan

Expectations: Kinda high. I’ve come to expect good things from Benny Chan.


Rob-B-Hood is kind of a weird movie. Contrasting the modern realism in Benny Chan and Jackie’s previous collaboration, New Police Story, Rob-B-Hood feels like an attempt to revive an ’80s style focused on providing wild entertainment over believability. Apparently the film was originally intended to finally reunite Jackie, Sammo and Yuen Biao, too, lending further credence to this idea. But while the criminal character dynamics between Jackie, Louis Koo and Michael Hui recall early ’80s movies like Wheels on Meals, Rob-B-Hood owes an even bigger debt to the Aces Go Places series. The obvious connection is the baby who is often in harm’s way, but elements of that series’s James Bond riffs also find their way into Rob-B-Hood.

Thongs (Jackie Chan) and Octopus (Louis Koo) are master safecrackers, and we meet them in a hospital’s pharmacy. They are stealing high-priced drugs while their leader, Landlord (Michael Hui), waits in the getaway van outside. Crosscut with this is the birth of a child, which seems insignificant at first but wouldn’t you know it, they showed this birth to us for a reason! Imagine that. Mid-way through the criminals’ escape attempt, a disgruntled and mentally unstable ex-boyfriend of the baby’s mother abducts the kid. At first, he even tries to drag the mother along for the ride, still in her hospital bed. This fiasco gets the heat off of Thongs and Octopus, but as luck would have it, when the crazy ex-boyfriend loses control of the baby and it falls down a couple of stories in the hospital’s open lobby, Thongs is able to jump off the escalator, save the kid’s life, and return him to his mother. Thongs and Octopus are now free to leave the scene of their crime, but their story with this infant is far from over.

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The Myth (2005)

The Myth [神話] (2005)
AKA Jackie Chan’s The Myth

Starring Jackie Chan, Kim Hee-Sun, Tony Leung Ka-Fai, Yu Rong-Guang, Sun Zhou, Maggie Lau Sze-Wai, Mallika Sherawat, Ken Lo, Patrick Tam Yiu-Man, Shao Bing, Ken Wong Hop-Hey, Jin Song, Yuen Tak, Hayama Hiro, Chan Sek, Park Hyun-Jin, Yao Wei-Xing, Choi Min-Soo, Ram Gopal Bajaj, Sudanshu Pandde

Directed by Stanley Tong

Expectations: Low, but hopeful.


One day in 2005 or 2006, I happened upon a Chinese DVD (without English subs) of The Myth in my library. Based on the cover art, I assumed that The Myth was a straight historical drama. Intrigued, I took it home to see if it had any fights. I scanned through the film quickly, didn’t see any, and then wrote the movie off until now. Imagine my surprise when I actually sat down to watch the film and I discovered that there is a wealth of action contained within it! And it’s really fun, entertaining, Jackie-style Jackie Chan action! Whoa!

The Myth begins during the Qin Dynasty, as General Meng Yi (Jackie Chan) receives a Korean princess, Ok-Soo (Kim Hee-Sun), who is to marry the ailing Qin emperor. During the handover, a Korean warrior attempts to kidnap Ok-Soo, but Meng Yi ain’t havin’ none of that. They clash in epic fashion, but Meng and OK-Soo become separated from the troops when they fall into a river fall below. As they hit the water, we are whisked to the future, as the respected archaeologist Jack Chan (Jackie Chan) awakes from a dream. This isn’t his first dream of the princess and a Qin Dynasty version of himself, and this troubles him greatly. As luck would have it, his next assignment — helping his friend William (Tony Leung Ka-Fai) uncover the secret of a levitating mystic in India — will shed a lot of light on these dreams. Who woulda thought it? It’s like a movie or something!

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Vengeance of the Dead (2001)

Vengeance of the Dead (2001)
AKA Sleepwalker

Starring Michael Galvin, Mark Vollmers, Susan Karsnick, Andrea Washburn, Bob Wilson, Dan Kelly, Dick Furniss, Ashley Bodart, June Gracious, Wil Brochtrup

Directed by Don Adams & Harry James Picardi

Expectations: Low, but hopeful.

On the general scale:

On the B-movie scale:


The early 2000s were a low period for Full Moon productions, and in the case of Vengeance of the Dead, Full Moon simply acted as the film’s distributor. The directing duo of Don Adams & Harry James Picardi would later make Jigsaw for the company, but Vengeance of the Dead (or, as they originally and more aptly titled it, Sleepwalker) is purely the product of amateur passion and ingenuity. It is a film made for the love of it all and it shows, even through the film’s slow pace and relative lack of energy. The success of selling the distribution rights to your amateur horror film is a pretty big achievement, though, and the film is definitely worthy of its release (unlike many low-budget films I’ve seen 🙂 ).

Eric (Michael Galvin) is visiting his grandfather (Mark Vollmers), because that’s what good kids do. His grandpa is a nice guy, living is a modest house in a small town. Grandma died not too long ago, so the company is welcome (although it could be said that in most cases, grandkids visiting is always a welcome occurrence). Anyway, the guys catch up over a beer or two, and they open the final Christmas present that Grandma had squirreled away for Eric: a model rocket. It’s just an everyday, normal visit until they launch the rocket and it lands in the debris of a demolished home. While looking for the rocket, Eric takes an old spoon that catches his eye… but it seems that is not all Eric took home with him!

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New Police Story (2004)

New Police Story [新警察故事] (2004)

Starring Jackie Chan, Nicholas Tse, Charlie Yeung, Charlene Choi Cheuk-Yin, Daniel Wu, Dave Wong Kit, Andy On, Terence Yin Chi-Wai, Hayama Hiro, Coco Chiang Yi, Ken Lo, Yu Rong-Guang

Directed by Benny Chan

Expectations: Low.


Titling this film New Police Story evokes memories of Jackie’s successful series of films than ran through the ’80s and ’90s, but the “new” indicates that it’s a reboot or otherwise unrelated. It’s true, Jackie doesn’t play the loose Chan Ka-Kui character, and this film’s character is almost a polar opposite to Ka-Kui’s reckless, Supercop spirit. Jackie plays Senior Inspector Chan Kwok-Wing, a straight-laced man who gets the job done through discipline, strong leadership and efficiency. With a lead character like this, the film takes on a seriousness that none of the Police Story films carry, but anyone who has seen Crime Story will recognize the tone. So a more apt title might be New Crime Story, which is ironic since Crime Story was released in Japan under the title New Police Story. Confused yet? Anyway, what matters is that New Police Story is more Crime Story than Police Story, something that’s not readily apparent thanks to the title. I guess Hollywood isn’t the only film market to title based on name recognition.

A group of young thugs rob a bank in wild fashion, specifically asking for the police to be called when they finish gathering the money. Instead of swiftly making a getaway, they stick around to confront the policemen, seeing the situation as a game, complete with points for kills & property damage. After causing massive casualties, the robbers escape, and now Senior Inspector Chan Kwok-Wing, the force’s most successful investigator, is tasked with finding their hideout and bringing them to justice. He’s so confident in his abilities and those of his men that he brags about catching them within three hours, but when the assault on their hideout is launched, literally everything that could go wrong does. Chan is the staunch veteran going up against the youthful new breed of criminal; New Police Story could also be called No Hong Kong for Old Men. 🙂

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Around the World in 80 Days (2004)

Starring Jackie Chan, Steve Coogan, Cécile De France, Jim Broadbent, Karen Mok, Ewen Bremner, Arnold Schwarzenegger, Sammo Hung, Violet Pan Ying-Zi, Daniel Wu, Kengo Watanabe, Maggie Q, Luke Wilson, Owen Wilson, Rob Schneider, John Cleese, Will Forte, Kathy Bates, Robert Fyfe, Ian McNeice, David Ryall, Roger Hammond, Adam Godley

Directed by Frank Coraci

Expectations: Low, but it has Jackie and an Arnold cameo, so…


I haven’t seen the 1956 version of Around the World in 80 Days since I was a kid, but my initial feeling was that it didn’t seem like something that lends itself to Jackie Chan. But this new version isn’t so much a remake as it is a complete fantasy/steampunk re-imagining with Jackie Chan’s style in mind from the genesis. A new sub-plot focuses on bringing Jackie’s talents to the forefront, and while it definitely isn’t the most inspired story line, it’s more than enough to entertain and justify the stunts and fights we all look for in a Jackie movie. Fans of the novel and the classic, Oscar-winning film will likely be disappointed by this re-telling, but I feel like fans of Jackie might really enjoy themselves if they click with the film’s comedic style (which probably skews a bit younger than Jackie’s other US films). I know I did, and to be honest I was expecting a total stinker!

Passepartout (Jackie Chan) robs a precious Jade Buddha from the Bank of England and is in need of shelter. He finds it with Phileas Fogg (Steve Coogan), an inventor with a rich, creative mind for science. Fogg lacks much life experience “outside the lab,” though, rarely venturing from his home. One of the few places he frequents is the Royal Academy of Science, where he’s regularly laughed at and thought of as an eccentric thinker who lacks the practicality to be useful to the field of science. In a bid to rid themselves of him, the head of the academy, Lord Kelvin (Jim Broadbent), bets Fogg that his calculation of being able to circumnavigate the world in 80 days is incorrect. The stakes are immense: if Fogg wins, he becomes head of the academy, but if he loses he must give up inventing for the rest of his life. Oh, and a bunch of henchmen are in pursuit of Jackie and his Jade Buddha the whole time, further complicating their travels.

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Dead & Rotting (2002)

Starring Stephen O’Mahoney, Tom Hoover, Debbie Rochon, Trent Haaga, Jeff Dylan Graham, Barbara Katz-Norrod, Christopher Suciu, Beth Biasella, Tammi Sutton, Jamie Star

Directed by David P. Barton

Expectations: Low.

On the general scale:

On the B-movie scale:


I always hope to like the movie I’m watching, but I must admit that I started Dead & Rotting with a real sinking feeling. The title seemed prophetic of the film’s quality, and its ugly cover art (see above) didn’t reassure me any. So when I began the film and it wasn’t an immediate train wreck, my spirits lifted a bit. A few minutes in, I actually thought to myself, “This is actually pretty good!” By the end of the film, I had been converted completely, and I can now declare Dead & Rotting to actually be one of the best Full Moon films of the early 2000s. Maybe now I’ll have learned my lesson not to judge a movie by its title/cover, but with Full Moon movies like Magic in the Mirror: Fowl Play still on deck for review, I’m unsure if it’ll stick.

Three prankster buddies are out for a night ride in their truck, daring each other to check out a scary house in the woods rumored to be the house of a witch. Before they can get too close, though, they meet a weird, dirty man who runs them off the property by attacking the truck with some kind of animal on a stick. One thing leads to another and the witch sets out to curse the men, asking them, “Do you know what it feels like to be dead and rotting?” It’s a fairly simple, straightforward movie and it’s also short, so I’ll leave it at that. You get the gist.

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Traces of a Dragon (2003)

Traces of a Dragon [龍的深處:失落的拼圖] (2003)
AKA Traces of a Dragon: Jackie Chan & His Lost Family

Starring Jackie Chan, Charles Chan Chi-Ping, Fang Shi-De, Fang Shi-Sheng, Chan Yu-Lan, Chan Gui-Lan

Directed by Mabel Cheung

Expectations: Moderate.


Traces of the Dragon is a documentary about the lives of Jackie Chan’s parents, the details of which were unknown to Jackie Chan himself until some time around the filming of this documentary. Crazy as that sounds, it’s true; his parents were focused more on surviving and keeping the family afloat than regaling their young son with tales from their lives before he was born. Jackie wasn’t around his parents for much of his youth, anyway. His distaste for regular school led to a 10-year, contracted enrollment in the Peking Opera school where he would meet Sammo Hung and Yuen Biao, laying the groundwork for his life of entertainment and death-defying stunts. And from the way they talk about it in the film, it doesn’t seem like Jackie did much of anything but practice his skills during these school years.

Jackie Chan may have gone on to become a global star, but his parents’ lives are actually far more interesting and worthy of a documentary than his. It’s such a moving tale that the director of the documentary — well-respected Hong Kong filmmaker Mabel Cheung — would later dramatize it into the 2015 film A Tale of Three Cities. They not only lived through the Second Sino-Japanese War and the continued Chinese Civil War that followed it, his father was involved in the war as a Nationalist operative and both of his parents were hugely affected by these country-wide struggles. Their story is one of war, refugees, and making the hardest choices that life can throw your way.

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