AKA Mobile Police Patlabor 2: The Movie
Starring Ryunosuke Ohbayashi, Yoshiko Sakakibara, Daisuke Gouri, Issei Futamata, Jinpachi Nezu, Michihiro Ikemizu, Miina Tominaga, Tomomichi Nishimura
Directed by Mamoru Oshii
This film feels very similar in a lot of ways to the first Patlabor, and to Oshii’s other films as well. A lot of my feelings are the same as I had for the first film. But Patlabor 2 falls short of the first one. It’s a little drier and less ahead of its time, which made me less interested in it.
Its primary flaw is the same as the first film, and something that plagues a lot of the Mamoru Oshii films I have seen. It’s just too slow-moving, and its methodical pacing left me zoning out. I handled the first film well enough because its plot was more intriguing with its focus on computer technology well beyond what I had expected from the time period. Here, however, it just didn’t have a premise that made me sit up and pay attention, and it was a bit predictable as well.
The action scenes are also smaller than in the first movie. Like before, it basically has two of them. One at the beginning and one at the end. But this time around they are shorter and less climactic. This especially robbed the ending of the satisfaction one expects from a movie. It’s still a good scene, and I did love the idea of dressing up giant robots in Kevlar vests. It’s just nowhere near enough to carry the film.
The visuals are a definite step up, though. And considering that the first film looked great, this is quite an impressive feat. Patlabor 2 falls in that perfect time period of improved animation that didn’t rely on CG. There’s a small bit of CG here and there, but not much and it’s not used obnoxiously, so I was OK with it. What struck me the most were the detailed visuals. The backgrounds are great, the characters feel a bit less cartoonish than before, and there were some lovely reflection effects in the skyscraper windows. One brief moment had a character getting out of her car, and we see her warped reflection in the door window for just a second. It’s the kind of visual flourish that I wouldn’t expect, even from the best animation out there.
While this is somewhat outside the scope of a movie review, one other great things about this film is that it had a very good special edition DVD release that is still easy to find, and cheap. Apparently it didn’t quite sell like hotcakes. It came not only with the usual “making of” special features disc, but also with an illustrated book full of articles and commentary on the film. Then there’s the real surprise, a book containing all the storyboards, complete with dialog and Oshii’s stage directions. If you’re a fan of the film, it’s a damn fine set. Too bad I didn’t care for the movie itself so much.